Posted at 12.17.2018
Flannery O'Connor is well known for her southern testimonies that explore "the psychological and spiritual landscapes of the human soul" (Meyer 363) as well as for her creation of individuals "that are alternately absurdly comic and tragic" (366). Good Blood vessels, her first novel, demonstrates her creative capability as a article writer. In this novel, Flannery O'Connor uses stunning information, mimicry, and surprising assault to captivate her viewers.
Wise Blood vessels is Flannery O'Connor's first novel. This novel follows the reports of two main individuals, Hazel Motes and Enoch Emery. Hazel Motes is a preacher unlike the rest. He creates "The Cathedral Without Christ". He's on a goal to prove to himself as well as others that Jesus will not can be found. Enoch Emery is an eighteen 12 months old in search of success. He's also on the quest to follow his intuition which he conditions "Wise Blood". Both these individuals come to surprising ends in the story.
One technique that O'Connor uses very well in this novel is vivid descriptions. For example, she explains Mrs. Wally Bee Hitchcock as a "excess fat woman with red collars and cuffs and pear-shaped legs that slanted from the train chair and didn't reach the ground" (O'Connor 3). O'Connor reveals a very vivid image of Mrs. Wally Bee Hitchcock in this sentence. The term "fat" can be opaque, including a number of shapes. Utilizing the imagery of your pear and the space between her legs and the ground, O'Connor gives viewers a specific and interesting image of the type.
Another exemplory case of this excellent use of description is found in Hazel Motes creativity. "He noticed Jesus move from tree to tree in the back of his head, a crazy ragged amount motioning to him to carefully turn around and come off into the dark where he was not certain of his footing, where he could be walking on water and not know it and then suddenly know it and drown. " (11). The image of Jesus as a crazy man deep in the dark of your jungle trapping Hazel Motes into drowning shows that Hazel Motes seems at a great distance from Jesus, and that he is also worried of Jesus and the unfamiliar. This imagery provides readers a fascinating and clear perception into Hazel Motes brain.
O'Connor also uses pet animal imagery throughout the book. A good example of this occurs when Hazel Motes sits down in a kitchen cart with "three youngish women dressed up like parrots. Their hands were resting on the table, red-speared at the tips" (7). From this image the audience can determine that the women are putting on very brilliant clothing accentuated by red nail polish on the fingers. The waiter is also identified with animal imagery. He had "greased black scalp and a greased dark-colored look to his suit. He migrated like a crow, darting from stand to table" (6). This reveals a brilliant image of the character's look and movement.
Another excellent use of creature imagery is the description of Hazel Motes. "He previously a nose such as a shrike's expenses and a long vertical crease on either aspect of his mouth area; His hair viewed as if it had been entirely flattened under the heavy hat" (3-4). Not merely does this information convey to the audience Hazel Motes birdlike appears, it also works on a deeper level. Hazel Motes attempts empty humans of their consciences (93-95), equally as a shrike impales its victims. This image offers readers an in depth physical description of Hazel Motes while also providing understanding into his personality.
Again, O'Connor uses this twofold pet imagery when talking about Hazel Motes' grandfather. "His grandfather had been a circuit preacher, a waspish old man who had ridden over three countries with Jesus hidden in his brain just like a stinger" (9-10). This explanation conveys the image of your severe looking man. In addition, it suggests that Hazel Motes' grandfather used Jesus as a weapon against people, as a wasp uses its stinger as a weapon.
Another exemplory case of O'Connor's use of twofold dog imagery is the type of Enoch Emery. "He appeared as if a friendly hound dog with light mange" (23). This imagery instructs the audience that Enoch Emery is an amiable youngster with an unkempt appearance. It also suggests that he uses his instincts rather than making alternatives based on rationality. Enoch Emory employs his "wise blood" (44) and allows it to rule his decisions, equally as a hound dog uses the scent of the hunted.
While O'Connor makes great use of brilliant descriptions, one of the more intriguing areas of her novel is the use of mimicry. One of these of the mimicry is Hazel Motes and his cathedral. Hazel Motes mimics his grandfather and other evangelical preachers. Hazel Motes' grandfather "had a particular disrespect for him because his own face was repeated almost exactly in the child's and seemed to mock him" (11). Not only will Hazel Motes look just like his grandfather, he preaches from the hood of his car (58), exactly like his grandfather does (10). Hazel Motes' cathedral, "The Chapel Without Christ" (58), preaches salvation without Jesus. In this manner it mimics the churches of the evangelical preachers that preach that Jesus is the main element to salvation.
O'Connor further grows this mimicry in a comical way through the people of Hoover Shoats and Solace Layfield. Hoover Shoats will try to take over the "Cathedral Without Christ" for money. He changes the name of the chapel to the "Holy Chapel of Christ Without Christ". He also hires Solace Layfield as the "True Prophet" (94). Solace Layfield looks just like Hazel Motes, wears similar clothes, and drives an identical car (94). In this manner, the "Holy Cathedral of Christ without Christ" and Solace Layfield are a mimicry of Hazel Motes and the "Church Without Christ".
Another intriguing example of O'Connor's use of mimicry is the mummy. The mummy becomes the new Jesus for the "Church Without Christ". Hazel Motes instructs the individuals who his church needs a new Jesus. He says them that "it needs one that's all man, without blood to spend, and it needs one that don't appear to be any other man" (80). Enoch Emery then steals the mummy from the museum to give to Hazel Motes as the new Jesus (97). The mummy "was naked and a dried out yellow color and his eye were drawn almost shut as though a giant stop of metal were dropping down together with him" (56). As the new Jesus for Hazel Motes' mock church, the shriveled up mummy mimics the resurrected Christ.
This mimicry of Jesus is further developed in the portrayal of Sabbath Lily Hawks. Even though name Lily suggests purity, Sabbath Lily Hawks seduces Hazel Motes (10-11). When Enoch brings the mummy to Hazel Motes house, Sabbath Lily Hawks right answers the door, needs the mummy, and cradles it.
Her hands grew accustomed to the feel of his epidermis. A few of his hair possessed come undone and she brushed it back where it belonged, possessing him in the crook of her arm and looking down into his squinched face. His mouth area had been knocked just a little to one side so that there is just a track of a grin covering his terrified look. She started out to rock and roll him just a little in her arm and hook reflection of this same grin came out on her own face (104).
As Sabbath Lily Hawks supports and stones the mummy, she mimics the Virgin Mary holding Jesus. These instances of inverse mimicry are both comical and grotesque and further absorb visitors in the book.
While O'Connor's use of vivid information and mimicry are interesting, her use of assault to captivate visitors is the most effective approach. When Enoch Emery will take Hazel Motes to see the mummy, he becomes so frightened that he forgets the address to Asa Hawks' house. Hazel Motes throws a rock and roll at him because of this. Enoch Emery "turned his head and found a drop of bloodstream on the ground as he viewed it, he thought it widened such as a little planting season. He sat directly, frozen-skinned, and put his finger in it, and very faintly he could notice his blood beating, his secret bloodstreamThen he realized whatever was expected of him was only the start" (57). This violence is unexpected and effectively grabs the readers' attention. This violent world is also used as foreshadowing to further absorb readers into the novel.
Another example of O'Connor's effective use of assault is when Hazel Motes murders Solace Layfield. Hazel Motes works over Solace Layfield along with his car. He then "drove about twenty feet and stopped the car and then began to rear it. He supported it over the bodyA lot of bloodstream was appearing out of him and developing a puddle around his head" (115). This illustration of shocking violence is riveting and also provides audience further insight into the identity of Hazel Motes. Hazel Motes murders Solace Layfield in a final attempt to get rid of his own conscience. The fact that Solace Layfield is also a imitate of Hazel Motes stresses the actual fact that Hazel Motes is attempting to kill a part of himself, namely his conscience.
Wise bloodstream is filled with vivid descriptions, intriguing mimicry, and startling assault which effectively maintains readers assimilated in the novel. This novel certainly conveys Flannery O'Connor's capacity to create artistically and effectively. For this reason, readers will certainly be attracted to read her other works.