Posted at 12.15.2018
St. Augustine and Dante made a great contribution to the development of world civilizations. The impact of the great leaders possessed a powerful force the next centuries.
Comparing the spiritual journeys of Dante and St. Augustine in the Confessions, it is possible to point out that the poem "The Divine Comedy" is a real masterpiece of any famous Italian poet. Dante noticed the other world and discussed his trip through hell. This poem embodies an allegorical eyesight of the afterlife, moral and religious thoughts with instructive purposes. Numerous tales of ghostly wanderings, visions of heaven and hell found its highest imaginative expression in the Divine Comedy. Dante has made a system in a discordant mix of images. This technique is influenced by the teachings of the chapel and the teachings of Aristotle and Cicero. Dante's guide through hell was a Roman poet Virgil, who being the speech of reason, instructed Dante's spiritual life and helped him to create a moral conscience, necessary for life in tranquility with God's will. Compared, the Confession is a central literary work of St. Augustine. The name of the work entirely corresponds to its real content: a sinner, beginning his own spirit to the visitors, in the face of God and folks repents of his sins and gives thanks to God for His mercy. During his life, Augustine journeyed a whole lot, learning and perceiving the Orthodox faith. The contrast between the spiritual journeys of Dante and St. Augustine is the fact Augustine's voyage is more confessionary, but Dante's an example may be more mental.
St. Augustine and Dante as the fans of beauty, both literary and physical, discuss the same need for its ransom. However, no one would state that beauty is harm or wicked. The Divine Humor plus the Confessions disclosed that beauty is good and it is from God. Among the main ideas is the fact that both poets stated that in order to feel the completeness of salvation, it is necessary to remember that beauty have to be loved as a means of God's sophistication and recognized as coming from Him. Checking Dante and St. Augustine, you'll be able to add that, corresponding to their points of views, the key key to feel this salvation is grace.
Dante identified the ideas of St. Augustine through multiple tiers and thus the hyperlink between Dante and St. Augustine is mediate. The primary point of contact: an absolute supremacy of religious worth over secular ones, a brutal denunciation of people's insatiable desire to own a sin of lust. The similarities between their autobiographical accounts are that Augustine and Dante cannot envision other way of life, except within the platform of the Christian ideal. Augustine taught Dante how to achieve the artwork of medieval confession a "boy of the Century. " This confession of fresh sonnets and "The New Life" is the most effective words in the lyrics of Dante, which makes it ageless. Furthermore, Dante borrowed Augustine's psychological analysis focused not only on the readers' thoughts, but also on the viewers' souls. Dante was attracted by the ideas and artistic methods of Augustine. He often addressed towards the Confessions, which indirectly suggested the percentage of affects on his art work and theology.
This is a wide-spread simple fact that Virgil played a big role in Dante's profile. Virgil, on your behalf of the most profound human intelligence, became Dante's leader and guide through the circles of hell. For Dante, Virgil is the best poet, "honor and torch of the performers all over the world", "my educator, the best example", "and a forerunner of a fresh era in the history of mankind. " For Dante, the Aeneid was a continuous source of ideas, from which he derived the idea and style of Funny, as well as his poetry: a mixture of mysticism, fantasy, truth and prophecy. Although there are some dissimilarities between Dante's Inferno and Virgil's Inferno (Dante's Inferno was inhabited by opponents and friends), he lent Virgil's legends of the "Golden Age" and Cretan old man, hellish dog, images of Reef and Plantman, etc.
Some scholars emphasized a polyphonic personality of St. Augustine's Confessions, specifically his use of various biblical quotations, allusions, and Virgil's Aeneid. If we bear in mind the main geographical moves of St. Augustine, we can easily see that these moves mirror Aeneas' journeys. For example, Augustine involves Carthage, which is one of the most well-known and central towns of the Roman Empire, in order to continue and then finish off his mastering. St. Augustine's consumption of some Virgil's text message is a variety of an old tradition of taking up different narratives, issues from the previous works and after that re-writing them on your own purposes. Thus, Virgil performed an important role in Augustine's accounts.
Taking the above-stated information into consideration, it is possible to draw a summary that St. Augustine's work is a robust force that separates one historical period from a different one - the end of historical Christianity from the first medieval Christianity. In turn, Dante's creativity acquired a tremendous effect on the introduction of Italian books and Western culture all together.