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The Heian Period (794--1185 A.D.) has been remembered as a period of great creativity and literary invention by the Japanese court--waka, authentic Japanese poetry, became established as an art form of its own, separate of Chinese poetry, along with Ki no Tsurayuki compiled Japanese poems composed by the aristocracy into the renowned Kokinwakashū in 905 A.D. Although literature continued to thrive and new kinds that were composed mostly in prose developed under the court too, poetry was never forgotten and had been constantly included in these narratives. The role of poetry in story prose was supposed to express feelings and clarify scenery that were possibly too extreme to be confined to prose, serve as a principle for poem-writing, also provide insight to the process of communication between women and men. Tsurayuki wrote in the preface of this Kokinshū, Kanajō, that poetry was a blend and balance of kotoba (words), kokoro (heart( emotion) and also sama (style). It is naturally a very suitable medium for expressing those very emotions that you may feel incapable of putting into words, these majestic or delicate or fleeting sceneries that you may feel even a picture couldn't capture the true essence of. In 936 A.D., Tsurayuki wrote the Tosa Nikki (Tosa Diary), also a list of his own return to the capital after serving as the governor of Tosa. Under the guise of a woman attendant, '' he wrote of this journey's insecurities, and also to fully capture the emotions of his fellow passengers, he recorded poems that they allegedly wrote if they had been overwhelmed by the regret of Tsurayuki's daughter who passed out while he was at Tosa, or watched a particularly moving scene. One such poem expressed the confusion and anguish of a single traveler who couldn't endure the pain of reme...