Posted at 10.15.2018
Secrecy, love, reputation and loyalty. These four words are a continuous reoccurrence in the lives of the individuals in the publication The Great Gatsby. The author of the American common, F. Scott Fitzgerald, boldly presents the idea of Gatsby and Daisy's love by using characterization, imagery, and symbolism to show the audience the dynamic dissimilarities of the past and today's.
The setting of THE FANTASTIC Gatsby brings its viewers to the Roaring Twenties, a time where women were likely to be dedicated and peaceful, while men were awarded to capacity to do whatever they thrilled. The stage of the storyplot is defined on two islands near New York called West Egg and East Egg. East Egg is portrayed to be inhabited by wealthy upperclassmen that come from "old money" and satisfaction themselves on being the socialites of New York. Western world Egg on the other palm is filled by upperclassmen who are trying to become as prosperous so that as popular as East Egg through effort and contacts. Nick Caraway, the narrator of the reserve, has just migrated from the West to West Egg hoping of becoming a successful bondsman. At first the one people he is aware in the East are his cousin Daisy and her hubby Tom Buchanan, but this quickly changes as he's unveiled to Jordan Baker, a famous golfing player and good friend of Daisy. As time passes the secrets of Daisy and Tom's cracked marriage are taken to the surface as Gatsby, the key personality of the publication, is launched. Gatsby lives on Western Egg which is Nick's neighbor. As the storyline produces Gatsby is slowly but surely disclosed for who he is really and boldly professes undying love for Daisy, a committed woman.
Characterization is a key in figuring out and creating the personalities of every individual identity. In The Great Gatsby, Fitzgerald uses different components of dialogue to show how Gatsby is in need of Daisy's authorization.
"She didn't enjoy it, " he said immediately.
"Of course she did. "
"She didn't enjoy it, " he insisted. "She didn't have a good time. "
He was silent, and I guessed at his unutterable melancholy, (Fitzgerald 109).
This shows how Gatsby is really depressed by the actual fact that Daisy didn't enjoy her time at the get together even though he gets the approval of countless others. Gatsby's love and need to provide Daisy only the best is the foundation of his own sadness. Another exemplory case of characterization, is when Nick records "He wanted little or nothing less of Daisy than that she should go to Tom and say: 'I never treasured you, " (Fitzgerald 109). Gatsby justly would like Daisy to be his and not Tom's. This one comment made by Nick truly shows how obvious Gatsby's love for Daisy is to outsiders. His discern about how exactly others perceive his passion for a married woman is striking and clumsy. This sparks Tom's suspicions about his wife's relations with the notorious Gatsby.
Another example of characterization is when Gatsby proclaims that they can and will duplicate the past.
"I wouldn't ask too much of her, " I ventured. "You can't do it again the past. "
"Can't repeat days gone by?" he cried incredulously. "Why of course you can!"
He looked around him wildly, as though days gone by were lurking within the shadow of his house, just out of reach of his side.
"I'm going to fix everything just the way it was before, " he said, nodding determinedly. "She'll see, " (Fitzgerald 110).
This fantastic use of dialogue shows the extreme amount of desperation Gatsby is experiencing. He's so deeply in love with Daisy that he'll attempt to conquer a feat as miraculous as repeating days gone by. Fitzgerald clearly reveals and exposes Gatsby's true thoughts and characteristics.
In the common tale of THE FANTASTIC Gatsby, imagery plays an important role in establishing the feeling of the storyplot and conveying the real emotions of Fitzgerald's heroes. An essential instance where Fitzgerald uses imagery is when Gatsby is talking with Nick at Gatsby's house after one of is own notorious parties. "He broke off and started to walk along a desolate way of berry rinds and discarded favors and crushed blooms, " (Fitzgerald 109). The image of the damaged path Nick describes helps connect the theme of damage and heartbreak that is viewed throughout the novel. Not only is it a type of imagery, this one price could be regarded as symbolization. The path that Gatsby is walking upon could easily symbolize the course of his life and marriage with Daisy. The crushed blooms symbolize his ruined and unreturned love for Daisy, the berries rinds stand for the clear shells of Gatsby, the road is referred to as desolate because that is how Gatsby seems emotionally, and finally the discarded mementos could possible signify having less true friends that Gatsby has in his famous life.
Fitzgerald is literary genius when it comes to making his words circulation and intertwine attractively. On several occasions the author combines two devices into one moving saying. For instance when Gatsby and Daisy are walking through the small town of Louisville one autumn night Fitzgerald catches to subtle change in Gatsby.
The quiet equipment and lighting in the properties were humming out into the darkness and there was a blend and bustle among the list of stars. From the corner of his vision Gatsby noticed that the blocks of the sidewalks really made a ladder and mounted to a secret place above the trees and shrubs - he could climb to it, if he climbed by itself, and once there he could suck on the pap of life, gulp down the matchless milk of surprise, (Fitzgerald 110).
The imagery portrayed in this particular paragraph is exquisite and meaningful. Gatsby realizes that if he remaining at this moment and never fell in love with Daisy he would have the globe and most of its magic. Fitzgerald is wanting to convey how full and successful Gatsby's life could be without Daisy even though Gatsby is blind to the very thought of living without her. The symbolism in this paragraph also helps portray how Gatsby might well have anything he wanted but only when he was by itself.
Fitzgerald brilliantly allows his creative qualities sparkle through his novel The Great Gatsby. He easily shows the thoughts and desperation in his character types. He allows the visitors to feel almost as though they were in the booklet and living the unfortunate life of Jay Gatz. Fitzgerald's uses of characterization, imagery and symbolism are unmatched still today.
Fitzgerald, F. Scott. The Great Gatsby. NY: Scribner, 1925. Print.