Posted at 12.17.2018
Antigone, a Greek tragedy was written during 441 BC. In Greek tragedy, the play had been familiar to the audience. The dramatist could swiftly come to whatever situation he had determined for exposition of the theme. Sophocles used dramatic irony to keep the audience judging the action of the play in the light of their prior knowledge of the situation. "The Doll's House" a Norwegian play was compiled by Henrik Ibsen in the 19th hundred years. The main theme of the play woman's right to self applied fulfillment was considered highly unacceptable in that years where woman weren't allow to conduct business without a masculine consent.
Another theme that prevails in both plays is electric power. It is exactly what the two characters Creon and Helmer in both plays particularly "Antigone" and the "Doll's house" experienced. Creon's tyrannical vitality on the macro size as a ruler with Helmer's highhanded treatment of his partner over a micro level as head of a family is usually to be discussed in this article. Both men come across as misogynists. Their quickness to guage and assess harshly appears to be emphasized in both conditions.
Creon is shown with diverse relationships with various people. Creon possessed ordered a significant burial for Eteocles but forbidden the burial of Polynecies. Here Creon revolts against the higher unseen law of God and later Antigone revolts against the low visible legislation of Creon. Sophocles attracts Antigone subtly in to the play. Antigone the sister of the Polynecies disregards Creon's decree by heading ahead and carrying out the rituals for her brother's corpse. Despite the fact that she was caught red-handed she was unrepentant. On the other hand she was proud of her functions. Creon the recently crowned king observed his decree flouted. Creon's own boy Haemon who at first facilitates the decisions of Creon, betrothed to Antigone, soon becomes insubordinate and violent. After Haemon leaves Creon, he (Creon) cries in desperation that he will stick to his decision. He tyrannically punishes both Antigone and her sister and when he repents his decision he discovers it is too later.
Similarly in doll's House Ibsen's views differed from those presented by many modern feminists. The main theme of the play was a woman's to individual do it yourself fulfillment was considered highly unacceptable in that age. Ibsen questions the attitude of world denying the girl role as smart individuals. Here we see Torvald Helmer has the primary status and the power inside your home. The whole plot commences with Nora borrowing a certain amount of money from Krogstad. We also see how Krogstad uses this situation to blackmail Nora in the lines "it's obvious that your friend (Mrs. Linde) doesn't want to bump into me again-and it's evident who I've got to say thanks to for getting the sack". Here Ibsen clearly brings about the theme of deception. In the beginning we see Linde's life to be unfilled. Nora's life is blissful, filled with love with man and children. But as the play progresses Ibsen uses the theme of corruption and deceit to be able to reverse the situation where Nora's life eventually ends up being clear and Linde's eventually ends up being felicitous.
Going back again to Antigone; Creon often misuses his power in various situations. Creon feels that his laws are greater than the divine laws. The chorus said that the burial right might be an work of the gods. But Creon dismisses the view. Such view says Creon could come only from an "insane and senile person". He also says that "Is it possible to see gods honoring such bad men? Impossible!" He's not inclined to concur that his decree might be contradicted by the divine law. On one hand Creon shows profound and genuine love for his motherland on the other palm his frame of mind towards Polynices seems to be inappropriate, fanatical and tyrannical. This attitude of Creon seems to be over stepping limits. We can also say that he's been blinded by the absolute power that he maintain. He will not even consider the fact that the departed should be treated differently from the living. The fact that Creon not only orders Antigone but also Ismene shows Creon's Tyranny. He has no proof to order Ismene to fatality. Another Instance of misuse of ability is when the sentry says that "No it is an awful Thing when someone with capacity to assess, judges wrongly" ; we get a hint of how Creon uses his Ability tyrannically and also how electricity can be misused. . A similar instance is seen in the case of Doll's house whenever we see Helmer is blinded by Power. This can be observed in the lines when the truth about Nora is revealed, Torvald reacts, "to wake up to this. . . my joy my life my wife is, deceit, a unlawful. No ethics no faith, no sense of work". We see that as Helmer have power inside your home as he has judged and decided Nora as a unlawful. He does not wish to know the truth. Helmer uses the foulest words to describe Nora.
The theme of insubordination is also observed in these plays. This is seen when Creon came up to ability and proclaimed the liberty of talk in the lines, "man, would you not adhere o the best policies but maintains his mouth sealed through fear is worthless, but later he ironically denies the flexibility that was granted. This can be demonstrated when he says that, Antigone should be ashamed to think so in another way from the others and codes her to keep her mouth shut. He prefers silence before him. We see that he'll not tolerate disobedience of anything decreed by him. He needs blinds behavior. Another Occasion that describes an identical situation is when Helmer will not even want to listen to anything from Nora when he finds out about of Nora forging the personal. This can be seen in the lines "Don't. chat. Talk! Even if you are taken care of, what good is that if you ask me"
A similar situation is seen in the talk between Haemon and Creon we see that Creon is enraged as he does not want to hear anything about himself from his child. Haemon tries informing Creon what folks say about the king, everywhere you go. Haemon hears voices of pity for Antigone who has been sentenced most unjustly to loss of life. Haemon tips at the maltreatment of electricity and problem by Creon by stating, "you will make a good king of a clear country. We are able to see the dictatorial attitude of Creon in the lines "so I am mistaken to value the power I wield?" As Antigone goes against his requests Creon feels that he is just in punishing her. Somebody who facilitates the traitor (Polynecies) is similarly treacherous. When Haemon persists in pleading the situation of Antigone, Creon telephone calls him a 'Foul worthless creature'. This is seen in the lines "you worthless son will you claim with your dad" and "you foul creature, lower than a woman".
In order to instruct his boy such a lessons Creon would go to the amount of ordering Antigone to be carried out in very occurrence of Haemon. A similar dictatorial attitude can be seen in Helmer when he causes his electric power over Nora by expressing that, "You'll stick to here. I will not perhaps you have near children. I could never trust you again. Pleasure is fully gone. Rags, crumbs, pretence". Here again we can easily see deceit in the relationship and how Helmer behaves to keep up looks and Creon attempts to maintain his ability.
Sophocles was interested in the fate of Creon who was responsible for the death of Antigone, his partner (Eurydice) and his son (Haemon). Creon's hasty and biased judgments lead to his own destruction. In the long run Creon did not have anything to cling to as he says "I've nothing; I've no life, lead me away". Misuse of electric power caused his damage. Both Helmer and Creon are autocratic. Helmer was at complete autocratic rule of the family and Creon was the ultimate autocratic tyrannical ruler. We are able to say that both of them are solo judges and both of these judge incorrectly. On one hand Creon is a ruler of an ancient Greek land and on the other hand Helmer is a citizen of the modern time. WE see that Helmer has complete autocratic power in family members and phone calls Nora worthless. His electric power brings about arrogance and Nora leaves the home as Helmer is remaining with little or nothing. Nora did not want to maintain any sort of connection with Helmer. Way more in Creon's case death takes away everything, as his partner and Haemon dies. Both heroes are grief-stricken, as the earth around them emerged to an end and they were too overdue to realize their arrogance and oppressive attitude. A quotation from William Shakespeare could be utilized to spell it out such a situation