Katherine Mansfield's "Life of Ma Parker" presents the unemployed of Ma Parker as being a working-class girl at the turn of the 100 years, in terms of her position inside the sphere with the family and in the sphere of society. "Life of Mother Parker" is actually a story of a widowed charwoman. Like Miss Brill, Mum Parker is a very lonely woman, but their evenly painful tale is advised quite differently, mainly because Mansfield supplies not any background to account why Miss Brill's Sunday passes as it truly does. As the title of the story d, we all receive the account of Ma Parker's existence, which points out her current situation. "As servant, better half, and mother, she's the generic United kingdom working-class girl at the time for the 100 years – cowed by fag and burdened by loss. Her hubby, a baker, died of ‘white lung' disease, and people children whom survived the high rate of newborn mortality chop down victim to other ills of the late-Victorian underclass: emigration, prostitution, poor health, worse luck" (Lohafer 475). At the present justification in the story, Mother Parker happens to work in the house in the literary man after the girl buried the previous day her loving grand son, Lennie, who was the only ray of light in her dreary life. Relating to Irigaray, "all the systems of exchange that organize patriarchal societies and everything the methods of effective work which might be recognized, principles, and rewarded in these communities are men's business….[t]he employees is this constantly assumed being masculine, and ‘products' happen to be objects to become used, objects of deal among men alone" (171). Ma Parker has to play the role of an object distributed among manly employers since she has to back up her children and herself. Ma begins working since the age of 14 as a "kitching-maid" (143). Down the road, "[w]hen that family was sold up she proceeded to go as ‘help' to a doctor's house, along with two years there, on the run by morning right up until light, your woman married her husband" (144).
Ma is usually an object of transaction between men, because she transfers from one man employee to a new, until she actually is married. At this point then, Mother was earning a living for the fictional man, because people recommended him to "get a hag in once a week to wash up" (142, my italics). The literary man, insensitive to his surroundings and lonely because Ma Parker at the same time, dirties everything about him and leaves it all looking like "a gigantic dustbin" (142), yet Ma "pitied the poor fresh gentleman for having no one to look after him" (142).