In the Scandinavian play Hedda Gabbler by Henrik Ibsen and the Greek Tragedy Medea by Euripides, the two protagonists come with an independent-mind on not following a common standards imposed by society about the rights of women. Even though Medea occurred in historical Greece and Hedda Gabbler in Norway in the 1900's and did not discuss the same setting, society's treatment of women was virtually identical. At that time it was amazing to see women rejecting their role and being more robust than their men counterparts. The two characters are being used to illustrate that stereotypes and sexist ideas add to society's treatment and understanding of women.
Feminism changed lots of things for ladies in modern society, taking more equality between genders. In the past, women would not provoke anything about not pursuing society's view on how they should be, therefore these were afraid to be dishonored and offended to be an "inappropriate woman". In these two stories we can easily see the liberation of feminist women who are in advance in time by demonstrating us courage, intellect and electricity. However, in Hedda Gabbler and Medea the female characters astound the readers because of the unpredictability regarding women's right in those days. This is the beginning of advancement for women's right, which as time passes started attaining the to vote, obtain more equal salary compared to men, right to start a divorce technique, freedom of conversation, right to show up at universities, safe abortion, within numerous others. Hedda and Medea are character types that show the effort for the will of equality between genders.
Ibsen emphasizes the storyline with Hedda Gabler although she might portray the story as a perverted woman. Ibsen illuminates her figure for example of the depraved modern culture, who would sacrifice on her behalf own personal, and independence. In those times women experienced almost no independence; they were restricted to remain in their homes and wouldn't normally be able to handle the exterior world from the family. In the publication Hedda Gabler would like independence but she's no measures to be in charge of herself. At this point Hedda can be likened as being a new version of Medea since Hedda urged for independence but was not able to own it, so she conveys her anger by ruining her makes an attempt for fulfillment. She actually is very negative even as we can easily see she wipes out what she will not acknowledge. She refuted her being pregnant, teared down Thea's life-work, burned Lovborg's book, spoiled the manuscript he regarded as his child, and dedicated suicide, are samples that show her desire to have life. Since Hedda has such deception regarding the desire to have life that she is not emotionally in a position to connect with others. Hedda will not carry a role like most of 19th century women; she actually is neither a maid like George's aunt nor housekeeper like Mrs. Elvsted. As something of the nineteenth century, when women were destined to be either respectable old maids like George's aunts or humble housekeepers like Mrs. Elvsted, Hedda is an anomaly. Rather than preparing his girl for wifehood or motherhood, Basic Gabler, Hedda's daddy, educated her to ride and blast, skills of the military, which became her root base for the interest to violence and romance. She has somewhat masculine qualities and have emerged as a comparison in the play. Hedda advised Tesman she got found something to go time with, and it came out to be pistols. This estimate is Tesman's effect. "No, for the love of God, my darling Heddadon't touch those dangerous contraptions! For my sake, Hedda! Eh?" A pistol portrays masculinity, and she feels it's fun to have a pistol in her hand, while male people are terrified to see her with it. This is how the author shows the ambition Hedda is wearing power and on controlling people, which concluded Hedda's research to compare it to Medea.
Medea ignores the feminist stereotypes which were within Greek Society, for the sake of her desire. She questions and challenges that women are fragile and inert, goes against Jason's sexist beliefs, and ignores the role to be a mother, all this for questioning women's inequalities in a patriarchal culture, meaning, federal ruled by men, and home manipulated by men or the eldest. Ladies in those times were to be aware of parents until someone opt for husband on her behalf to marry. Once the woman was taken to her husband's home, she experienced to handle the children's education and behavior. Medea is infuriated by Jason's betrayal and matrimony to another female. So that as she portrays inequality in women at those times, she questions what role and position should woman have in a patriarchal world. We can see at the start of the storyplot when she posses some questions. "Are we women not the wretchedness? We scrape and save a dowry to buy a manOur lives depends on how his lordship feels. For better for worse we can't divorce him. On the other side "husband tired of domesticity, Is out sees friends and enjoys himself" These two quotes clearly illustrate the injustice between genders, and the importance it had especially on women. It's like evaluating women to slaves and men to the freedom the slaves want.
Women seem to be to be pathetic and submissive in the Greek population in Medea's viewpoint. It makes her question about and eventually take action on what she does not seek for her desire. For example she wishes revenge on Jason and she needs to take over the affair. This kind of behavior once again points out to be masculine. Still she is not as strong as a man and is she is unable to find the same position. So she opts by by using a man's willpower, so she says. "I'll eliminate the children" "when all Jason's expectations" "are absent I'll leave this land". This response is extreme, she puts her children's life at the same level as having control over the problem. By demonstrating her determination it creates it clear that it's one other way of provoking feminist ideals and assignments. "This course must run. No weakness. Nostories". This quotation from Medea evidently seems she has really given up on motherhood modals rather than her independence. Medea's feminist target says she has to seek for her independence and desire and since she is very strong willed she comes after what she's to do. An example is when Medea kills her kids. The destiny Medea has is so intense it appears to be she's no control over activities. She portrays to be the opposite of submissive and week girl in Greek society.
Medea is seen as an important identity of feminism, although she disrespected culture. She talks about "nurturing" and "mothering" children that still now a day's people argue and complain about. On the other hand, Hedda Gabler, talks about conditions that were more prevalent in those times. Either report we can easily see the rejection their role in world and appearing to be stronger than their male counterparts. Despite the fact that today, men resemble to be more powerful and controllable than women, but it is only perceived such as this because women still seem to be to be published being weaker exactly like in Medea and Hedda Gabler's time. Regarding liberty and protection under the law, women are almost, not to say a similar as men's.