In Toni Morrison's book Sula, many heroes fall victim to determining themselves according from what culture dictates that they should be. The ladies in this book are expected to experiment with the part of submissive partner, mother, and homemaker and also to find identification and personal fulfillment through these exact things. There is one figure in the written text, however, who rebels against public norms and selects to check out her own path. This character is Sula, a woman who gradually rejects sociable conformity in trade for the possibility to develop herself into the person that she selects to be rather than the woman society desires her to be. Within the written text, Sula sparks controversy and gets discrimination because of her boldness and personality. However, Sula stubbornly stands strong throughout the text and remains unaffected when confronted with this controversy. By rebelling up against the oppression of her world, Sula can develop an individuality that she can call her own. Though she will pay a cultural price for this identification, the wholeness that she actually is able to achieve is well worth the price, and in the long run it is this wholeness which allows her both to accept death and die amazingly and painlessly.
One thing that Morrison will in this word is to build beautifully complicated characters such as Sula. One of the things that is fascinating to me about Sula's identity is the way that, as the narrator points out, "She simply helped others determine themselves" (95). I really like the way that the community's disgust and resentment towards her actually helps those to behave better and become better people. I think that it is the situation in life, as it is in Sula, that people can only explain and redefine ourselves by recognizing an "other. " When we can identify this "other, " only then can we begin to identify ourselves by using comparison. By labeling Sula as wicked, the people in "The Bottom" can, in contrast, define themselves as being "not bad", and therefore good. Also, by determining Sula as the "other" and in turn the outsider, the city becomes more united. They find something that they can agree upon; they are simply brought closer to one another through their collective and collaborative dislike of Sula.
I feel that Morrison does indeed something very specific and serious with this "other" role that Sula takes on in the text. The audience can very distinctly take notice of the way that outsider becomes the most crucial figure in the story due to the fact the other personas grow, develop, and find out in relation to her. Also an outsider in Sula is another highly complex character named Shadrack, who works in similar ways in the text by leading the rest of the community to get together in their conversation of him, to get together because of him, just to try and shape him out or to gossip. Oddly enough, Sula is one of really the only people in the written text that Shadrack ever before acknowledges. Perhaps this is exactly because they actually have this performing role as "other" in keeping. Not surprisingly, however, both never bond in virtually any significant way. To do this would probably ruin the vibrant of specific vs. community that is available and remains so essential to the written text.
Additionally, something that I came across quite interesting was the markings on Sula that Morrison found in order to demonstrate her originality and "otherness" from the other character types in the text. The narrator describes Sula and her birthmark in the next passage; "Sula was much dark brown with large silent eyes, one of which included a birthmark that spread from the middle of the lid toward the eyebrow, designed something like a stemmed rose" (52). Sula's birthmark seems to directly serve the purpose of setting Sula aside from the rest of the individuals. As Sula grows older, and concurrently grows emotionally better and more impartial, her birthmark mirrors this progress by "getting darker and [looking] more and more such as a stem and rose" (74). This birthmark really works throughout the text to portray Sula's inner strength and development. As the birthmark increases darker and much more apparent, she individualizes herself from population more and more.
I also find it interesting that Sula purposely separates herself from population by very brazenly rebelling against social norms. Actually, Sula completely shuns communal norms and objectives to become true to herself and to further develop her own identification. Instead of staying in underneath and settling down with a spouse and children as was expected of a female of her age group in those days, Sula decides to leave and also to go to college or university and also to do some going instead. When Sula returns to underneath a decade later, it is throughout a discussion with Eva that Sula's rebellion toward cultural prospects really becomes clear. During this dialog Eva asks Sula "While you attended get married? You must have some newborns. It'll settle you, " to which Sula indignantly responds, "I don't want to make someone else. I wish to make myself" (92). Eva's respond to Sula's assertion echoes the thoughts that the majority of society had at that time. Eva says "Selfish. Ain't no girl received no business floatin' around without no man" (92). With this declaration Morrison will such a powerful job of demonstrating the challenge that girls like Sula were against at that time and that many women, irrespective of color or competition, still fight against today. Rather than being praised on her behalf strength and independence as a woman, Sula is called selfish and judged harshly with a society filled with women who've jeopardized their own identities. These same women dislike the actual fact that any woman might be able to live the life of personal independence they are too frightened and/or poor to deal with for yet secretly desire.
Another thing i find particularly interesting in this text message is the idea of love in conditions of how it is provided, explored, and enjoyed out between the individuals. I feel that Morrison definitely performs with the idea of love by presenting character's who most surely do love others, but who illustrate this human emotion in very nontraditional ways. By showing these "alternative" ways to show and package with love, Morrison shows that very universal individuals element cannot be narrowly described and/or put in a box. There are several ways of caring, and there are many people who love extremely in a different way in one another. The audience is presented with somewhat of a challenge in this words; were asked to explore Eva's, Sula's, Hannah's, Nel's, and other character's activities, and to acknowledge that even though these folks do some things that seem to be terrible, each of them does indeed portray and/or present love in one way or another. I think that it is easy for the audience of this words to very quickly judge the character's actions as "not loving" and/or not located in love. It is harder to step back, however, and also to really open up the mind enough to accept that, for example, someplace behind Eva's objective to murder her boy was an extremely caring, sacrificial, maternal goal. The reader must be inclined to explore new alternatives and perspectives to be able to totally appreciate most of different possible interpretations and motivations of and in the love romantic relationships in this text.
In general, I really like just how that Morrison uses her text to explore so many complicated, emotional, and difficult issues. I also appreciate the character of Sula, who works to symbolize a female who takes the time to consider her own meaning, her own price, and her own wishes. Sula is a personality who really embraces herself and appears to realize the energy of getting one's own heart and soul and being in charge of one's own future. I feel that this is a great theme to explore within a text and I believe that, through this wording, Morrison will a fantastically interesting and fascinating job of presenting this notion of power in personal, as well as the thought of multi-faceted love, and that every reader will learn something from participating him or herself with this work.