The film "Watchmen" is a sociable commentary which tells the story of any dystopia 1985. Through flashbacks of certain heroes we find out how the globe, and the character types, ended up just how they did. It also details with how one identity tried his hand at mending it. "Watchmen" plainly shows us America's fear of nuclear holocaust and adding too much electric power in the hands of a few men, in hopes of finishing this threat. Through the use of every tool at their removal including nondiegetic sound, the creation team of "Watchmen" was able to infuse the feeling of creeping darkness, change and fear into every aspect of the completed movie. This enables the film to connect with people using two of their five senses, not only their ability to see but their sense of reading as well.
"Watchmen" runs on the number of music immediately referenced in the comic book series of the same name that the film was predicated on ("Watchmen", Wikipedia). The music was plainly very important to the original comics and is merely as important to the film ("Watchmen", Wikipedia). Each track that was included in the original comic publication series, which ran from 1986 to 1987, is its own piece of social commentary of the time it was made and added trustworthiness to the initial press "Watchmen" was provided in ("Watchmen", Wikipedia). The sounds found in the theatrical release of the film, included in the comic publication or not, when in conjunction with the images from the film, improve and add more interpretation to the movie (Barsam and Monahan).
Bob Dylan's "THE DAYS They may be A-Changing" works throughout the beginning credit sequence, establishing the backdrop of the movie. As the credits are rolling and Dylan's melody plays a shot of a picture reading "Minutemen 1940" is shown, as history for the film. The credits continue to rotate as other small moments of the original 1940's minutemen are shown piecing collectively their good years and their ultimate decrease. Images used include those of Silk Spectre's retirement party, the death of this Silhouette and Mothman being hauled away in an ambulance. As Dylan's haunting lyrics discuss the changing tides in the world other pictures of the Vietnam Warfare and the Kent state massacre are shown, along with the assassination of President Kennedy, the atomic bombs mushroom cloud, getting rid of monks, the first man on the moon, the forming of the new Watchmen, Nixon being elected for one third term, graffiti reading "who watches the watchmen?" and photographs establishing that ultimately masked vigilantes were outlawed (Watchmen, Movie). Through the use of this melody while showing images of the changing times surrounding the glory days of masked vigilantes the audience can patch together that interpersonal and politics problems of the era lead to the formation of vigilantes as well as to their end.
Another important music included in the film is "99 Luftballons", which is heard after Doctor Manhattan instructs Laurie ( Silk Spectre II) that he can't start to see the future because of the opportunity of nuclear fallout (Watchmen, Disc). "99 Luftballons" relates to Doctor Manhattan's problem because it's a song about worries of being bombed from the Freezing War era. This song's about translated British lyrics are about 99 balloons released into the air and finally being mistaken for some sort of missile by armed service causes radar, triggering a nuclear conflict, like the the one which would mask the near future from Doctor Manhattan (99 Luftballons). This tune is probably not noticed by everyone who pieces this film as it is in some other language, but for many who know the background information on this tune it immediately sticks up just like a red flag pointing to the possibility of any nuclear bomb problem.
During The Comedian's funeral field Simon and Garfunkel's 1964 hit "Sound of Silence" can be used. "This songs was written in Feb 1964 by Paul Simon in the aftermath of the November 22, `963 assassination of U. S. Leader John F. Kennedy" (Wikipedia, Sound of Silence"), so that it seems fitted to be used together with a funeral. This song's slow guitar and delicate lyrics force the audience to at least feel sorrow for the death of another individual, even if they didn't think very highly in the Comedian in the flashbacks of him in life.
Towards the end of the film Jimi Hendrix's cover of Bob Dylan's "All Over the Watchtower" plays when Nite Owl and Rorschach, traveling in Archie (an owl formed flying machine), reach Antarctica to avoid Ozymandias's plan that would potentially kill hundreds of thousands of people across the world. Wide injections of Antarctica's vast landscape with the relatively small Archie soaring across it, coupled with lyrics such as " There has to be some type of way out of here/ said the joker to the thief/ there's too much distress/I can't get no alleviation" add a feeling of operating out of time (Lyricsfreak, "All Along the Watchtower"). They lyrics appear to hint that something huge is going to happen. The track comes to a close performing out " All along the watchtower/princes stored the view/outdoors in the frigid distance/a wildcat did growl/two riders were getting close/the wind started to howl" (Lyricsfreak, "All Across the Watchtower"). These lines immediately correlate with the injections in the film, "princes kept the view" easily relates to Ozymandias relaxing inside observing security TV's and media broadcasts from across the globe (Lyricsfreak, "All Over the Watchtower"). The lyrics "two riders were approaching/the wind commenced to howl", are been told just as Nite Owl and Rorschach walk toward Ozymandias's ingredient, with the objective of putting an end to Ozymandias's plan (Lyricsfreak, "All Across the Watchtower") (Watchmen, DVD). This tune is vital to the film since it establishes that buildup tension is about to be released in the climax of the film as Nite Owl and Rorschach procedure Ozymandias.
"Watchmen" also uses the narration of Rorschach as a way to give the audience supplementary information. Even though he is part of the "Watchmen" group he is quite definitely an outsider, the one member still aiming to take action to the decaying city. In this way Rorschach is more of antihero then a classic hero, he even talks about how exactly he doesn't think that everyone should be preserved (Watchmen, DVD). When narrating Rorschach's tone of voice is very gruff, this tends to give off a feeling of unease and hazard. He also speaks very cynically about the point out of the world, that i feel sets up the sensation that something awful is about to happen, a kind of impending doom (Watchmen, DVD).
Appropriate song choice in films is very important so you can get the right feelings across to a audience. Without the use of nondiegetic may seem we wouldn't understand the gravity of certain situations, feel sadness, fear, or foreboding when directors want to utilize sound to set up certain scenes. The sound design in "Watchmen" doesn't just supply the film a good soundtrack; it takes that extra step that allows sentiment to leech from the screen in to the audience. Each songs or sound bite is dripping with sentiment from the time it was produced and makes the dystopia 1985 that we find ourselves surfaced in more genuine, which is very important to an effective sociable commentary film.