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Role Of WOMEN AND MEN In 'The Piano Lesson'

There is a huge difference between your role of men and women in the play by August Wilson, The Piano Lesson. There's a clear conflict between the two major people, the siblings, Boy Willie and Berniece, who struggle over a piano that is their family history. Their diverse reaction toward the piano demonstrates the dissimilar role of men and women in resisting the history of their family and, over a broader aspect, their land.

The play's epigraph clarifies Boy Willie's desire and plan for the future: "Gin my cotton / Sell my seed / Buy my baby / Everything she need. " The lyric emphasizes the value of ploughing and working on your own land. Owning Sutter's land will assure him about his future economic and social status. Although he might get no money from the piano, and despite the doubt of the land still being for sale, Boy Willie continues to be hopeful and enthusiastic enough to fulfill his wish.

Totally different from her brother, Berniece is fearful of her history and her own color and exchanges this dread to her girl, Maretha, encouraging her to adapt to white patterns and customs, instructing her to be quiet and humble, and greasing down her hair. While she conveys no idea of her true history to the girl, refusing to pass on the genealogy or any characteristic she affiliates with black life, Son Willie recognizes this as stripping Maretha of any valid id. He is convinced Maretha needs a sense of her family to be able to generate self-pride and become a feasible and valuable person in the black community.

The repetition of labels in the Charles family suggests a strong connection to past decades, but this is a interconnection Berniece ignores"her move north seems part of this effort. She does not want her tranquil but essentially bare life messed up by her brother's sound and energy. She resists the life span he brings, making him inhospitably unwelcome and attempting to devalue and denigrate everything he will. Accusing him of crimes, from stealing their truck

to eradicating Sutter, she is determined his occurrence can only bring trouble. She prefers to shut out life, mourning her man, three years inactive. Yet there's a flicker of life inside, ready to be reawakened, which we see when she allows Lymon to kiss her, and kisses him back again. She also occupies a gun to prevent Son Willie from taking the piano. Having regained sufficient spirit to endure her sibling, she is merely a brief step from locating the courage to face not only whites but her own history.

The major difference between your roles of male and feminine is shown in the conflict between Young man Willie and Berniece above the piano, which represents an argument over whether to honor their slave ancestors or place the family's previous enslavement behind them. Both protecting their history and utilizing it to build an improved future are possible options. Young man Willie's desire to sell the piano is his way of respecting his ancestors and building on the history. For him, offering the piano will not mean forgetting days gone by or disrespecting his ancestors, but a warranty for the future.

Berniece, on the other palm, wants to keep carefully the piano but refuses to pass on its full legacy to her little princess or accept it into her own life, which will no honor to her family ancestors. Berniece has become fearful of her family legacy, finding the sadness it has taken to the womenfolk, and is teaching her daughter, Maretha, white-community beliefs somewhat than those worth by which her own family has lived and passed away.

The siblings' effect toward the piano is completely different. While Berneice does indeed his best to keep the piano as a family heir, Boy Willie will try hard to persuade his sister to market the piano and purchase the land instead. Unlike Berneice, he discovers no use in keeping the piano and he wishes to sell all his family's recent to buy a appealing future for him own do it yourself. The fact that unlike Berneice, he does not value the piano is vivid in his intimidating statement: "if Berneice don't want to market the pianoI'm gonna lower it in half and continue and sell my 50 %. " This statement evokes the biblical account of Ruler Solomon and the two mothers. There were two mothers who claimed over the same baby, so Solomon proposed to slice the baby in two halves. One girl protested and said that she prefers to reduce her child instead of killing him. Solomon found her the true mother. According to the story, it is identified that Youngster Willie is not the real owner of the piano, because he needs to slice it in two. But the concealed part of the Solomon story is the fact that how well the real mother would look after the child if he is so easily stated by another woman. Berniece is accused to the same suspicion because of neglecting the piano's legacy and not playing it.

Berniece has played the piano on her behalf mom because through its tones Ola could hear her late spouse. Since her mother died, being frightened by the piano's spirits alternatively than comforted, Berniece has silenced them by refusing to play. But they are her family spirits she rejects. Maretha's periodic playing is unable to release them because she has been maintained ignorant of their occurrence and relevance to her life. Berniece feels that she actually is keeping Maretha free of an encumbrance by not telling her about the piano, but it is a required burden. The piano's record is a responsibility that should be borne, or the family will lose an important part of its personal information and strength. The piano symbolizes the Charleses' history of slavery and freedom, and this is something they have to own. Owning the piano strengthens the family; allowing someone else to own it'll weaken them all.

Berniece's thoughts and intentions are not as identical to the other participants of his family especially the men. They can be violent, she would like peace. They are seeking murder and battle but she is against all of these because she finds no benefit out of them. As she says:"all this thieving and eliminating and thieving and eliminating. And what it ever lead to? More killing and even more thieving. " She actually is frustrated due to violence and criminal offense that exist in the men of her family, plus more broadly in the DARK-COLORED society. However she evidently knows that she is dependent to her family and she has to aid them to be able to endure in this cruel and racist culture. Corresponding to Berniece's statement it is implied that the role of female in this community is to support the men and accumulate the associates of the families once they are motivated to desperation and assault as a result of causes and cruelty of the white world who are prominent over them.

The sibling's attitude toward their color is somehow different; while Berniece is ashamed of her color, their family resident and anything related to her history and her nationality, Boy Willie is pleased with them and attempts to make advantages out of the things he possesses as an DARK-COLORED man. Boy Willie doesn't need the piano to hook up him as he is quite basically a re-embodiment of his dad, as Berniece herself identifies. Also, Boy Willie has neither left the South nor attempted to hide from the past. Boy Willie takes this say one step further by trying to claim the original family property from Sutter's heirs. But Boy Willie must learn that it is not always smart or necessary to sell off any part of your traditions, and easier to improve by other means. Fortunately, Wilson reveals him with the strength and the willpower to take action. Instead of view his color as restricting, Boy Willie sees it as liberating. He uses his genealogy as a way to obtain strength and pride, unlike Berniece, who can easily see that same recent only as a way to obtain pity and anguish.

However, despite his power, Boy Willie cannot get the battle against the ghost by themselves"he needs the help of his sister and the support of his family. A lessons the piano instructs them is the fact they need to be united before they can change their former bondage into a full sense of freedom. Who gets the piano is less important than the family's need to exorcise Sutter's ghost, which presents white dominance. The piano leads sibling and sister to team jointly against their real foe, Sutter, somewhat than fight one another. Berniece creates a song that draws on her behalf history and her traditions to chase off the ghost. She sings:"I want one to help me/ I'd like anyone to help me/ Mama Berniece/ I'd like one to help me/ Mama esther/ I want you to definitely help me/ Papa Youngster Charles/ I want you to help me/ Mama Ola/ I want that you help me". Her playing emits the piano's spirits, as it acknowledges and embraces their existence. Since Berniece has rediscovered how to use the piano, Boy Willie is content to leave it with her as he mind again south. The play closes triumphantly with Berniece performing "Many thanks" in celebration of her reconnection to her history and her family, and through these, a more robust and even more fulfilling life.

Finally it is Berniece who finds out that in order to safeguard the Charles family, they must unite and leave their prejudices to defeat Sutters ghost which is the rep of the dominance of white race. Berniece realizes that the key with their triumph is bonding alongside one another. She, as the one mature female in the family, includes everyone people and she even summons the souls of the useless to fight against the white race. So Berniece as a woman plays the main role in her family reconciliation and their success resistant to the white race.

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