The book YOUR DAY of the Locust by Nathanael Western world, tells the storyplot of some people who came to California searching for the American Wish. They travel western world hoping to move away from the less than perfect lives and pursue success in Hollywood. The heroes in this novel dream of a life of luxury, making a lot of money, and living a good life. They eventually come to the realization that the glamorous life that California represents is much less easy to attain as they once thought. The personas develop discontented and disappointed with their lives and bitter to the world, which instigates the downfall of this lower degree of Hollywood world.
Nathanael West was created in New York City in 1903. His real name was Nathan Wallenstein Weinstein. Western was the first of three children and really the only guy. He was very near his dad and his youngest sister. Western world had not been that academically recognized, he withdrew from Tufts College or university after only 8 weeks. Football was his interest, but he'd daydream in the outfield. He was hit in the head by a take flight ball and it bounced off for a homerun, he was given the nickname "Pep", which stayed with him the others of his life. Western graduated from Brown in 1924 and rewrote his first tale The Dream Life of Balso Snell. He could get it privately published in 1931. West's last novel was printed in 1939, reselling only about 1, 500 copies. Western world perished in 1940 while returning from a hunting trip. Since his loss of life, his novel YOUR DAY of the Locust has sold over 250, 000 copies, his reputation has risen continually (Hyman).
Tod Hackett is an artist who came up to Hollywood to learn set and costume planning. After walking around Los Angeles, Tod sees people who are "of any different type"(West 23). Tod would like to paint these people who he is convinced came to California to expire. Throughout the e book Tod's painting, "The Burning of LA", is coming to life. In the last section of the book West has Tod in a mob landscape. Tod is painting the individuals he has attained. He's painting Faye; "Faye ran proudly throwing her knees high. Harry stumbled along behind her, keeping unto his cherished derby hat with both hands" (Western world 201). This quote shows Tod's view of Faye and her romance with her daddy. Tod considers Faye as a selfish person who treats her daddy with little respect. In chapter 11, Faye strikes her father to stop him from laughing (Western 77). That landscape implies that Faye is more concerned about herself than her dying father. Faye shows her selfishness when she first complies with Homer and is talking about her father's condition. Faye Greener's figure represents dynamics, "the version of mother nature that is deceptive" (Sanderson).
Homer Simpson came to California with a different goal than the other character types in The Day of the Locust. He looks for only to rest rather than to be bothered by anybody. (88). Homer's downfall is inescapable when he starts to affiliate with the lower levels of Hollywood. Homer's shyness and failure to stand up for himself makes him a good aim for to be always a victim of Faye's arrogant ways. Simpson's love for Faye blinds him out of this obvious certainty, while she strolls around him. Faye constantly uses Homer when she needs help and ignores him when he has problems. This vicious pattern eventually brings about the break down of Homer Simpson. Whenever a young youngster throws a rock and roll a Homer, he viciously unleashes all of his developed emotions of frustration upon this poor boy. Western describes the scene in which this occurs as a regular free for all (147). Simpson becomes another casualty of the effect that Hollywood can impose after a person as well as the tragic and prevalently violent repercussions which happen.
The novel is defined around two similar activities: Tod Hackett's and Homer Simpson's self-destructive pursuits of Faye Greener. However, it uses a great many other symbolic devices to suggest ideas that happen to be difficult to connect to Tod's and Homer's activities. Unlike Homer, Tod knows much of his activities, and he is constantly watching and examining Hollywood life. His perspective blends with the author's, and the critical position is usually identifiable with Tod's. Homer, on the other hand, has little knowledge of the surroundings and of his own motives. His responses are treated as sarcasm because he's deceived by the shoddiness around him, and therefore he resorts to clumsy defenses. Both men go after what is artificial, shallow, and glittering, as well as the explosively intimate Faye Greener, symbolic of Hollywood's falsity and the deceptive American dream. Partly alert to this, Tod still wants her, but he knows that he can't have her and, he knows that his drive is harmful and in vain.
Faye Greener is a seventeen-year-old, platinum blonde would-be Hollywood celebrity and sex goddess. Shallow, heartless, and manipulative, she supplies the focus of attention for most of the male individuals. Faye's first name suggests fairy lightness, and her last name suggests the green freshness of aspect. Her true character is a parody of these qualities. Faye offers a mature body and plump chest and well curved buttocks. She often dresses child like, accentuating her teasing offer of forbidden gender to the men who look at her. She's been trained by her father to think about herself as a theatrical performer and to act with a maximum of artificiality. Faye is at accord with the American illusion that ambition and can are the equivalent of talent. Although she's no real operating ability, she might not really be unintelligent, for in her environment, using her brain could serve no purpose. Self-criticism would only lower her defenses contrary to the predatory Hollywood world.
In Critical article written by Gloria Young, she calls YOUR DAY of the Locust an "apocalyptic vision of impending twentieth-century Holocaust". The book could be regarded as some of a biblical aspect. Tod Hackett could fill up the role of Jeremiah (Young). Tod paints himself into his picture "The Burning of LA" by working wildly in the torch-carrying horde. Western also uses the symbolic imagery of the brand new and Old Testaments to uncover the stopping of a corrupt world. In another Critical essay the novel is named a "realistic book about an unreal city" (Nadel).
The Day of the Locust does not look at the good things about Hollywood, it looks at the part that no person wishes to see or deal with. The novel shows all the problems and hardships that include wanting to make it the movie or operating business. The book targets the despairs of the out-of-work stars trying to make a name for themselves in Hollywood. The character types in YOUR DAY of the Locust feel that they have been swindled out of any perfect wish life. Subsequently all of them chooses to live a life a imitation life. West's Hollywood comprises of retrogression and brothels, of inability and libido, of cock-fighting and third rate boarding homes.
This novel is difficult to interpret because it utilizes various methods to convey its themes, that are not always evidently interrelated. The book sags in a few parts but picks back up at the cockfight which is superb for the rest of the story. The erotic frustrations that go on between Tod and Faye, he desires to get her in his foundation, but she does not want him. There is also another man that was enthusiastic about Faye, which was Homer Simpson. West wanted to inform the storyplot this way, since it was a tale from his life (a few of it anyways). The storyline is actually a take a look at what we must look forward to in the future. The Day of the Locust is in one way or another, a look at the Despair of the 1930's.