Posted at 11.27.2018
Keywords: juno essay, juno movie review essay
Females have been stereotyped, from the prefect wife to the maid. . Whatever the role, television, film and popular mags are filled with images of women and women who are usually white, desperately thin, with flawless skin. However, feminine stereotypes continue steadily to prosper in the mass media we eat every day. In 2007, director Jason Reitman, helped bring fourth into the world "A comedy about growing up. . . Plus the bumps on the way. " It started out as an unbiased film trend but soon grew into a motion picture that captured the hearts and imagination of millions of people. The movie was entitled Juno. Juno demonstrates the changing gender issues and cultural behaviour regarding teenage pregnancy. Because the movie was release, there were a number of tv set shows with young pregnancy as the main theme, specifically ABC Family's "THE TRICK Life of the American Teen" in 2008 and MTV's "Sixteen and Pregnant" in 2008 and "Teen Mother" this year 2010. Twenty years ago, videos and Television shows showing teen pregnancy in such a positive light would have been viewed as some kind of dislike and probably never have aired. If the issues of teenage pregnancy were to have come up by any means, it could have been seen with very negative connotations. Juno opens the entrance doors for Television shows including the one talk about above and changes the dominant ideology reflecting the change in communal attitudes regarding teenage pregnancy and gender tasks.
Juno tells the storyline of teen, Juno McGruff who becomes pregnant after having a sexual face with her friend Paulie Bleeker. Upon making her brain either keep carefully the baby, have the infant and present it up for adoption, or to provide an abortion, Juno makes a decision to have the baby and also to give it up for adoption. The rest of the movie goes on to telling the storyline of Juno's pregnancy, including showing her parents that she actually is pregnant, the procedure of selecting a family where to give her child to, her changing romantic relationship with Paulie, and her lifestyle and battles as a pregnant high school student. In the end, the parents in which Juno decided to give her baby to, Mark and Vanessa, finish up getting a divorce. Yet, Juno still decided to give her baby to Vanessa in the end. This is one of the biggest ways that I believe Juno symbolizes the changing gender roles. Apart from one modest meltdown toward the end of the movie, Juno seems to offer with her unplanned pregnancy in a slightly cheerful, sarcastic manor. This implies that an unplanned pregnancy, something that would have been seen as almost unforgivable and an take action that would mess up any young woman's reputation, nowadays is seen as an almost "normal" event, though it may not be the most frequent. This also shows the progression of gender jobs and values in modern cinema. Finally is the problem of how casual gender is depicted in the film. Juno and Paulie weren't in any sort of formal romance, at least, not at the beginning of the movie, when that they had intimacy and Juno got pregnant. While Juno and Paulie do take part in casual love-making, Juno is never named an unpleasant name, nor will it really ever refer to that she's been with some other lovers in the movie. This depiction of your casual encounter is just one more example of changing gender jobs and values within the depiction of teenage women in the media.
As most of us know by now, when a gal gets into adolescence, she faces some damage and changes, the loss of self confidence and not to mention your body changes. As psychologist have pointed out in recent years, "adolescent young ladies in American are suffering from a range of problem, including low do it yourself- esteem, eating disorders, binge taking in, day rape and other dating violence, teen pregnancy(Gilligan). " Jessica L. speaks of the specific issues with the film in her paper, "Sexual Subjectivity: A Semiotic Evaluation of Girlhood, Gender and Sexuality in the Film Juno". "While situating sexual desire, biological options, and social reactions to females' proposal in sexual intercourse at the center of its storyline, Juno depicts the transgressive erotic agency of a girl without considerably disrupting longstanding discourses of femininity. Though an research of the semiotics of girlhood within the film, [she] claim[s] that the lady number in this representation signifies an [combination] of two customarily [grouped] ideas of "femininity. " Juno provides as a particularly intriguing exemplory case of the ways in which adolescent woman sexuality is conceptualized within western culture during the early part of the 21st century (Willis). " In her newspaper, she continues on to commend Diablo Cody, author of Juno on her behalf representation of Juno, "in a aesthetic era lacking common representations of strong young ones female individuals not sexually objectified or singularly identified by their involvement in relationship (Willis). " Just how Juno is portrayed as a lady character that's not overtly sexualized begins with her basic appearance. "Rather than a stereotypical depiction of the female body as a intimate object, libido is visibly portrayed and acted upon by the lady figure (Willis). "
The simple fact that Juno was the one to initiate the sexual connection with Paulie challenges the traditional values of gender jobs in the region of teenage sexuality. In the movie Juno, teenage pregnancy is also being viewed in the almost positive way. In other advertising, pregnancy is displayed showing some kind of negative effect. Just how media shows any kind of issue is generally a direct representation of social prices. Angela McRobbie addresses this problem in her book "Feminism and Children Culture". "The diversification of varieties of advertising and the advanced [shake-up] of various categories of audience require that, while a consensual sociable morality might be a political purpose, the probability of it being delivered immediately through the channels of the press are significantly less certain (McRobbie). " But the question still remains, is marketing influencing just how we think regard teenage pregnancy, or could it be a correct representation in our changing behaviour? I believe the media influences just how we think of any concern in this case young pregnancy. The authors of the article "Suddenly Young Pregnancy is Cool?" suggest perhaps a little of both. While they certainly point out all the instances of teenage pregnancy in recent years of popular culture, "Movies like Knocked Up and Waitress, and celebrity moms including Nicole Richie and Jessica Alba, are part of an development that's sweeping teen culture along with it: North american Idol star Fantasia Barrino became a mom at 17, and the previous season of Degressi: The Next Generation ended with Emma realizing that she might be pregnant. "The advertising is awash in it", says David Landry, senior research affiliate at the Guttmacher Institute in NY, a non-profit company focused on intimate and reproductive health (Gulli). "
In Summary, Juno chooses to avoid traditional family assignments and still gives her child to Vanessa, even though she and Draw are divorcing. It isn't unusual to see a single working mother nowadays, especially way more now than thirty years ago. Even solo working mothers are shown more frequently in the marketing such just as Gilmore Females and the new show Parenthood. From the examples of traditional family roles being challenged by Juno still giving Vanessa her baby, a good representation of unwanted teenage pregnancy, and showing casual intimacy between teenagers, it is clear that the discharge of Juno starts the gates for TV shows such as the one mention above and changes the prominent ideology reflecting the change in cultural attitudes regarding teenage pregnancy and gender roles. We just need to keep in mind like Margaret Mead once said, "today our children are not raised by parents, they may be raised by the media (mead). "