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Film Noir Elements INSIDE THE Movie Memento Film Studies Essay

There is yet to be always a classification to be created to accurately record the genre of "Noir" in film. The idea was first coined by People from france film critics who "noticed the craze of how 'dark', downbeat and dark the looks and designs were of many American criminal offense and detective videos released in France to theatres following the war"("Film Noir"). The term 'noir' is a French word which actually means "black" or "dark". The connotation mounted on the term down the road had become those videos which depicted criminal offense, strangeness, cruelty, brutality, assault and similar other capabilities. The period for Noir movies flourished in the 1940s up to the 1950s, which were aptly called the "classic noir" period in films. Later on, from the 1960s up to the current times, other styles of "noir" films were conceptualized like the "neo-noir" and the "science fiction noir", all ideas which were produced from or echoed the original "classic noir" genus.

"Memento" is one movie which typifies the "film noir" genre for the reason that it has numerous elements which categorically makes it as one. Principally, the living of a unhappy, confused and stressed protagonist (Schoenherr) will there be. Increase this the other elements like the black-and-white moments, the have difficulty, the apparently bleak situations, the crimes perpetrated, the underground investigations, the voice-overs of the lead character, evil, paranoia and deception among other things. An interesting feature of this film though is the storyplot unfolding from its end increasing to the intended initial displays which took place. It is not narrated exactly in a round motion but rather they are shown in chunks of about 10 minutes each. Apart from this, there is the alternate demonstration of the shaded and black-and-white types to add narration and further expound on the collection of occasions.

Film noir runs on specific communal, ethnical and historical contexts. In this particular film, the social framework used is that of the protagonist learning to be a different man following the rape and murder of his better half. Leonard or Lenny loses his memory after he shoots his wife's rapist and he's shoved and clubbed by the rapist's companion. His head visits the bathroom reflection, and after that, he becomes suffering from Anterograde Amnesia or not being able to preserve his short-term storage. Lenny's memories prior to the incident are intact and his previous memories are of his better half being murdered, hence, his ever- long lasting search to avenge her loss of life. Most people now think of Lenny as a freak for not being able to remember thoughts, names, faces and situations which are a normal part of the storage area of "normal" people since he forgets his thoughts and the things he does after a quarter-hour roughly. However, Lenny battles to keep his sanity by taking Polaroid pictures and immediately labeling them, recording his ideas, and tattooing the greater important thoughts on his body. Having no family to call his own, he lives in a motel room and is also suspicious of everyone. His life's course is determined by vengeance and a major part of the film is allocated to this prefer to kill.

The cultural framework of the film is the type of culture that was found in the movie. The setting up is sometime during the 2000s in Nevada. It is not shown if the protagonist acquired a lot of friends before the incident which resulted in his 'condition', but it is presumed that it was probably a case of not attempting to be determined with someone with a stigma of mental disease. The only good friend who was referred to as someone who realized Lenny soon after the mishap was Teddy, who was simply the main one who helped Lenny to find and get rid of the original murderer of his wife, and on the other hand Jimmy G. who was simply also killed by Lenny. Therefore, it intended that the culture held a discriminating attitude towards this mental condition.

Pertaining to historical context, the practice of tattooing as a body artwork was prevalent from the past due 1990s up to the 2000s. This is an interval when tattooing was no longer considered as items of diversion done in prison cells but instead as an art to express oneself. Within the movie, the lead persona made use of tattoo designs on his body to remind himself of essential facts/details which he always wished to be reminded of. Although not used as an art, the living of tattoo parlors in the area denoted an acceptance of the practice of self-expression, which worked well quite well for Lenny. It was also a period when Polaroids were popularly used and Leonard fully fatigued the Polaroids' capacity to assist him in keeping in mind people and places along with his depressing mental condition.

According to Filmsite. org, "the primary moods of common film noir were melancholy, alienation, bleakness, disillusionment, disenchantment, pessimism, ambiguity, moral corruption, evil, guilt, desperation and paranoia" ("Film Noir"). These designs are visible in the seclusion, isolation and omnipresent monologues of the lead character who wanted to establish the links to find so this means in his life. A wide array of emotions which range from suspicion, distress, naivete, loneliness, alienation, hatred, and bewilderment amongst others were efficiently supplied by the lead actor to the viewers who empathized with him in his daily battle to survive.

Noir videos characteristically have a protagonist who is usually reclusive, generally disturbed and commonly pessimistic. The lead character in "Memento" is not the normal protagonist since he lives his life everyday such as a clean new slate. Similar to the first part of this movie in which a Polaroid picture had been undeveloped, Lenny lived his life always careworn to learn what he had been doing and what he should be doing next. His ultimate goal was to find his wife's killer, a task which Teddy assists him with. Although he is slightly of the withdrawn type, Lenny is still enthusiastic about life which is confident that his Polaroids, notes and tats are taking him someplace.

Different noir styles were also visible throughout the film. The first is that "storylines were often elliptical, non-linear and twisting" ("Film Noir") which connotes the initial presentation customarily associated with noir. Regular motion pictures are often offered in a way where the storyline unfolds conventionally from beginning to end. The storyplot informed backwards and in equipment was a unique way of entrancing the audience into as an dynamic participant in the life span of Leonard, striving to come up with his/her own conclusions or links to previous scenes and events. "Amnesia endured by the protagonist was a common story device" ("Film Noir") which was obviously the illness that your lead character was afflicted with. This type of justified the way with which Lenny killed the possible murderers without remorse or guilt since his brain was without any emotions associated with pity and mercy. Furthermore, it is stated that "the protagonists in film noir were normally powered by their past or by individuals weakness to do it again past mistakes"("Film Noir") which is what goes on to Lenny as the film unfolds. It is only later in the movie that it is uncovered that Lenny got already wiped out his wife's murderer, and Teddy got even taken a Polaroid shot of him following the said killing. It was due to his mental condition that Lenny had not been able to bear in mind the occurrence which Teddy later used to his advantage in eliminating Jimmy G. who was simply a drug dealer.

The original history of Memento was an idea brought ahead by the sibling of the movie's director, Jonathan Nolan in the overdue 1990s. The storyline was done after several months and director Christopher Nolan developed the idea that he wished to notify the movie backwards, hence the screenplay was manipulated in ways where shot sequences were break up into small parts. In between the colored uses were the non-colored injections to denote two timelines of what was days gone by and the present respectively. Sooner or later towards the finish of the movie, the black-and-white scene becomes colored specifically when Lenny requires the Polaroid picture of the inactive Jimmy G, who was the next murder think endorsed by Teddy. This signified the start of a new chapter in the life of Leonard, and the real commencement of the storyplot which somehow tragically ends with the loss of life of its instigator, Teddy.

The artistry presented in the film being of your different genre is - as previously mentioned -- largely observed in the story's display to the viewers. The lead actor was also shown in black-and-white views and coloured ones which showed contrasting people - one, the strong, unshaven, unkempt, menacing and confused persona who shoots the firearm at Jimmy G. in black-and-white, and the other, the suit-clad officially dressed and well informed Lenny who drives a Jaguar in shaded film. Therefore that the key character had bad and the good traits, however the bad traits were more emphasized but later exposed to be manipulations done by a few of the other characters in the story. Among these people is Natalie who presents the 'femme fatale' aspect in the movie, and who offers further intricacies to the plot and manipulates Lenny into a mental tug-of-war with Teddy's claims.

The cinematography of the film was excellent as emphasis was done where it was necessary, and appropriate lighting was also appropriately achieved. Editing was also good especially in the reductions of the film that had to be fed in several lumps, and in two different forms of color and B&W. Continuity in the film was even and flowed naturally. The film credit scoring was appropriate and elicited empathy from the viewers in the moments where dialogues were not really necessary. The closest thing to special effects in the film was just how that the first series was provided to the viewer where in fact the Polaroid shot had been undeveloped rather than the other way around. It goes back up to enough time Lenny shoots Teddy and the latter was screaming for his life.

Acting in the film was superb. Dude Pearce as Leonard was able to deliver all the feelings expected from him and therefore elicited the required compassion from the viewer. Teddy, Natalie, Sammy Jankins and all the other actors also did a good job in making the story more focused on the plight of the key character, therefore allowing Lenny to stick out.

The movie "Memento" has some allusions to significant ideas and concepts. Among these is the idea of Cultural Materialism. The most dynamic proponent of Cultural Materialism is Marvin Harris and the idea of the theory would be that the social life of a human being is a primary response to problems due to his earthly living. Leonard's actions can be rationalized as a practice of cultural materialism because he is merely responding to his problems instead of taking a proactive role in it. That is due in large part to his condition which he cannot control and which allows him to be manipulated by some shady character types in the film.

Existentialism is another concept which is noticeable in this movie. The story evolves about the lead persona, Leonard, who attempts to find so this means in his presence as he grapples along with his affliction rendering him perplexed and stressed for the most part times. He tries hard to think and look again but cannot, which is exactly what leads him to try to devise ways that he could bear in mind things, incidents, places and folks who've somehow performed an important role in his life, after the accident which said his short-term memory space.

Lastly, you have the hint of self-determination as observed in the main identity as he will try his better to make decisions minus the impact of others. Regrettably, he was not alert to the subtle strategy which was employed by the movie's disreputable personas who had been always one step before him in his programs. Still, it was discovered nearby the movie's end that Lenny was also utilizing his selective recollection to manipulate the matter so as to have the ability to create and constantly re-create his motives for vengeance. Since finding the possible suspects to his wife's murder was the only impetus which held him alive, it was a need he previously to satiate, and hence, an enthusiasm which stored him continually in search of.

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