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The Roots Of Cosmetics

Have we come full circle with materials from the planet earth that has given as the foundation for cosmetics as they have thousands of yrs ago? This can be answered by exploring the annals of how makeup products began. I have little understanding of the annals of makeup products, but do have some knowledge of why people choose to wear cosmetics today. I know that most people choose to wear cosmetic today because they are influenced by people that wear makeup on TV, films and newspapers also, cosmetics will be the easiest and most common way to improve facial features. There exists so much for me personally to find out about makeup but first I wish to learn why people thought we would wear makeup and what the reason the goal of cosmetics was.

I started my first search at El Dorado Region Office of Education where I do some searching online for the history of cosmetic. The first site I been to was makeup-artist-world. com, that was about the history of makeup. This site had information on how Egyptians were the first to document the importance of face cosmetic as an important part of culture as observed in the breakthrough of traditional Egyptian tomb paintings. There is also information about natural ingredients Egyptians used like unguent, a hydrating material, and kohl soot, to beautify your skin and appearance. Egyptians were not the sole ones well aware of the wonder of soft skin and seductive eyes. The Romans also exhibited the utilization of Kohl for eyesight and eyelash cosmetic. The Romans also used chalk as a pores and skin whitener and rouge. I frequented another website named makeupsuccess. com. On this amazing site I learned that women of Egypt adorned their eyes through the use of dark inexperienced color to the under lid and blackening their lashes and upper lid with kohl. It really is assumed that Jews adopted the utilization of make-up from Egyptians, since references to the painting of encounters appear in the New Testament in the bible. This website was also about how the Roman women used white lead and chalk on their faces. Persian affects added the use of henna dyes to stain their encounters and locks with the belief that these dyes allowed those to summon the majesty of the planet earth. I visited one more website, cyonic-nemeton/cosmetic. html. This site had information about dyes and paints Egyptians used to color the skin, body, and wild hair. Egyptians rouged their lips and cheeks, stained their fingernails with henna, and lined their eyes and eyebrows seriously with kohl. Kohl was a dark-colored natural powder made of smashed antimony, burnt almonds, business lead, oxidized copper, ochre, ash, malachite, chrysocolia, a blue-green copper. The top and lower eyelids were colored in a brand that expanded to the sides of the face for an almond result. It was assumed that kohl eyeliner could rebuild poor eyesight and reduce attention infection. This site was also about cosmetic makeup products Egyptians used for hygiene and health. Oils and products were used for coverage against the hot Egyptian sunshine and dry winds. Myrrh, thyme, marjoram, chamomile, lavender, lily, peppermint, rosemary, cedar, rose, aloe, essential olive oil, sesame essential oil and almond petrol provided the basic ingredients of all perfumes. Perfumed olive oil was used to avoid the skin from blow drying in the harsh weather. I also learned that Egyptians thought that cleanliness is godliness, which bad breath and body smell was grounds for pity. Perfumes made your body function perfectly. Egyptians assumed that to smell beautifully was a sign of holiness, and only perfect-smelling people would be received by the gods when they passed away.

The next search I did was at my home. I started by looking "Cosmetics", and the first site that we went to was webmd. com. This site explained homemade cosmetic makeup products employed by women. Women used burnt fits to darken their eyes, berries to stain their lips and young young man urine to fade their freckles, and swallow ox blood to try and improve complexions. The site was also about how most of the homemade cosmetic makeup products were harmful and fatal. Women used arsenic, lead, mercury and leeches to give themselves the pale appearance. Within the 18th century cosmetic got bulkier then and medical complications occurred. Teeth decay, adverse skin conditions, and poisonings were often triggered by the use of dangerous makeup. Lead and sulfur, mercury, and white lead were frequent issues in the medical world. I also found that in Elizabethan Great britain, cosmetics were regarded as a health threat because many thought that makeup would obstruct vapors and energy from circulating properly. I continued searching for more information and found a site called cometicshistory. com. On this website I came across that in the relics of Babylon, experts acquired unearthed white business lead that was most likely applied as a basis to make the face look lighter or whiter. The Greeks were found to have been using the white lead for the purpose of enhancing their pores and skin tones. I found that on this website that to make their sight bright women would eat smaller amounts of arsenic or cleaned their eye with orange and lemon juice or even rinsed their eyes with the juice of the poisonous nightshade.

The third search I did so was at the public library. I possibly could not find many books on cosmetics but I did so find one called The Beauty of Color by IMAN. In such a publication I read that pale epidermis was a mare of gentility, it meant that a girl could afford never to work outside getting sunshine tanned that was then considered vulgar and coarse. Work in the sun and tough weather coarsened the skin then as it does now. To safeguard the complexion, parasols were used and rooms were shuttered with dark heavy velvet curtains to keep out light. At times effort was designed to keep the neckline in good shape as it was often open in nighttime dresses. Fine blue lines would be painted on your skin to boost the appearance of delicate translucent skin exhibiting blood vessels. It became stylish to look as if you were experiencing Tuberculosis. The white skin area, flushed cheeks, and luminous eye of the condition was imitated with white lead and rouge. Pale pores and skin became known as an indicator of prosperity and stature in world. Fashionable women would achieve the look by making themselves bleed. Spanish prostitutes wore pink make-up to contrast with high-class women's pale encounters and Italian women used pink lipstick to show they could manage synthetic make-up.

To find more information about the pale look I made a decision to use one of the catalogue pcs. The first website I visited was vintageconnection. net. On this site I read that Grecian women decorated their faces with white lead and used crushed mulberries for rouge. Within the Roman Empire, women applied pastes of narcissus, lentil, honey, whole wheat, and eggs to achieve pale complexions. For night wear, chalk and white lead were put on the skin, along with rouge. By the middle ages, women were still striving for the fashionably pale look. The "Great HIDE" was when first, white paint was applied, and then white natural powder, a brownish rouge, and red lip color. Another type of "THE FANTASTIC Cover Up" is beauty areas. Beauty areas were bits of velvet or silk chop into the condition of celebrities, moons, hearts, and similar figures. These patches were applied to the facial skin and body for smallpox marks, and similar grades. Another use of the patches was "secret language". A patch close to the mouth meant you were flirtatious, one next to the right cheek signaled you were married, one on the still left cheek declared you were employed, and one at the corner of the attention supposed you were somebody's mistress.

I visited yet another site, and it was articles about the annals of make-up, it was on buzzle. com. In this article it says that women in the Far East, especially the Japanese and Chinese, stained their encounters with a powder derived from grain to make their complexions pasty white, while men and women of the aristocratic classes in Europe applied white lead and chalk powders to achieve the same ghostly effect.

I do another search at the Tanglewood Town office on the computer. This time I searched for makeup in during the Victorian times. The first site I came across was fashion-era. com. The site talked about ladies in the 19th century. It said these women liked to be thought of as fragile ladies. They likened themselves to fragile blooms and emphasized their delicacy and femininity. They always tried out to look pale and interesting. For these women paleness could be induced by drinking vinegar and staying away from fresh air and sometimes used a little rouge on the cheeks. Make-up was frowned after generally, especially through the 1870's when public etiquette became more rigid. However, actresses were permitted to use makeup and famous beauties could be powdered. This website also said that in the 19th hundred years natural makeup became stylish. Victorian propriety denounced high make-up as the make of "loose" women. Lip and cheek rouge were considered scandalous; instead of their use, beauty literature of the time advised women bite their lips and pinch their cheeks vigorously before stepping into a room. The Victorian face was in fashion until mass makeup marketing reach in the 1920's. American women gained the vote, and the recently liberated woman proved how free she was by displaying her right to speak out; red lipstick virtually became a cultural requirement. Lipstick grew redder throughout the 1930's changing color each year.

The second site I went to was lifestyle. iloveindia. com. This site was about the history of lipstick. I learned that the origin or lipstick can be cited as 5000 years back, in the old city of UR, near Babylon. During this time period, semi-precious stones were crushed and smeared on the lip area as lipstick. The historic Egyptian women squeezed out purple-red color from iodine and bromine, resulting in serious diseases. It became known as 'the kiss of loss of life'. It is stated that Cleopatra's lipstick was created from carmine beetles blended with ant eggs, to provide shimmer to the lipstick fish scales were used. During the 16th century, the lipstick became quite popular in Great britain, under the guideline of Queen Elizabeth I. She launched the pattern of chalk white faces, teamed with bloodstream red lipstick. At the moment, lipstick was made from beeswax and plant life. I learned that in 1770, England's parliament approved a laws against lipstick, stating that ladies who seduced men into matrimony through cosmetic could be tried as witches. However, lipstick became a craze after World Conflict II, owing to the encouragement given by the film industry. In 1930 Hazel Bishop launched the kiss-proof lipstick. During this time lipstick was crafted from waxes, emollients, pigments, and different oils.

The fifth search I did was at Edges bookstore. I found a book known as Allure by Linda Wells. On this publication I read that the 20th century finally caused the use of softer cosmetic makeup products. Doctors began working with plastic companies to ensure safer specifications, and safeness became a popular selling point in adverts. The change of the century also brought about a new freedom of preference to wear "excessive" or "natural" makeup as the wearer desired. The 1920's also brought about another trend, the tan. Women no longer strived for the pale look. While the prosperous prided themselves on no longer working, and therefore keeping indoors, resulting in a pale appearance, the rich of the 1920's prided themselves on no longer working and going outside to play. The wealthy now laid about in the sun, making their pores and skin golden. Instantly everyone longed for that "healthy" bronzed look. I read that with the surge of media, television, cinema pictures, and vehicles, the makeup industry grew by leaps and bound. By the 1930's make-up was available to women of all sociable classes. Today's multibillion money cosmetic industry must meet rigid government regulations about what it can and cannot include in products and must follow safe manufacturing guidelines. The last thing I read was that even though cosmetic has been used some way for a large number of years, makeup as it is today really got its foundation from one man. He's referred to as the "Father of Modern Makeup". He was intimately from the making up of several Hollywood stars and in fact, provided them their signature looks and created make-up specifically them. His name was Max Factor. Maximum Factor created lots of the modern products we still use today; he is even credited with inventing the phrase "makeup".

The last search I did so was an interview with a make-up musician about women using makeup today. The makeup musician I interviewed was Shauna Hixenbaugh. Shauna described that the reasons why women wear makeup are to make themselves more appealing and to become more feminine and sexually captivating. She said it's to express their imagination, their beauty, to hide what they don't like about themselves and highlight what they do like about themselves. There is no correlation between makeup and self-esteem, while there are women who wear makeup that likewise have bad self-esteem, that can be said of any group, including women who wear no makeup at all. There's also women who wear cosmetic and love themselves, for who these are. "Because I wear cosmetic, it doesn't signify I've low self-esteem, am unattractive, am high-maintenance, have something to hide", said Shauna. Shauna thinks it's time to stop these negative stereotypes. She says to speak highly of yourself, mention how you like your lips, if they have lipstick or not, if someone talks badly about you or other women who wear make-up, provide them with a swift talking-to!

From Egyptian's homemade earthy, fatal and toxic makeup to today's nutrient, earthy, formulas that are environmentally safe have dominated the face make-up industry, we've come to a complete circle with cosmetic makeup products. Everything I learned all about the foundation of cosmetic helped me come to a much better understanding of why people chose to wear cosmetics in the first place and just why people still thought we would put them on. I also understand that there are numerous purposes of makeup. The interview with Shauna inspires me to want to travel and not only do peoples cosmetic but to help them realize that with or without makeup whatever they look like, what matters is what they know about themselves that makes them beautiful.


"History of Lipstick. " LIFE-STYLE Lounge. Iloveindia. com. Web. 2010.

"History of Make-up. " Makeup-artist-world. com. Web. 2006.

"History of Make-up. " Makeupsuccess. com. Web. 2011.

"Modes In Makeup. " Vintageconnection. net. 1990. Web. 2004.

Hixenbaugh, Shauna. Personal Interview. 8 Oct. 2010

IMAN. THE WONDER of Color. NY, NY; 2005. Print out.

Narada, Ty. "Ancient Makeup products and Fragrances. " Cyonic-nemeton/makeup products. html. Web.

Rupkalvis, Michael. "THE ANNALS of Cosmetic. " Buzzle. com. 2000. Web. 2010.

Spicoli, Al J. "Makeup Now and Then. " Cosmeticshistory. com. 2010. Web. 16 April. 2010.

Thomas, Pauline Weston. "Makeup Fashion Background before 1950. " 2001. Web. 2010.

Wells, Linda. Allure: Confessions of any Beauty Editor. New York, NY; 2006. Printing.

Wheately, Michael J. "Epidermis and Beauty. " Webmd. com. 2005. Web. 19 Sept. 2009.

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