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Shakespeare's USAGE OF Mercutio

In William Shakespeare's Romeo and Juliet, the character Mercutio mood signify the mood of the play itself, and when Mercutio Dies the Feeling of the play changes from a funny to tragedy, When he is joyful and comic so is the play, When he's dark and grim so is the play. This can be seen thought out the play in various functions, When Mercutio Give his Queen Mab conversation the plays feelings is of love giving comic alleviation but foreshadowing tragedy or when Mercutio is killed and he gives his famous "A plague on both your properties" series and the play spirals in to tragedy, So when he dies the previous mood of Mercutio becomes the disposition for all of those other play. Even if you take a look at Mercutio's name, It really is derived from the Roman god Mercury who was the Messenger god, Mercutio takes on a similar role. He is the messenger for the mood, He brings laughter or tragedy.

Shakespeare use Mercutio to show the feelings of remaining play. In the beginning Mercutio is a free of charge spirited jokester who sometimes suggest that tragedy with fall season upon them, and the play is the same, It is essentially a humor the foreshadows tragedy. When Mercutio first shows up in the play he brings the play out of the Introduction, After all of the main character types have been launched: The Capulet's, The montages, The prince Escalus, Paris, ect. He pushes the play forwards By convincing Romeo to visit the "Mask" performed by the Capulet's where he satisfies Juliet which establish the play directly into a happy and upbeat mood.

In Take action III, field I Mercutio and Tybalt clash in a anxious sword fight which ultimately shows the strain of play, and as the fight continues on Mercutio starts to be more serious and starts to be less comic which is seen in the play as it commence to lose it comic aspect and starts to become a tragedy, at the beginning when Mercutio is the Joker, the nurse is utilized as another way to obtain comic relief however in the Third function she turn into a more serious personality looking to help Juliet from the climax of Romeo killing Tybalt.

When Mercutio Dies this is a turning point and the play commences to begin a increasing action, it is when the works humor fades that begins the tragic string of events starts. when Mercutio dying he provides previous lines of humor in the play, after he is stabbed Benvolio ask him "art tho harmed" and Mercutio brushes it off in a manly remark "a scratch a scratch" and then provides final comic series "ask of me tomorrow therefore you shall find me a grave man" and then Give his famous series "A plague on both your homes" which changes the play from a comic disposition to a tragic, and stay tragic throughout the rest of the play.

Shakespeare use of Mercutio's comic side can be argued that the role of Mercutio as a comic relief is only to think the tragic shade of the play by presenting a distinction of light humor to dark tragedy, this use of comic relief is seen in all of Shakespeare's tragedies from "the porter" in Macbeth to "the gravedigger" in Hamlet. Shakespeare's reason to possess these comic reliefs in his tragedies has been argued that it was to charm to the lower course of audience through the Shakespeare's time.

II. Enter Mercutio

We are launched to Mercutio in action I scene IV, Along with the dialogue between Romeo and Mercutio foreshadows the feelings for the rest of the first act. Inside the get started of the scene Mercutio Is wanting to influence Romeo to go the Capulet "mask", But Romeo will not want to go because he is still annoyed because Rosaline declined Romeo's love, so Mercutio convinces him to put into practice supplying a light hearted talk using playful imagery such as saying Romeo has a "soul of lead" (23) and then presenting a compare of lead and that Romeo should "borrow Cupids wings and soar with them above the bound". The vocabulary that Mercutio uses through the act to encourage Romeo to go to the "mask" is one of any upbeat tone, Shakespeare's use of this is similar in comparison to his other tragedies, in Shakespeare's other tragedies the first serves vocabularies is of a lighter tone like Othello and Rodrigo's comic rambling. The result of this lighter weight vocabulary and contracting is the fact that it thickens the feeling of the next 1 / 2 an making the rising action more clear.

Mercutio's attitude towards love also shows how Romeo's and Juliet view their love. Mercutio believes that love is a "sensitive thing" (23) and says Romeo never to be load by love and this "if love" is "bad with" him he should be "bad with love", which is how Romeo and Juliet view their love, they Refuse to let their families "old grudge" stop their love. Shakespeare carries on with this idea further by how he shows Mercutio being happy that that Romeo has found another love, Even though he is unaware that it's Juliet. And this demonstrates Mercutio Attitude or mood towards the themes brought up are the same that Shakespeare's try to receive the audience to go with.

In the first 50 % of the play, the play has one frequent comic spirits which is sometime replaced by a warning of impending tragedy; an example of this is Mercutio's queen Mab speech. It starts out as a comic rant about "the fairies midwife" who's " no bigger than an agate-stone on the fore-finger of an alderman" who "Athwarts men's noses as they rest asleep" then should go "through lovers brains, and then your dream of love", then toward the end Mercutio Begin to change the mood by declaring that sometimes queen Mab drive though "soldiers" necks "and then he dream of cutting overseas throats". Then Mercutio starts off to continue and then be calmed down by Romeo expressing that he "talk'st of little or nothing" and this structure of experiencing a comic spirits that may also be replaced by a darker alert, helps build up to the pivotal turning point of Mercutio loss of life changing the play from a humor to a tragedy.

Shakespeare often presents Mercutio feelings by long speeches, which is usually brought on by another character saying something ponder. A good example of this is actually the opening of the second take action when Romeo leave his group to search for Juliet and Benvolio and Mercutio go running after him. After Benvolio and Mercutio lose track of Romeo, Benvolio ask Mercutio to simply "call" out to Romeo, But instead he conjures out to him taking place rant getting in touch with out "Romeo! Humours! Madmen! Passion! Fan!", and screaming out to so that he "Speaks but one rime" to make him "satisfied", This rant bring the two 2 function to a comic feelings that will not change until we Mercutio comes back in arena III. The seconed act is filled up with comedy for example this is when "the nurse" does hers famous sketch by causing Juliet rub her back to get the information on Romeo.

Mercutio foreshadows the spirits that'll be raised in the climax during the third take action in field III by expressing his dislike for tybalt. He dislikes tybalt for trying to act as if he's "A lot more than the prince of cats", stating that he's an integral part of the style mongers dialling him a "very good whore". Mercutio look down on Tybalt because he feels that he is an imposter and become if he's royalty, And this bother Mercutio because Mercutio is a kinsmen to the prince making Mercutio royalty. And Shakespeare's use of the shows us how Mercutio leads the feeling of the play by keeping the audience content.

III. . Mercutio's death

In the beginning of Action III Mercutio and Benvolio are faced with Tybalt and this is where shakspeare begins to increase the rate of the play. Right from the start Mercutio shows his dislike for Tybalt and this begins to set the tension for the climax. The significants, of the Mercutio teasing of Tybalt is the result it is wearing the disposition and tone. Within the first 50 percent the play Mercutio is the comic alleviation to more of a violent identity build tension and a red thread to the understanding of the climax. This turning point of the whole play and Mercutio presenting Romeo his previous line of comic relief sharing with Romeo that If he "requests" him "tomorrow so you shall find me a grave man" shocks the audience and starts off a growing action that continues in the rest of the play, This previous line of funny in the whole play and the turning point of the play form a humor to a tragedy. As the humor dies in Mercutio so should it die from the play. Among the ramifications of Shakespeare's unexpected change in mood is the audiences knowledge of the Mercutio's role.

When Mercutio dies the final spirits that he reveals that can be played, is the spirits that the play never leaves the play. This foreshadows the storyline and foreshadows the spirits that the play will need; When Mercutio hopes "a plague on both" their "houses" Mercutio establish that tragedy with come to Romeo. And from this view is able to anticipate that the feelings of the play can do a falling action drastically, which it does. When Mercutio dies his speech that he gives and his loss of life become the turning point of the play and because the spirits of the play comes after the ambiance of Mercutio, when he dies the play struggles to change its ambiance since Mercutio struggles to change it.

Mercutio's dying is a pivotal take action in the play because it brings an imminent change in mood that has been looming on the play. Before in prior scene, Mercutio was a persona filled with life making the landscape Humorous by being the comic pain relief and talk about the feeling of the play. But when Mercutio is killed the mood to all of those other play becomes much more serious, violent, and tragic changing the play from what appeared to be a comedy into a tragedy. At this point Shakespeare uses Mercutio impact the viewers by Tybalt eradicating Mercutio and make their feeling towards Tybalt the same as Mercutio, Because even though the fight was due to Mercutio it was never designed to be a attack to the death and during the struggle Mercutio often makes witty pun as they combat bring in a slight comic mood directly into this tense violent combat. Tybalt kills Mercutio when Mercutio even thought there was a feud between them he Mercutio possessed no intention of getting rid of Tybalt He only wished to combat with him. This help viewer realize why Mercutio's death is so powerful and in a position to change the disposition of the play from a humor to a tragedy.

As Mercutio is dying he curses both households by wishing "A plague o' both" their "houses. " 3 x. Duplicating the curse 3 x Shakespeare wants showing the viewer and make sure they are realize the impact of Romeo and Tybalts actions (Within the 15 century to take action three times was considered to invoke magical power which would make whatever wish action to be true, that's where the expression"three is the magic number" comes from -page 237 "will on the planet") and shows why Mercutio does not forgive Romeo just before he dies, and this brings the audience to totally understand the how dark a spirits Mercutio is bring the play.

The reason Mercutio disposition changes so dramatically is basically because Mercutio's death is really as the result of the feud between your Capulet's and the Montague's or even to be more specific the hatred Tybalt has towards Romeo. Mercutio attempts to help Romeo a Montague's but will not receive anything in exchange but his own death. Mercutio blames his personal injury on Tybalt and Romeo, and magic "Why the devil have" Romeo go "between them?" and claims that he was "hurt under" Romeos "arm. ", Romeo responds by declaring that he do what he "thought" was " all for the best", without listening Mercutio is constantly on the curse which Romeo make clear himself for forgiveness is seen as and try to bring the disposition of the play up, but by Mercutio refusing to pay attention can be seen as Shakespeare's way of saying that the play won't go back to the comedy at that out of this point the disposition will proceed to do its dropping action.

V Romeo Slays Tybalt

Romeo's soliloquy uncovers his mood to the viewer and shows that he's enraged what has occurred to about killing of Mercutio and that he'll seek revenge on Tybalt and this show precisely how Mercutio affect the spirits of the play and exactly how his death acts as the turning point of the play and how his fatality will spiral the plays disposition downwards. Romeo seems that Mercutio's loss of life is slightly his problem and seems guilty because if he had not intervened Mercutio could have probably resided Romeo reason he action because of his matrimony to Juliet.

Romeo's mood changes after Mercutio ambiance has altered; it changes from when he first enters the displays he was sense happy and joyful because he had just been wedded to Juliet in the final scene of take action II. And today after Mercutio's fatality his feeling has altered to be moods of guilt and anger, and like Mercutio's words comedy Romeo no more speaks of love in the same joyful mood. Romeo's changing in disposition show how Mercutio's loss of life transformed the play from an upbeat spirits to a dark and unhappy mood, He enters the scene displaying feelings love and compassion towards Tybalt and following the death of Mercutio, Romeo exits the landscape with a thoughts of bitterness and anger towards Tybalt. Romeo extends to a spot of no go back when He battles Tybalt to avenge Mercutio, and after he kills Tybalt there is absolutely no chance of Him and Juliet living haply ever before after. When Tybalt results after Mercutio dies Romeo does not show Tybalt any previous his 'Compassionate' moods and instead issues Tybalt to deal with to the death and blaming him for the killing Mercutio which "Either thou, or I, or both, must opt for him. ". This is actually the first escalation after Mercutio's loss of life change the play. Romeo eliminates Tybalt leading to "a plague on both" their "properties" and fulfills the foreshadowing done by Mercutio and at this point the viewer completely understands the disposition will no revert to Its cheerful mood. When Romeo eliminates Tybalt and Tybalt lifeless body falls to the bottom, Romeo immediately regrets his actions stating that he's "fortune's fool. ". Shakespeare shows the audiences through Mercutio that ambiance he presents before he dies is ongoing to keep. Romeo eliminating Tybalt was a very non-intelligent because Tybalt was Juliet's favorite cousin and since Romeo wedded Juliet, Romeo has become area of the Capulet family and eradicating Tybalt means that the Capulet's would never be accepted his and Juliet's love, And in so doing sealing his destiny. This shows us that Mercutio's mood dictates the feeling of the play

VI. . Aftermath

After Romeo destroy Tybalt Escalus the Prince come to the picture where Romeo wiped out Tybalt. Romeo getting rid of of Tybalt carries on this chain of tragic occurrences and the Prince enraged by this chain of happenings, banish Romeo displaying kindness and spares his life because he think that there's been too much getting rid of and that if Romeo is carried out that this brawl would continue. Which is the seconded tragic event that uses Mercutio's death. Which continues to follow the tragic feeling that Mercutio started out. Which show that Shakespeare uses Mercutio as a tool to regulate the disposition of the play. After Romeo is banished Juliet is usually to be hitched to Paris but Friar Laurence cannot let this happen so he give Juliet a potion that will give her the appearance of being useless so that she can fake her loss of life and the be together with Romeo. But Romeo fails to get the note from Friar Laurence saying that Juliet is not deceased so Romeo Rushes back again to Verona to see if it's true. On his way to the chapel he is confronted by Paris how considers that Romeo has come to defile the tomb of Tybalt and Juliet Romeo will try to explain but instead the to deal with and Romeo kills Paris. Romeo continues to Juliet and finds her body. Romeo see no point in living and he calls for his own life by enjoying a vile of poison he bought, after Romeo dies Juliet awakes, she sees that Romeo is deceased Juliet stabs herself through the center with a dagger. This string of occasions that happen show us that Mercutio's Feeling never leave the after he dies, and this everything that happens after Action III arena I is because of Mercutio's loss of life and we can expect if Mercutio hadn't perished, the play could have ended on a far more Happy take note.

VII. . Conclusion

If you analyze the study question: "In Shakespeare's Romeo and Juliet, from what extent does indeed Mercutio's fatality change the mood of the play?", it is clear that Mercutio fatality plays a drastic role in changing the spirits of the play for a funny to a tragedy, and this Mercutio death begins a chain effect that bring the play to end on it dark ambiance. Mercutio lead both disposition of the first 1 / 2 of the play as the funny and the next half the is the tragedy, and shows us the viewer that his loss of life is the turning point of the whole play, which shows us the degree that Mercutio fatality changes the spirits of the play by looking at the first part and evaluating it to the seconded. Shakespeare show us that Mercutio Mood controls the spirits of the play and what every spirits Mercutio requires the play comes after.

From understanding Mercutio's move it can lead to more exploration of Shakespeare's motivations for writing the play and why Mercutio Includes a much more substantive role in the play set alongside the other comic reliefs like the porter or the grave digger in his other tragic works. The knowledge of Mercutio can result in further questions of styles like the theme of death and hatred. The bond between hate, violence, and death can be known from understand Mercutio because of his role in the climax.


William, Shakespeare. Romeo and Juliet. CRW Posting limited, 2010.

Stephen, Greenblatt, Will on the globe, Norton Publishing

Edward, Arnolds, Shakespearian tragedy, Stratford-upon-Avon studies

Edited by David Young, Shakespeare's middle tragedies, New Hundred years Views

In William Shakespeare's Romeo and Juliet, How does Mercutio's function as comic relief adjust the ambiance the play?


Romeo and Juliet is known as by many to be one Shakespeare's most know play and is Shakespeare's most performed play besides hamlet, It really is famous because from it iconic love storyline turned tragic due to hated of other. The play has been praised by many due to its relevance even now 400 years later people have the ability to relate to the characters due to its universal designs such as love, fate, time, and light and dark.

Vet is a violent, ecstatic, overpowering drive that supersedes all the values, loyalties, and thoughts. In the course of the play, the young addicts are powered to defy their whole social world: people ("Deny thy father and refuse thy name, " Juliet asks, "Or if thou wilt not, be but sworn my love, / And I'll no longer be considered a Capulet"); friends (Romeo abandons Mercurial and Ben olio after the feast to be able to visit Juliet's garden); and ruler (Romeo results to Verona for Juliet's sake after being exiled by the Prince on pain of fatality in 2. 1. 76-78). Love is the overriding theme of the play, but a reader should always understand that Shakespeare is uninterested in portraying a prettied-up, dainty version of the sentiment, the type that bad poets reveal, and whose bad poetry Romeo reads while pining for Rosaline. Love in Romeo and Juliet is a brutal, powerful emotion that captures individuals and catapults them against their world, and, sometimes, against themselves.

The powerful aspect of love is seen in the manner it is defined, or, more effectively, the way explanations of it so consistently fail to record its entirety. At times love is identified in the terms of religion, such as the fourteen lines when Romeo and Juliet first meet. At others it is referred to as a sort of magic: "Alike bewitched by the elegance of looks" (2. Prologue. 6). Juliet, perhaps, most properly details her love for Romeo by refusing to describe it: "But my true love is cultivated to such excessive / I cannot summarize some of half my riches" (3. 1. 33-34). Love, quite simply, resists any solitary metaphor because it is too powerful to be so easily contained or recognized.

Romeo and Juliet will not make a particular moral assertion about the interactions between love and contemporary society, religious beliefs, and family; somewhat, it portrays the chaos and love to be in love, combining images of love, violence, death, religion, and family within an impressionistic rush resulting in the play's tragic final result.

Love as a Reason behind Violence

The themes of loss of life and violence permeate Romeo and Juliet, and they're always connected to interest, whether that enthusiasm is love or hate. The and Romeo and Juliet belongs to a custom of tragic romances stretching back again to antiquity. Its story is based on an Italian tale, translated into verse as The Tragically History of Romeos and Juliet by Arthur Brooke in 1562, and retold in prose in Palace of Pleasure by William Painter in 1582. Shakespeare borrowed heavily from both but, to develop the story, developed supporting character types, particularly Mercuric

Use of dramatic structure, especially results such as turning between humor and tragedy to heighten tension, his expansion of minor personas, and his use of sub-plots to embellish the story, has been praised as an early indication of his remarkable skill. The play ascribes different poetic varieties to different character types, sometimes changing the form as the type advances. Romeo, for example, grows more adept at the sonnet over the course of the play.

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