Posted at 12.16.2018
That man starts dying on as soon as the first breath is considered at labor and birth is a fact of life and could very well be one of its very best ironies. How well life is resided is a conscious decision everyone has to make throughout the trip from its starting to life's inevitable end. In Happy Endings, Margaret Atwood (1983) says a tale about love and sexuality in a satirical manner where in fact the heroes are portrayed as stereotypes of the male and feminine genders. In contrast, a poem by Michael Ondaatje (1982) called "The Cinnamon Peeler" which takes a more sublime interpretation on the matter and the poem's wonderfully written prose emits a sense of warmth that makes one want to snuggle before a fire place with a loved one. This essay intends to carry out an interpretational and critical examination on Atwood's short storyline and Ondaatje's poem by concentrating on the problems of love and sexuality which of life and fatality inserted in these literary bits. The diverging views of the authors on these issues certainly will make interesting comparability and analysis.
Happy Endings requires a different method of storytelling by allowing the audience to make a choice on the occasions and circumstances of the story such that in case a happy ending is recommended then circumstance A should be chosen. Situation A though is implied as boring and inconsequential by the author and even the characters are bland and forgettable. As the audience reads on the other situations then that's where the story thickens and the uninteresting characters John and Mary undertake more shape and depth. In circumstance B, Atwood reveals the first stereotype on love and sexuality between your genders: unreciprocated love. The firmness also changes with the circumstance and the author's choice of words is reminiscent of her angst from the male ego and its own insensibilities to women. John is portrayed as a personality who takes good thing about Mary to sate his intimate urges and little or nothing else within the physiological gratification. Mary though is in love with John and will try her better to be deserving of John's love. Her efforts to win John's love prove to be futile as the story proceeds and the reader will see another take action that is typical of love affairs: betrayal. John betrays Mary who could have seen this arriving when John complained of her food preparation. Mistake finding is a widespread sign whenever a relationship is going south and is also typical of both genders to take action. As the storyplot continues the audience will find Mary, a true loving perhaps, committing suicide and wanting John will come to her recovery at the end. Mary's hopes we unfounded though and the storyline ends tragically. The finishing though is not tragic, it really is expected and since described by the writer in a caveat towards the finish of the storyplot, the ending is similar: John and Mary will perish. In scenario C, the story will take and interesting twist and John reemerges as a more developed figure. Here, he's portrayed so when a mature man hitched to Madge and is also having an illicit affair with Mary which is again stereotypical of connections. The circumstance also introduces a new character, James, a free of charge spirited motorcycle using young man who has a fabulous record collection and Mary is in love with him. 1 day, they both received stoned jumped to foundation and John found them within an uncompromising situation so he gets his firearm, shoots them and then he converts the weapon to himself. The circumstances were different in this circumstance but ends just like tragically nonetheless.
The story proceeds with other prospects in Madge's life like meeting a suitable man after her period of mourning named Fred. They get along well, hitched eventually and ended up like circumstance A only with different labels. The writer makes a spot regarding the interchangeability of people implying that this could happen to anyone and the stopping remains the same. That is also highlighted in the succeeding scenarios where Fred and Madge's house was brought down by a tidal wave however the couple survived the calamity and the one where Fred has a terrible heart and the story ends undoubtedly the same. Atwood also advised that the audience may become as adventurous as you possibly can and portray John as a revolutionist and Mary a spy yet the end will be likewise.
Happy Endings tells the audience that what's important in a tale just as much just as life is neither the beginning nor the finishing but what's in the middle that matters most. It's the span of time in between the second man can take his first and last breath that matters. Atwood though distributed that origins are fun but true connoisseurs, those who have a passion forever favor what is among because this is the part where it is hardest to do anything with because of its unpredictability and constantly changes with every decision that folks makes. Atwood's Happy Stopping may have a rather cynical approach about love and sexuality and of life and death but it seems to work rather well in conveying the concept of the storyline to its readers. The easy manner on how the storyline was told and the casual firmness and use of words reiterates the communication that to be able to live life well, man should roll with the punches and figure out how to take risks and not play safe just like a happy closing would. Finally, Atwood reiterates that its not only the what, what, what that counts; man must try the how and the why. If and then, who is aware? Life will end just the same anyway.
Michael Ondaatje's "The Cinnamon Peeler" assumes love and sexuality through symbolism and erotic overtones throughout the poem. The inspiration is quite evident, cinnamon comes from Sri Lanka and the writer is of Sri Lankan descent. Cinnamon at one time in history is said to be a commodity as valuable as gold. It isn't the same in the present though however the aroma of cinnamon is really as distinctive at it is now and a hundred years ago. This is exactly what the poem is focused on, a play of the senses and sensuality. Unlike the brief story tackled preceding, the poem delves very little into life or death but love of the possessive kind. It offers an understanding to the creators psyche regarding the time when the poem was written coinciding along with his parting from his better half.
The first stanza of the poem concerns sexuality evidenced as evidenced by what such as 'trip your foundation' and living a mark on the pillows as well as on the girl body who would reek of his fragrance and even if the she bathes it could still be recognizable. These lines reiterate the author's message of conveying possessive wish to one's subject of desire. The 3rd stanza is also full of sexuality and explores the female anatomy from the poet's description of top of the thigh and the series 'neighbor to your head of hair' which concerns the woman's pubic area. Furthermore, this mind-boggling physical fascination is symbolized in the fourth stanza where the aroma was masked with 'saffron and smoking tar' else the girl mother and brothers will take notice of the desire. Another few stanzas take mention of a history from the cinnamon peeler's ram. This can be interpreted as the author passing through storage street on some experience distributed to his wife. That is symbolized in the poem on the lines 'remaining with no track, as though not spoken to within an act of love, as though wounded minus the pleasure of scar'. The poem ends with the lines 'I am the cinnamon peeler's better half. Smell me'. A gesture that can equally well mean that the woman will forever be still left with the aroma and will permanently be his.
The short history 'Happy Endings' and the poem 'The Cinnamon Peeler's Better half' gives tribute to our humanity and our penchant for love and our sexuality. Man by nature is born with these mental and physiological needs which is his dynamics to be seeking both. What is more profound though is the fact that man knows the possible repercussions and chooses to be just the same. Is it because man is aware that existence is bound and the inevitable is merely a matter of time?