Shakespeare in the Nicely the Bear Essay

Shakespeare in the Properly the Rage

The "Tomorrow" soliloquy in Act Sixth is v, scene sixth is v of the Shakespearean

tragedy Macbeth provides central theme and imagery for The Sound and

the Fury. Faulkner may or may not accept this hopeless, nihilistic

portrayal of your life, but he does look at the characterization

extensively.

The next day, and the next day, and tomorrow

Creeps with this petty tempo from day to day

For the last syllable of registered time;

And our yesterdays have lighted fools

The best way to dusty death. Out, out quick candle!

Life's but a walking darkness, a poor person

That struts and fardeau his hour upon the stage

Then is observed no more. It is a tale

Told simply by an fool, full of sound and fury

Signifying nothing (Shakespeare 177-8).

The passage suggests man is mortal although time is definitely immortal. Time

retains its tempo independently of man's actions; it creeps through

man-made institutions eventually leading to man's death. However

time maintains indifference towards gentleman. Life spans happen to be infinitesimal

in comparison to the smallest trademark time. In reality, the

significance gentleman ascribes to human existence is false: life does not have

significance. Life is simply a brief show of strutting and

worrying, "full of sound and rage,... signifying nothing at all. "

Every section of the Sound and the Bear relates to Macbeth's speech.

Every single narrator presents life since "full of sound and bear, " represented

in futile actions and dialogue. Benjy, Quentin, Jason, and Dilsey every

emit frequent wor...

... Faulkner's thoughts about life, a supposed

comparison to Macbeth's. After hundreds of pages of evaluating

Shakespeare's verse, Faulkner concludes his assist an enjoyable

transcendence of nihilism. Faulkner leaves the reader with hope, the

signification of meaning yet to arrive.

Works Mentioned

Commentary. The Sound and the Rage. Olemiss Methods

http://www.mcsr.olemiss.edu/~egjbp/faulkner/n-sf.html

Faulkner, William. The Sound and the Rage. New York: Vintage Books

1984.

Harold, Brent. "The Volume level and Limits of Faulkner's Fictional

Technique. " Modern-day Literary Critique. Vol. 10, 1975.

Irwin, John To. "A Speculative Reading of Faulkner" Contemporary

Literary Critique, Vol. 16, 1975.

Shakespeare, William. Macbeth. New York: Buenos aires Square Press

1992.

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