Posted at 11.27.2018
The manipulation of terminology in the 'The Handmaids Story' is seen as 'chilling', 'satirical' and 'suspenseful'. This dystopian fiction portrays both the 'cultural development of female personal information' and with different historical interpretations where is with regards to. The theme of objectification of women seems visible in the modern culture of Gilead. With the get spread around of sexually sent diseases and fatalities becoming more dominant, the government needed action. They objectified women by exploiting them and using them to make more children on the globe by using them for sexual mating. Ruth Cosstick reviews the reserve 'The Handmaids Tale' and quoted 'the misuse of environmentally friendly and human resources at the disposal of today's culture. ' This demonstrates Ruth Cosstick thought the book was the misuse of ladies in society and really should be a direct warning to the continuing future of women. The use of vocabulary and the notion of this allow audience see how 'Offred' lost her labor and birth name and everything in life and exactly how she succumbs, as she is considered as 'property'.
The strengths of these interpretations are that people have the ability to see the severeness of what's taking place to Offred and we can obviously see the impact they have on her as the audience we can associate or feel the thoughts of her figure. The weaknesses of these interpretations are that not absolutely all of them are clear in perceiving the subject matter, as Atwood could have preferred. These are effective in making more understanding.
The manipulative words has been carefully determined to represent women and who they are. It has been cultivated around symbolism such as the colours. Probably the most prominent of colors is red in which are the gowns utilized by the Handmaids to explain that they are part of this 'culture' and is worn daily. The usage of red is to portray the bloodstream of delivery, which on the other hand for Atwood, is a good correlation with the women of the modern culture in the futuristic totalitarian theocracy. The colour may also be regarded as a negative relationship to the women and show more feelings of how they may be feeling, this may portray sadness, unhappiness, melancholy and anger for ladies who have emerged as the sufferer. This could be seen as a ploy for desiring some normality in her life, 'I'm ravenous for information, any type of news; even if it's false information. . . ' this quotation conveys her desperation for something new to happen also to know more. She is ravenous, in this estimate, because she's got to listen to news and due to her being so isolated, she is unable to hear much or have a lot of a life outside of being truly a handmaid. This also portrays a feeling of desperation and entrapment in this life that she's and they are maybe no heading back.
Many of the accounts through the book are verbalized from days gone by and present. It is told just like you are inside her mind and see from an initial person perspective. 'It's a reconstruction, in my brain. . . ' although we see the reconstruction of her thoughts, we see from what extend it has caused. Although she actually is the narrator of the book, she has no sense of personality as she was stripped of her id. This is done through the objectification of women in the 1960's in which the inspiration came from. Also the actual fact that ladies were the substandard ones and men got benefit of women as they had the sociable and political electricity of women. This is effective because were then able to see the several views that Atwood was trying to portray and present meanings that are shaped around the language in which Atwood decided. The manipulation of vocabulary portrays this with her name 'Offred' interpretation un-women displaying how she, herself, lost all sense of personality as though it was taken away from her. Due to the communal order of women being undermined by males, she is viewed as 'property' but has one goal. We see that she 'The accepted response' is given but we can see that Atwood as given a short sentence demonstrating dominance over her and being accepted to be a 'victim'.
The use of the overall game scrabble and her vocabulary becomes dominant in her employing this to try and cover up her pain and anger towards what she has been subjected to. We see the make an effort of her trying to change the tone with the addition of in little suggestions such as 'Flowers' which can be seen as an effort by Plath to see that she maybe attempting but is wanting to get through it as best as she can. Scrabble can be seen as a very intellectual game with a great deal of use of the brain, and the actual fact that Offred is keeping all these thoughts back and using Scrabble to distract her from the horror of what is going on around her.
The use of weaving in and from the story and showing it through Offred's tale is the most powerful use terminology in the book. The effect of this narrative in the book is that not all that is informed is fact. The scarce information and understanding of the tale put with Offred's tale shows a more depicted story lines with gaps but a far more enticing tale. But with this we visit a very dissimilar narrative rather than a straightforward narrative. That is scheduled to her straying of matter from time to time such as discussing flowers and asking rhetorical questions which may not be even remotely related to one another and the use of a certain manner shows this with her being more intellectual and careful of how she portrays herself in the book. This is an effective use of manipulating terms because we're able to see how she is reacting from what the government and also have put through her and we're able to sympathize with the type Offred as if she is coping with a uncommon life experience.
In compare to the Clockwork Orange, the language is presented also as very dominating and powerful as Burgess is bringing out a complete new words to the reader. The manipulation to the reader of this new dialect is very tempting but it offers us more in depth knowledge of the violence and feelings for the protagonist and as to the reasons he commits the crimes also to the degree of why he does. This is very effective of Burgess to use in manipulating language through a fresh language (Nadsat) is because we see in the novel a delinquent protagonist with moral views that cause the offences that he commits, but with him being fluent in the terminology, we are able to visit a different intelligent side to Alex which portrays to the reader as completely different from first impressions when starting the novel. That is effective because we are able to see what his thoughts are and the periods he goes through to commit the offences.
With the use of archaic Russian, British, American slang, parts of the Jacobean prose, and gypsy terminology, Burgess can cleverly develop a fluent terms (Nadsat signifying 'teen') in which the protagonist, Alex, communicates well in 'The Clockwork Orange'. Burgess has a profound capability to interpret the politics and economical strains as groundwork for the book. The use of youth culture is effective in 'Clockwork Orange' since you can evidently the see what Burgess acquired witnessed and the result of the stress of this era had induced in the 1960's. Burgess in addition has been able to disclose the idea of the changes and society with people becoming more rebellious with causing rifts through. This became apparent after the novel was published and shows on the culture through the 1960's. This shows the state of mind and mentality of Alex and in which the horrors of a world he lives in. 'Eggiweg' is a best exemplory case of the language and shows the childish dynamics of Alex but a depressive tone is exhibited through the translation of drugs 'Moloko'.
The approach to the manipulation of the terms in this dystopian book is yet progressive but an unusual approach to terror. As opposed to the typical causing you to jump out of your chair terror, it is more mind consuming with the random acts of assault and the methodology in which it's been taken. It really is more shocking because we visit a level to assault where the reader will be stunned and will ask why performed he do that? And what caused him to do such questionable offences? This being effective in the novel as it gives a different emotion to the book, more of attention seeking than anything else. This manipulation of terms into the level of violence triggers the reader to re-think the novel more and analyse the type of Alex more comprehensive. The manipulation of terminology has generated a depressive, yet interesting setting to the book. The violence and corruption of Alex plays a part in this which makes it more stunning than the normal elements of the gothic terror.
The use of the Ludovico approach is for some what has a high level of extremity once we start to see the level that the prisons and government go through to make Alex a better person. When then out of this point see a different person in Alex and the changes that are made to him. That is effective in the manipulation of language since it intrigues the audience into reading more into the storyline, and we feel more sympathy for Alex even as we see that he is a good person and wishes to change.
The use of manipulating terminology by Burgess is seen as an effort to make a more moral and mental health voyage in coherence to Alex's expansion into becoming an improved man. The growth and standardization of Alex's language is distancing from the reader. This is because of the fact that the language will be hard and confusing for the audience to comprehend and relies on the protagonist to portray the meaning of some of the words. That is a way in which Alex vents his feelings to world and a way of him discovering it as if he is rebelling against modern culture.
In contrast with Atwood's 'The Handmaids Tale', words is manipulated for the effect of the mental electricity of men over women is within similar comparison with 'The Clockwork Orange'. It is because Atwood uses the fact of in modern culture men were always a lot more prominent in a marriage and on the whole politics. Atwood uses this effectively in portraying the various layers and how women just got to simply accept that they were the substandard ones to men. We see this in 'The Clockwork Orange' where Alex continues on a crime spree and rapes an innocent girl and burgles the home. We start to see the dominant male body here in wanting the girl to do as he says and comply with his demands. The use of extreme terminology manipulates us into thinking that the severity is even more intense than first anticipated and maintains the reader on edge as to what may happen.
The figurative techniques used in 'The Clockwork Orange' help change language to set-up the dystopian feel but nonetheless to portray the extremism of the assault. This is finished with dark humour and irony, including the dotted repetition through the novel of the dialect and of the functions he commits. By far the most prominent of irony is the use of the term 'beautiful' to spell it out the violent serves that he commits and life's adequate pleasures. For instance, education and religion have emerged as grotesque and unearthly and seems against the idea of a standard life with life's everyday pleasures. Which we see here that in Alex's brain, everything is vice versa and appears to have a different outlook on life when compared to a normal human being wants.
After his reformation, by the federal government, we see more of an honest part to Alex, '. . . what, brother, experienced I escaped into a rest. . . I might have provided the other cheek. . . ' Here, we see Alex becoming more involved in life and considering his actions more. Also we see him contemplating more his feelings towards different facets in life and finding a more moral and religious side alive. This is effective in manipulating vocabulary in the novel because we're able to see the transfer of Alex from childish behavior and committing crimes, to a well developed man buying a new begin in life.
The use of metaphors and similes is very dominant in when reading the novel. These are usually very unorthodox areas and in the most uncommon placing sometimes in the much more serious areas of the novel and some notably in first part of the novel. The greater shocking of these being when they break into the 'Home', and Burgess cunningly uses a protracted metaphor '. . . forget about like ten. . . ' This is portraying their relaxed nature to life and rate the woman they raped lower and much more inferior than they are. This was a standard act dedicated in the 1960's where men objectified women and were highly amused by women being more poor than they are simply and abused this reality. Rape, sexual slavery, enforced prostitution, forced being pregnant and enforced sterilization was accepted as a criminal offenses against humanity of women. Though it was enforced in the 1960's, intimate sent diseases were still on the on the rise and was spreading fast. Women were becoming more providers throughout. A lot of women protested to avoid rape and discriminating ladies in culture but weren't always discovered. We see this is 'The Clockwork Orange' where Alex rapes a helpless female and has to pay the purchase price for what they performed to her. That is an effective interpretation as Burgess effectively makes aware of what men were doing to female and the consequences were bad for the women who had to experience it.
Subverting the proper execution in 'The Clockwork Orange' is performed effectively by Burgess in order to be more creative in the language chosen and the performance that youngsters culture is wearing society. The usage of the unmindful and biased is used for us to be able to see both edges of the view put across. The effect that this has on the proper execution is that you are able to have significantly more of a streaming story and are able to follow the story well. In this manner it is possible to have significantly more of an intimate reference to the protagonist, Alex, and we are able to ask ourselves are own questions and form an thoughts and opinions on Alex and the storyplot being told. Regardless of the pain and discord that he induced, we still feel appreciated to be sympathetic towards Alex for how naЇve he's on life and his immature attitude towards it. So with this, we battle to form an view in a few ways as he doesn't understand the implications that he is causing and doesn't do much for his future. That is effective in subverting the form because we are able to create to different opinions of Alex but we can see a metaphysical trip of him striving to improve for the better.
The strengths of the interpretations are that are that we are able to have a well thought out novel with a whole new language in which the reader can grab. The reader is also intrigued by the use of language to portray the several meanings of the language such as extremism of violence, and the intimacy between him and individuals who try and help him through his quest to adulthood. The weaknesses, however, are that we still have some elements of the novel in which you should be more involved and more alert to his feelings and your not so you have to ask the questions yourself or think what would it be like to maintain his shoes? That is effective because the language is then manipulated sufficiently to help condition these for the audience to comprehend more and stay romantic through it.
In compare to 'The Handmaids Tale', the forms of them both are in the same way contacted. With 'The Handmaids Tale' it is developed through the use of cassette readings and sparse remembrances put together to make a vivid but romantic history of the metaphysical voyage of Offred through her torment. But with 'The Clockwork Orange' it is done by using a metaphysical journey of Alex, from committing offences and objectifying women to learning to be a well grown up business man living the life of a normal man. They are both effective because we view it shape the novels to make a account but are both very personal even as we see each level and feel each feeling.
Julian Mitchell reviews the reserve as 'A excellent combination of horror and farce, contacting Burgess' use terminology an extraordinary complex feat. ' This is showing that the use of terminology is the main element aspect in the book in forming the form and story around this but done in a professional that is both interesting and exciting to read.
To conclude, I think that the language is best manipulated in Burgess's 'The Clockwork Orange' because the creativeness of the new words created 'Nadsat' is both ingenious and interesting for the reader and gives them a new perspective on modern culture. However, in 'The Handmaids Story' the form is subverted much more appropriately and keeps more of a romantic romance with the audience. We see that the use of cassette readings being advised and manufactured in to the novel is very progressive and a clever way for women to relate to, to see how they experienced it and also to put a knowledge out to other women. As opposed to one another, vocabulary is very well presented in both different varieties contrasting how diversely these are written and the way they are provided to the reader.