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The Irony In The Truman Show British Literature Essay

Truman through the Truman Show and Meursault in the Stranger both have things that foreshadow their ultimate options in life, such as symbolism, existential themes, and irony.

In The Truman Show, you can find irony present throughout the whole movie. During almost all of the film, Truman wished to leave Seahaven and go explore the globe. He previously a need to do more than just live a quaint, common life. He is unique, which is his motivation that makes him stand out. His enduring persistence helped him find the solution. For instance, he almost drowned during a surprise while sailing, but he persisted on. Truman acquired a remedy, but it might not exactly have been the answer he was looking for. Once Truman learned that his life was a tv set show, he realized he would not be as unique if he left. He'd not be the guts of attention, and now wants to be just a typical person outside of Seahaven.

There also irony present through the entire Stranger, as Meursault also offers somewhat of an epiphany towards the finish of the novel. Throughout the storyline, Meursault is indifferent to numerous things and will not show strong moral ideals. For instance, he kills a guy without strong reasoning. After getting sentenced to fatality, he truly realizes why he's getting punished for his activities. He understands what will eventually him and accepts it. Ironically, rather than having moral thoughts or emotions of remorse, he feels that hatred of him would make him feel less only. However, he realizes he becomes more comfortable when he better understands real human existence and goal. "As though that blind trend had cleaned me clean, rid me of anticipation; for the first time, in that evening alive with signs or symptoms and celebrities, I opened up myself to the soothing indifference of the world. Finding it a great deal like myself-so such as a brother, really-I sensed that I had been happy and this I used to be happy again. For everything to be consummated, for me personally to feel less alone, I had and then wish that there be a sizable public of spectators your day of my execution and they greet me with cries of hate, " (Part 2, Chapter 5, P. 123). He seems lonely, and it is the hate from the public of spectators that help him feel less only.

Meursault faced a lot of things like an existentialist. For example, he was prepared to accept his consequence after he shot the Arab. He also was ready for fatality, knowing it is inescapable. Some existential designs include freewill, handling your own destiny, accepting your destiny, and taking responsibility for your own actions. These designs are all within The Stranger. It was the freewill that led him to taking pictures the Arab, because he was in total control. He selected his destiny, accepted the consequences, and had taken responsibility for what he did. For example, he understood he was going to die, and accepted it.

There are also existentialist themes within the Truman Show. Even though show's originator, Christof, attempted to keep Truman in Seahaven, he eventually could not. Truman's freewill and control of his own destiny led him to learning about the reality about Seahaven, and thus controlling the results of his life. He accepted the truth of his life being centered around a television set show, but shifted by giving Seahaven. Although Truman's artificial world came to an end, he entered simple fact as he still left Seahaven.

Symbolically, Truman's "fake" world approaching to a finish was foreshadowed by the prior event. The light fixture that fell as Truman remaining his home symbolized things beginning to fall apart. Soon after this even, there were more instances that brought on him to be suspicious and doubtful of the world around him. Another great example of symbolism in the film was the unfinished bridge that Truman and Marlon experienced conversations on. Truman was always uncertain of something when he spoke to Marlon on the bridge, and it could represent Truman's unfulfilled life and doubt. Although Truman's life was unfulfilled in his sight, there is something that foreshadows him journeying in the future and learning about something. The name of his sailboat was the Santa Maria, that was a famous motorboat that Columbus sailed to America on. This foreshadowed Truman giving the town of Seahaven to explore a completely new world.

There is a lot symbolism within The Stranger as well. For example, Mersault does not like being unpleasant, especially from the weather. Many perceive the sun as a source of ambiance, sometimes beauty, but Meursault dislikes heat. Sunlight normally brings delight, emotional warmness or comfort to a person, but Meursault appears to dislike feeling psychological in any way. He also dislikes warmth from sunlight. The sun was a barrier of Mersault's feelings. It also led him to murder. While walking on the beach, Meursault encountered the Arab again. The Arab mirrored light off of his knife from sunlight. Meursault considered to himself, "All I possibly could feel were the cymbals of sunlight crashing on my forehead and, instinctively, the amazing spear soaring up from the knife before me. The scorching cutter slashed within my eyelashes and stabbed within my stinging eye, " (Part 1, Ch. 6, P. 59). Right after this, he taken and killed the Arab. It seems like the little emotions that Meursault experienced took over his activities. Before walks up to the Arab and shoots him, Meursault considers to himself, "It occurred to me that all I had developed to do was turn around and that would be the end from it. But the whole beach, throbbing in the sun, was pressing on my rear. I required a few steps toward the spring, " (Part 1, Ch. 6, P. 58). However, towards the finish of the novel he do gain some morals and grasped a lot more about life. When he does, he investigated the window, with sunlight glowing behind it, and gazed at his reflection: "I shifted nearer to the windowpane, and within the last light of day I gazed within my reflection one more time, " (Part 2, Ch. 2, P. 81).

As you can view, existential themes, icons and irony not only foreshadow, but influence Meursault's and Truman's ultimate alternatives in life.

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