In all cultures, traditional costume can be an indicator of nationwide character and values. Koreans use " ot " as an over-all term for clothing. Koreans have designed their ot for their entire body but also for comfortable use. Traditional clothing is named " hanbok, " an abbreviation of the word Han-gukboksik (Korean clothing). Hanbok forms a highly effective appearance of Korean individuality and changes in hanbok design from the past to the present parallel the nation's historical development. Additionally, varieties, materials and designs in hanbok give a glimpse into the Korean lifestyle, while its colors point out the values and world view of the Korean people.
The Beauty of Hanbok
The beauty of hankbok lies in the harmony of its colors and its vivid, simple lines. Most 'jeogori' have simple tie ribbons on the inside to hold them closed down. The long ribbons of the coat are linked with form the otgoreum. The 'otgoreum' is vital since it is one of three things by which the beauty and quality of hanbok is judged. The other two will be the curve of the sleeves, 'baerae' and the way the 'git', a strap of textile that trims the collar and entry of the jeogori, is terminated. The ends of the git are usually squared off and a removable white collar called the dongjeong is positioned in the git. The regular pleats of the chima stretch downward from the high waist and increase in width as they reach the low end of the traditional skirt, creating a sense of gracefulness.
History of Hanbok
The background of Hanbok began from three different colonies (Kogueruh, Baekjae, and Shinla) old Korea. The track of Hanbok was initially founded on the wall surfaces of kingdom's graves. Back in Kogueruh period, clothes were affected by China and Buddhism. "It had been helped bring into Korea when one of the princes committed a princess of your colony in China. " (Hanbok Kusong) That was the starting point of Hanbok.
A walk down almost any streets in Korea will show that today's Korean attire amounts from jeans and casual fashions to tailored suits and elegant designer creations. However, of all outfits one is likely to see, the most impressive is without a doubt the hanbok, the original costume worn by Koreans of all ages, especially on traditional holiday seasons and when participating sociable affairs with a traditional Korean theme.
The hanbok is seen as a its simple lines and the fact that it does not have any pockets. The women's hanbok includes a wrap-around skirt and a bolero-like coat. It is called chimajeogori, chima being the Korean expression for skirt and jeogori the term for jacket. The men's hanbok includes a short coat and shorts, called baji, that are roomy and destined at the ankles. Both ensembles may be topped by a long coat of an identical lower called durumagi.
The traditional-style hanbok worn today are patterned following the ones worn through the Confucian-oriented Joseon Dynasty (1392-1910). Yangban, a hereditary aristocratic category based on scholarship or grant and formal position rather than on wealth, wore colorful hanbok of plain and patterned silk in cold weather and of strongly woven ramie cloth or other high-grade, light-weight materials in warm weather. Commoners, on the other palm, were restricted by law as well as funds to bleached hemp and cotton and could only wear white and sometimes pale pink, light green, grey and charcoal.
Young women wore red chima and yellow jeogori prior to matrimony and red chima and green jeogori after the wedding when bowing to their parents-in-law so when paying esteem to them after going back from the honeymoon. Today, however, women usually wear red hanbok for engagement ceremonies, Western-style wedding gowns and the original red skirt and green jacket following the wedding when greeting their in-laws after the honeymoon. On other occasions, they wear hanbok of nearly every color and cloth including embroidered, hand-painted, or gold-stamped silk, but white is worn largely by old people and used for mourning clothes.
Yangban women wore wrap-around skirts 12 pok (a width of cloth) vast and covered them on the still left part whereas commoners were prohibited from wearing chima of more than 10 or 11 pok and were necessary to cover them on the right. Beneath the hanbok, women generally wore, & most still do, a pair of long bloomers, a long, one-piece slide worn somewhat like a high-waisted, one-piece dress, and a jacket-like part a little smaller than the jeogori. The fullness of the chima allows the putting on of any number of undergarments, a large plus given Korea's cool winters, and also makes it wearable during pregnancy.
Nowadays dresses of two. 5 widths of cloth are generally worn; however, today's fabric is about twice as wide such as ancient times. The majority of today's chima have band for efficiency in putting on. For proper appearance the chima should be taken tight so that it presses the breasts flat and the slit should be just under the shoulder knife. The left part of the chima should be placed when walking to keep it from flapping wide open and disclosing the undergarments. Old women often contain the left side up beside the left breasts.
Most jeogori have simple or small tie up ribbons on the inside to carry it shut. The long ribbons of the coat are linked with form the otgoreum, a bow that is different from the butterfly-like bow of the Western. The otgoreum is very important for it is one of three things by which the beauty and quality of an hanbok is judged. The other two will be the curve of the sleeves and what sort of git, a music group of cloth that trims the collar and leading of the jeogori, is terminated. The ends of the git are usually squared off. A removable white collar called dongjeong is located over the git.
As hanbok haven't any pockets, women and men both carried all types of totes, or jumeoni. We were holding fundamentally of two major types: a rounded one and a pleated, relatively triangular one, both closed down with a drawstring. They were embellished with intricate knots and tassels that mixed a ccording to the position and gender of the bearer.
Although a few of the basic components of today's hanbok and its own accessories were probably worn at an extremely early time, the two-piece halloween costume of today did not begin to advance until the 3 Kingdoms period (57 B. C. -A. D. 668), when the kingdoms of Goguryeo, Baekje and Silla dominated the Korean Peninsula. This is clearly visible in the paintings that adorn the wall space of fourth to 6th century Goguryeo tombs. The murals feature men and women dressed up in long, narrow-sleeved jackets with the still left side stopped the right, trousers and boot-like footwear. Such clothing were probably motivated by the severe northern weather and landscape and a nomadic lifestyle devoted to horseback riding. Also, owing to geopolitical factors, chances are that these were influenced by Chinese styles of dress. Baekje and Silla experienced similar costumes. Silk mandarin robes released from neighboring Tang China were followed for wear by royalty and representatives in 648 by Silla, the kingdom that eventually unified the peninsula in 668. The robes were worn over the local costume. Noble women began to wear full-length skirt-trousers and wide-sleeved, hip-length jackets belted at the waist, and noblemen, roomy trousers bound in at the ankles and a narrower, tunic-style coat cuffed at the wrist and belted at the stomach.
In 935, Silla was changed by a new dynasty called Goryeo, from which the name "Korea" comes from. Buddhism, which Silla experienced already made the countrywide religion, flourished along with printing and the arts, especially celadon ceramics. Through the Goryeo Dynasty, the chima was shortened and it was hiked up above the waistline and tied at the torso with a long, wide ribbon, which includes remained the style ever since. The jeogori was also shortened and its sleeves were curved just a little. At exactly the same time, women began to wear their locks in plaits on top of their mind and men started shaving their mind except for a patch in the middle.
In the 15th century, women commenced to wear full, pleated skirts that completely concealed the lines of the body and long jeogori. With time, however, the jeogori was slowly but surely shortened until it just covered the breasts, which makes it necessary to reduce the fullness of the chima such that it could be extended almost to the armpits, this remains the fashion today.
Today's designers are more and more seeking inspiration in the hanbok and other outfits of their ancestors to build styles with a uniquely Korean flair that can meet up with the requirements of today's standards of living. They are combining the lines and slice of the hanbok and other historic clothes and accessories in their designs and utilizing traditional materials such as hemp and ramie. Actually, many shops now have boutiques focusing on such clothes and outlets specializing in a fresh generation of hanbok for every day wear are springing up countrywide.
Without any doubt, the hanbok, using its roots stretching back many centuries, will continue to grace the streets of Korea for quite some time to come.
Beautiful Hanbok: Satisfaction of the Korean People
In all cultures, traditional halloween costume is an sign of national figure and values. Koreans use " ot " as a general term for clothing. Koreans have designed their ot to protect their whole body but for comfortable use. Traditional clothing is named " hanbok, " an abbreviation of the word Han-gukboksik (Korean apparel). Hanbok forms a highly effective manifestation of Korean personal information and changes in hanbok design from the past for this parallel the country's historical development. In addition, forms, materials and designs in hanbok provide a glimpse in to the Korean lifestyle, while its colors indicate the ideals and world view of the Korean people.
Development of Hanbok
Hanbok is a kind of garments of the Caftan type; a style of apparel commonly observed in Northeast Asia and Central Asia. The outside top garment is loose fitting and opens in the front. It's single part cover mirrors other Asian designs.
Today few in metropolitan areas wear hanbok as daily garments but older ladies in the countryside still wear " chima, " a skirt and " geogori, " a bolero-like blouse. A sokchima is full slip andbeoseon is a thick cushioned socks. In winter, a long overcoat, durumagi, is worn outdoors. Durumagi is also worn on formal occasions in all periods. Men wear jeogori, jokki, a vest, magoja, a coat or short layer, and baji, baggy trousers. For undergarments, they wear modifications of the jeogori and baji. Men also wear beoseon and sometimes a durumagiwhen each goes out.
Ritual apparel are worn at rites of passage. On their first birthday children wear a knee-length vest, a five-colored top cover called kkachidurumagi, and on their head hogeon or bokgeon, peaked or basic hoods. Women wear dang-ui, a ceremonial jacket with prominent lapels, overchima and jeogori, a small bejeweled toque called jokduri on their head, and quiltedbeoseon adorned with embroidery and pompons, on the feet.
For wedding the groom wears a gossamer head wear called samo and dallyeong, a kind of topcoat with a round neckline and a belt. The bride-to-be wears wonsam or hwarot, a long decorative jacket, on top of seuran-chima, an extended skirt embellished with embossed platinum at the hem.
For burialsin the Joseon age, the corpse of upper-class man was dressed up in the official clothing of the best office he kept during his life time. Upper-class women were dressed up in dress corresponding to the rank of her husband's last formal post. Common individuals were wrapped in hemp robes patterned after the wedding clothes.
There were also special apparel for rituals performed at Jongmyo, the royal ancestral shrine of the Joseon Period, as well as for shamans, folk dancers and other performers.
In the ancient times through the Gojoseon period (paleolithic era-57B. C. ), information reveal that folks trimmed their head and wore hats.
During the 3 Kingdoms period, which started out with the founding of Goguryeo (37B. C. -A. D. 668), hanbok contains a two-piece "unisex" outfit. The upper apparel ( yu ) of this period opened in the front and came down to the hips. These were performed shut with a belt. The lower garments ( go ) were also attached off above the feet. Notably, the starting flap of top of the garments appears to have been the right to left style in contrast with the departed to right flaps on the jeogori worn today. This change in direction of the opening flap occurred following the mid-Goryeo period. Among American garments, a right-side flap is used for male dress, while a left-side flap is employed for female apparel. Thus, the unisex style popular in the modern period can be said to have started in East and North Asia, whereas the differentiation between male and female attire is considered to have originated in the West. Old Koreans produced higher and lower clothes in a snuggly fitted style, which were beautiful yet nearly suitable for the dynamic lifestyle of nomadic hunters. But dress and ornaments like mind items, necklaces, bracelets and earings of higher class were great and decorative.
Korean society diversified while connections with neighboring countries increased during the Silla period. At this time, Koreans began to create the international fashions of China 's Tang Dynasty. Examples include sleeveless shirts for girls, long scarves, attractive hairpins, male headdress and coats with rounded lapels. Complex silk clothing and ornaments are deemed related to the refined clothing styles of the period from Persia to Japan 's Nara period.
During the Goryeo period, the long higher garments of the prior period gave way to waist-length clothing. As a result, midsection belts were substituted by cover tie-strings, otgoreum. As one of the unique top features of Korean clothing, the jacket string was in the beginning a short, skinny wire but eventually developed into the style seen today, i. e. , an extended, dangling piece of material that hangs down below the knees. Around this time, after the splendid Silla fashion, the function of Goryeo embraced a more calm and quiet manner. As Goryeo modern culture considered the values of frugality and simpleness, the peaceful beauty of agricultural life found manifestation in the period's famous blue celadon vessels and white clothing. Korean clothing underwent further refinement as egyptian cotton was released into Goryeo from Yuan China. In addition, clothing polices were introduced from in foreign countries and something of official uniforms was established for the palace.
The start of the Joseon period noticed the development of a Confucian world. At this time, the utilization of organic cotton became widespread all over the country. In addition, the period saw the introduction of a unique script, known as Han-geul, and the publication of numerous scholarly compilations. At exactly the same time, there were diverse improvements in the machine of ritual clothing. Confucianism, as the central ideology and trust of East Asia, was positively pursued at this time, along using its system of ritual dress.
Ritual clothing symbolized the obvious manifestation of intangible Confucian virtues such as benevolence, propriety, knowledge and trust. Clothing served as a medium for the noticeable expression of the rite. Hence, Joseon apparel, in addition to its role in delineating interpersonal status, symbolized a stringent conformity to Confucian rules of ritual attire. Specifically, a standardized system of clothing for the various rites of passages was established relative to numerous ritual manuals. Special clothes was worn for the rites of manhood, relationship, mourning and memorial services. Even today, this clothing is seen at wedding ceremonies and funerals, and in especially conventional areas, the special clothing for memorial services continues to be worn. The original dress of Confucian scholars is seen in the paintings of the famous Joseon folk painter, Sin Yun-bok. In these paintings, the external robes are long, yet never touch the ground. In the robes, multiple layers of undergarments can be seen. With extensive sleeves clinging down, the grave-looking scholar sports activities a broad-brimmed, horse-hair head wear.
The late-Joseon period was faced with great social changes as the common people emerged to resent the feudalistic system. The time was also designated by significant changes in principles and aesthetics. At this time, female entertainers required the business lead in the new trends in women's attire. Men's styles, on the other palm, were primarily affected by users of abroad missions, politics reformers, overseas students and Western missionaries. Folk skill depictions of women during this era suggest to them putting on white belts, snug jeogori that show the contour of the breast, and numerous undergarments exaggerating the volume of the dress. The erotic beauty of the garments has little precedent in traditional Confucian culture.
The beginning of Korea to the Western intensified the pace of change in apparel. Especially, clothing during this time period became much simpler. Through the Gabo Reform (1894), clothing features for various ceremonies were blended to form a single ritual clothes. The awkwardly extensive sleeves became narrower and male top-knots were cut off. Among woman's outfit, undergarments as well as concealing vestments such as the sseugae-chima (shawl), jang-ot (hood) and neo-ul (veil) gave way to a more practical, short overcoat.
The disappearance of traditional clothes during the process of modernization has been described in romantic relationship to economical development. Nations which have industrialized and developed financially have given up their traditional clothing as their every day dress at a more rapid speed than economically backward nations. In Korea, the hanbok commenced to go away from the lifestyle in the 1960s and came to be used only on special events. As for traditional ritual dress, only marriage and mourning clothing have survived. Traditionalhanbok are actually only seen on special traditional occurrences such as folk festivals, shaman's rites called gut, historical dramas or reenactments of palace ceremonies.
The hanbok has been subject to many changes but still preserves the same components of pants, outer coating, skirt, and so on. During its development, the hanbok acquired some elements from neighboring countries, while changing to match the particular needs of the days.
First, the hanbok worn by women as day-to-day attire is composed chiefly of the next: a dress ( jeogori ), a skirt ( chima ), and undergarments, such as an undershirt ( sokjeogori), under pants ( gojaeng-i ), inner skirt ( sokchima ) and socks ( beoseon ). Men's hanbok are made of jeogori, pants ( baji ), an overcoat ( durumagi ), vest, outer coating ( magoja ) and socks ( beoseon ). Traditional western accessories such as shoes and handbag are also used.
In recent years, Korea 's Ministry of Culture and Tourism has launched a plan encouraging visitors to wear hanbok. Facilitated by Koreans' fondness for his or her own customs, the advertising campaign has marketed the creation of new hanbok styles that are useful for everyday use. At the moment, hanbok, as every day apparel, is worn chiefly by old people and by the overall society during special situations such as traditional holidays, weddings and 60th birthday celebrations.
Second, there is a hanbok worn during rites of passage. Examples include baenaet jeogoriworn by newborn newborns, hwarot (loose robe adorned with peonies) worn by a bride-to-be as the bride-to-be presents gifts to her new parents-in-law, wonsam (ritual clothing worn by a female), and jokduri (black, silk headpiece worn by women), hairpieces, daenggi (pigtail ribbons). During traditional weddings, the person wears a huge robe known as a dallyeong over his other clothing, a gakdae (traditional belt) and samo (large cap with round projections of the departed and right).
During funerals, the corpse is clothed in special clothing. The clothing design is the same as that of marriages, but natural-colored hemp is utilized instead. Women from the deceased person's family wear white skirts and jackets.
Third, there exists special outfit worn during all traditional rituals and related happenings.
As seen above, the hanbok design is seen as a a two-piece costume without pockets and switches that is closed down with strings, belts or cords. In traditional ondol houses, people take a seat on the warm floor, thus the lower limbs of the lower garment tend to be baggy. Hanbok colors derive from natural hues which are interpreted matching to East Asian ideas of eum-yang (yin-yang) and the five elements. The feminine aspect is symbolized by yin and likewise the lower garment is given a yin color. Yang presents the male aspect as well as upper and outer clothing. White garments, which the Korean people have been very keen on, suggest the Koreans' simple and natural cosmetic sense.
In traditional Korean clothing color can be used symbolically. White was the basic color most generally used by the normal people. It symbolized a humble and pure spirit. Red signified fortune and wealth and thus was used in woman's wedding garments. Indigo, the colour of constancy, was used for the skirt of court ladies and the official coats of courtroom officials. Black, symbolizing infinity and the fountainhead of all creation, was used for men's hat. Yellow, which symbolized the guts of the world, was used for royal clothing. Common individuals were forbidden from using yellow. These five colors were also tightly established as icons of the four guidelines and the guts of the universe and order of the world.
Neutral colors symbolized the yin or implicit virtues. They were used for embroidery on clothes worn below the waist. The five cardinal colors, symbolizing the yang, or overt virtues, were found in patterns on clothing worn above the waist. The five coloured apparel worn by children, five-colored purses and five-colored dancing halloween costumes are good examples of this symbolism. Colors symbolizing heaven and earth were used for bridal dress.
Unlike the majority of the world's individuals, Koreans have managed to preserve the essential design of their traditional attire up through the modern period. Their capability to do so can be related to their strong sense of nationwide identity.
To study the history of a national costume is to understand the culture and figure of that country. It is no real surprise that the hanbok, like the original outfits of other countries, is increasingly seen as ceremonial or ornamental clothes today
First, the hanbok worn by women as every day attire is made up chiefly of the following: a dress ( jeogori ), a skirt ( chima ), and undergarments, such as an undershirt ( sokjeogori), under pants ( gojaeng-i ), interior skirt ( sokchima ) and socks ( beoseon ). Men's hanbok are made of jeogori, pants ( baji ), an overcoat ( durumagi ), vest, external coating ( magoja ) and socks ( beoseon ). European accessories such as shoes and handbag are also used.
Jeogori The jeogori makes up top of the part of hanbok. Men's jeogori are greater and simplistic while women's jeogori are rather short and seen as a curved lines and delicate decorations.
Dongjeong The dongjeong identifies a white collar attached along the rim of the neckline. It contrasts and harmonizes with the entire curve of the neck.
Otgoreum (Cloth Strings) The otgoreum is a women's ornamental part, which hangs vertically across the forward of the chima (women's skirt).
Baerae (Jeogori Sleeve)
The baerae identifies the low lines of the sleeve of either the jeogori (traditional jacket), or the magoja (outer jacket). It includes a circular line which is effortlessly curved, like the line of the eaves of the original Korean house.
The chima is the women's outside skirt. There will vary types of chima: single-layered, double-layered, and quilted. Pul-chima identifies a chima with a separated rear, whereas a tong-chima has a seamed rear.
Traditional patterns graceful lines and color combinations improve the beauty of hanbok. Vegetable, pet, or other natural habits are added to the rim of chima, the areas encompassing the outside collar shoulder blades.
The beoseon corresponds to a pair of contemporary socks. But the form of the beoseon does not reveal any difference in the gender of its users, men's beoseon are characterized by a in a straight line seam.
Gat(Men's head wear)
The durumagi is a normal overcoat worn on special occasions over the traditional coat and pants.
Baji refers to the lower area of the men's hanbok. Compared to american style pants, it does not fit firmly. The roomy dynamics of the material is because of a design targeted at making the material ideal for seated on the floor.
The kkotsin refers to silk shoes on which flower habits are embroidered. They play an important role in doing the graceful line of the lower rim of the chima.
Because of the diverse weather conditions, clothes have been made from hemp, ramie, natural cotton muslin, silk, and satin. Chiller weather demanded heavier textile, lined with hair in the north locations, while sumer clothes used thinner materials that allowed breezes to cool your body. In the autumn, many women would wear clothes of gossamer silk because it gave a rustling sound while walking that is comparable to walking through dry leaves.
he traditional-style hanbok worn today are patterned following the ones worn during the Confucian-oriented Joseon Dynasty (1392-1910). Yangban, a hereditary aristocratic school based on scholarship and standard position rather than on prosperity, wore colorful hanbok of basic and patterned silk in winter and of carefully woven ramie towel or other high-grade, light-weight materials in warm weather. Commoners, on the other side, were restricted for legal reasons as well as money to bleached hemp and cotton and may only wear white and sometimes pale green, light green, gray and charcoal.
Hanbok worn today are patterned after those worn through the Confucian-oriented Joseon Dynasty (1392-1910). Yangban, a hereditary aristocratic course based on scholarship or grant and public position somewhat than on riches, wore colorful hanbok of ordinary and patterned silk in winter and closely woven ramie towel or other high-grade, light-weight materials in the sunshine. Dyes were created from natural materials such as flowers or bark.
The upper school and court numbers used clothes in five colours. These basic colors are yellow, red, blue, black and white. Each color is symbolic and has interpretation. These colors, symbolize the five traditional elements in Oriental cosmology which are fire, earth, normal water, metal, and lumber. Yellow means center and globe. Red means north and fire. Blue means east and wood. African american means north and water. White means western and metallic. White symbolizes purity, integrity, and chastity, and was the most typical color for common clothes. Commoners, on the other hand, were restricted for legal reasons as well as funds to bleached hemp and egyptian cotton and could only wear white, pale pink, light green, gray or charcoal colors. Gold symbolizes emperor, therefore the public can't utilize it.
Young people often use vibrant violet.
Young women used red chima and yellow jeogori prior to marriage
Middle aged people often use deep violet.
More older people often use a dark color of violet.
Unmarried women usually wore a vivid red color Chima and vivid Jeogori.
New bride also usually use bright red color Chima and light renewable Jeogori. To signify sociable position more intricately designed embroidery in their Ggetdong and Otgoreum. . Color today is a matter of tastes.
red chima and inexperienced jeogori following the wedding when bowing with their parents-in-law and when paying admiration to them after going back from the honeymoon.
When wedded women's an Otgoreum is usually violet, signifying that she actually is very happy with her hubby.
Conversely, married women use a deep blue Chima and jade green Jeogori.
If a committed women's Ggetdong color is deep blue, this means she has boy.
Today, however, women usually wear pink hanbok for engagement ceremonies,
Western-style wedding dresses and the original red skirt and inexperienced jacket following the wedding when greeting their in-laws following the honeymoon.
On other situations, they wear hanbok of nearly every color and fabric including embroidered, hand-painted, or gold-stamped silk, but white is worn usually by old people and used for mourning clothes
Symbols and Position for HanBok
For your information, the status of the people not only can base on the color of han bok but icons in the Chosun Dynasty (1392-1910). It is similar with china, dragon also displayed an empress.
A dragon represented an empress
A phoenix represented a queen.
Princesses and royal concubines wore floral habits.
High ranking court officials used clouds and cranes.
Kinds of Hanbok
The various sorts of hanbok are categorised in line with the social status, course, gender, and get older of those who wear them. Today, hanbok is worn mainly on special events, and is divided into categories based on its function. These include, but are not limited by, weddings, 61st birthdays, first birthdays and holidays.
Koreans typically show their esteem with their parents early each day on the first day of the New Season by bowing deeply. Customarily, both parents and children used hanbok. Children's hanbok usually consists of a rainbow-striped jeogori (jacket) and either a chima (young girls' skirt) or a baji (guys' pants).
The first birthday of a child, the dol, is usually celebrated with wants for endurance and health. Children wear the dol-hanbok or dol-ot upon this special day. A guy usually wears a pinkish jeogori (jacket) with an extended blue goreum (fabric strings). Women usually wear a rainbow-striped jeogori for special events. Currently, the development is for girls to battle a dangui, a kind of ceremonial coat.
Hoegabyeon Hanbok ЛЄ-
Hoegabyeon is when children throw a party to celebrate the 61st birthday of either parent or guardian and wish for their longevity. Men who transform 61 wear a geumgwanjobokЄёЛ†Єґ, while women wear a dangui№№ќЛ, a kind of ceremonial dress for special occasions.
Hollyebok (Wedding Hanbok)
Unlike hanbok for daily use, hanbok worn as a traditional wedding halloween costume is designated by its glowing appearance. The bridegroom wears the baji (pants), the jeogori (a jacket), the joggi (a vest), the magoja (an overcoat), and the durumagi (a standard cover). The bride-to-be wears a green chima (a skirt), a yellow jeogori (a short coat), and a wonsam (a bride's long overcoat). Her wild hair is prepared using a jokduri (a special mind ornament).
The use of logical hanbok follows intricate guidelines, and requires careful attention. Because of this, a simplified version of hanbok has been released for daily use which has ease and convenience. A growing number of men and women want expressing their personality by using something that combines traditional beauty and modern simpleness. The modern version will come in a multitude of styles and fabrics