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George Eliot's 'Silas Marner': Analysis of Masculinity

Silas Marner, AN ACCOUNT of Two Cities.

Essay theme: Silas Marner and masculinity

1. - Launch.

This essay is approximately the engineering and representation of Silas's masculinity (including some questions suggested in the article subject areas on the exclusive campus that I found interesting). I found things that can make him appear more like a woman but it is not necessary or required to understand this matter in this manner; I wanted to find his good-will not as a weakness or a woman issue but as strong way of demonstrating tenderness, because I think there is nothing at all stronger that overall tenderness and nothing more sensitive that true durability and I see Silas as a very strong person - peaceful but strong.

The main designs here are his isolation, the gender concern, and lastly how viable or non-viable his manhood is. In the conclusion I have included some aspects more related to Silas's life.

2. - Silas's isolation.

About his family, it is only talked about in the e book that he previously a mother and just a little sister, both of these called Hepziba, but his sister was called Eppie, which is why he selects this name for his adoptive princess.

His amount of isolation starts off in Raveloe when he sends their neighbours away with an evergrowing irritation (It started when he helped Sally Oats and from then on he became someone like the official organic doctor of the neighbourhood). Out of this moment on he spends his days working sixteen hours each day and contemplating his yellow metal every night. He could be such as a hermit only concentrated on making profits.

It wasn't always such as this. Initially when he lived in Lantern Yard he was a sociable man who interacted with modern culture, he lived a normal life, and was engaged to marry a female named Sarah. He also possessed a friend, William Dane, and then both of them betrayed him. But at the moment he's an entity segregated from the community, - self-sufficient.

3. - Silas in gender terms.

What's wrong with Silas prior to the lack of his yellow metal?

This point has a connection with Silas's isolation as discussed in the previous section. He's considered an outcast by the city: at first he is referred to like a "spider" or a "spinning-insect". This has no romance with the issue of masculinity but instead with the problem of mankind: through this explanation he is portrayed more as an insect than as a guy, - this is a means of dehumanizing him. When he manages to lose his gold he is obligated to travel and speak it to the specialists. At first, when he arrived, people thought he was a ghost, is important to mention that Silas's appearance is somewhat unusual, he shows a physical deterioration, he has signs or symptoms of aging and disorder, and he's described as a vintage man. So when I commented recently, he was an isolated hermit obsessed with his gold, admiring it every evening, and his world is reduced to his work and his coins. This is actually the problematic that is established before the loss of his platinum.

- Why not let him weave and revel in his money until he's too old to keep on weaving?

- Why draw this out for so long?

In my opinion, the idea I get from the publication is the fact Silas earned additional money on Raveloe than in Lantern Lawn (where he has to pay some cash to the cathedral) and he saw this fact, and commenced his obsession and he resided like this for sixteen years. And he can have lived upon this way until his loss of life however when Eppie came up to his home it caused an alteration in his very existence.

I think he attracts it out because work and money becomes the centre of his life; he lives limited to work and also to admire his platinum.

4. - Silas's masculinity in a feasible way.

- Is that one kind of masculinity or masculinity in general?

I think this is one kind of masculinity because not absolutely all men have a predicament like Silas's. Other male characters like the Cass brothers have a masculine role and have emerged more like a men than Silas is.

I see this as a practical way because I believe Silas is totally masculine even if there are things that show him with a lack of manhood.

I'll start with the "negative" points against his masculinity. You start with his profession, it was set up that spinning and weaving had a gender division and that it was a female task, in this point, I don't feel that this job identifies his masculinity, - he is a man and here the only real important thing is that he has an occupation and he is working to support himself.

In addition, Silas's behavior is interesting over a mental level. I see his capacity for self-control a masculine skill too; it is a characteristic of your great man. For instance, when William and Sarah betrayed him, he understood it and acted silently and did nothing at all; only go on with his life. Another way of exhibiting self-control is his isolation, and his high amount of rationality. He has been damaged, accused of robbery, discontinued by his fiance, rejected by the community only because he didn't want to be an ONG and from then on he gets the rationality to produce a decision. Then it is normal that he wants to be alone working and making profits.

And finally, even if he's portrayed as an insect or a weakened man, so that they can diminish his masculinity the capacity that he detects to be a dad, a mom and a protector of little Eppie is highly admirable without question. By having enough knowledge for self-sufficiency, if you ask me he is a secure man who understands what he would like and simply acquires and achieves it. Furthermore I'd like to say that making his home convenient for the kid, designing it, - a "nest" for her-, is the sweetness way in which a man can show how capable of being sensitive is. Preparing his home for Eppie's needs is something to be expected from a very masculine man. In his own way, he did what every man should do: work, support a household, have a family group and protect his family (regarding to the nineteenth-century period, - nowadays it differs, as women can do this only too). And he achieved it; he is totally a man.

5. - Realization.

We have observed Silas's quest, - not really a physical journey, but throughout his life. At first he has a normal life, he later becomes an outcast obsessed with platinum and after Eppie's appearance he undergoes a kind of social treatment into an ordinary member of the city. After meeting the child he completely changes his role inside the neighbourhood, everywhere or home he visits for work he must sit and talk to people about the child. Through her his life changes and he becomes another man. We see his local, interpersonal and paternal side and exactly how he achieves the role of masculinity in the nineteenth hundred years; nearly as it was imposed, but by in his own way.

Through the adoption of the kid we see Silas completing both - a male and feminine role, because he's completely devoted to the little woman, and exactly how he moves from a completely isolated life to finding meaning in every the items around him. In Eppie he sees a reason to live, a family that was rejected him (his mother and little sister passed on, and we have no idea about his dad), the comfort of being love sincerely by someone, of being needed, and of being a father, and there is absolutely no moment, for me, where his masculinity could be misinterpreted. We are able to also see, through the adoption the morality and responsibility that Silas is prepared to suppose fatherhood, which is too a masculine characteristic, it's important to focus on that the obligations that Silas accepts are the ones that Godfrey Cass, Eppie's natural father does not have any morality or responsibility to assume. Throughout the publication there is no moment when Personally i think Silas is not achieving the role of a guy. I only felt admiration even if didn't have clear masculine characteristics such as physical appearance of a strong and riches man like Godfrey Cass. Even though he grows up old he still has this powerful appearance that Silas, in contrast does not. Godfrey does not have to work because he was inherited from his father and Silas proved helpful as an unbiased man. This was a prototype of professional manhood and a fresh ideal for men.

To surface finish, another point that I found interesting is that Silas didn't want to achieve the ideals of the perfect man according to culture but he ended up doing this, though his virtuous dynamics, his generous heart and soul, his courage. By adopting the kid he was not only dealing with a responsibility but he was dealing with the responsibility of another man.


  • Silas Marner, AN ACCOUNT of Two Metropolitan areas. George Eliot.
  • Silas Marner in Wikipedia the free encyclopaedia.
  • Silas Marner analysis guide and literature.
  • Virtual Campus.
  • Class hand-outs.
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