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Exploring Asian Movie theater Film Studies Essay

Asian cinema in essence refers to motion pictures produced in the continent of Asia. East Asian movie theater, Southeast Asian theatre and South Asian cinema involves what's called Asian theatre. Nowadays, Asian movie theater continues to prosper because of the so-called globalization of Asian cinema. The globalization of Asian theatre allows people from all over the world to see and experience Asian videos. Hollywood is even making remakes of videos from Asia, some of such as Eight Below, The Lake House, The Grudge and Dark Water. Furthermore, Asia has been producing videos that are slowly but surely catching the attention of viewers as well as scholars from all around the globe.

Everywhere in the world, Asian videos are being shown on an almost regular basis in film screenings, festivals and so on. But this was not always so. Most Parts of asia put in the first five generations of the 20th hundred years producing motion pictures that are largely focused on nationwide audiences. These were the times when there have been no international film festivals, the only prominent film festival previous to World Battle II being the Venice International Film Event. It had been in1938 when the film Five Scouts from Japan triumphed in a special prize at the said event, paving the way for Asian theatre representation in other celebrations around the world. In 1951, Asian cinema was helped bring into world target when the film Rashoman from Japan bagged the Golden Lion at the Venice International Film Festival and the best foreign language film at the Oscars (Nandgaonkar). And the rest was record.

Asia is reported to be the largest developer of films worldwide in terms of quantity (Ciecko 1). Due to the enormity of the continent, Asian videos vary in content and subject. Asian videos contain universal themes or templates such as love, life, revenge, death and poverty. In addition they contain pieces of Asian culture, and the stamp of every Asian micro-culture can be found in each group's respective films.

The micro-cultures of Asia are mixed and diverse, so diverse that each is of different identity and quality. This is seen in the films made by each country.

Korean movie theater has been historically unseen to all of those other world, and some degree, to its own people. Today, the spotlight is on the united states whose cinema is the core of its nation's culture (Rist).

In its early stages, Japanese theatre produced many documentary films or news reels including scenes of the town, dance geishas, Sumo, royal or star funerals and the Russia-Japan war (Tadao). Today, the Japanese film industry is one of the most significant on the planet.

The films of Hongkong are popular for being action-packed and filled up with martial arts stylings. The theatre form's success depended on several factors. Martial arts motion pictures are artistically unique and are affected by artifacts of kung fu culture as well as superstitious values. In a sense, martial arts theatre can be viewed as as escapist, but it satisfies a more tangible ethnic need which is the desire to link with traditions no matter how tenuous or imaginary (Garcia). This talks about the phenomenon behind fighting techinques cinema.

Taiwanese cinema examines the various issues that Taiwanese folks have to deal up with in a modernized modern culture. In order to create motion pictures with a more realistic marriage with background and ram, most new motion pictures are taken on location. Slight and non-professional celebrities are also cast to evoke a more true-to-life atmosphere. The filmmakers draw deeply on the life experiences to make their videos. Today, almost every new film will try to reconstruct history to some extent ("Taiwanese Movie theater").

The independent films of the Philippines, on the other hands, are socially relevant and contain touches of realism. There has been a recently available blossoming of independent filmmaking in the Philippines, and these films have received the Philippines international acknowledgement and prestige.

Asian Videos are sorted according to genre. The genres of Asian movie theater include action, animation, comedy, crime, gay motion pictures, historical epics, horror and love.

Action - Action films in Asia are films centered on high exercise and include martial arts for the most part. A good example is Inside Affairs form Hongkong and almost all of the films of both Jackie Chan and Jet Li.

Animation - Animation in Asia includes the anime industry in Japan which is directly inspired by manga or comics in Japan so that the character types have big sight, small encounters and long limbs. Exemplory case of Asian animation is Pokemon.

Comedy - Comedy in Asia can be found in any genre of film. There usually has some factor of comedy in any Asian film. Examples of Asian comedy videos are Ngem Ngem Ngem and Luang Phii Theng from Thailand.

Crime - Offense motion pictures in Asia are common and usually star high-profile stars such as Jackie Chan. Example of an Asian crime film is Gunman from Thailand.

Gay motion pictures - Asian homosexual videos are usually comic in style and gay characters tend to be comic comfort or villain in Asian movies. Gay motion pictures such as Beautiful Boxer, however, are less comic and give attention to issues of gender and personality.

Historical Epics - Among the staples of Asian movies. Example is the Ramayana from India.

Horror - Just lately, there is a boom in the horror film genre as motion pictures like The Grudge along with the Wedding ring were remade in Hollywood. This would go to show that Asians are very creative and that their videos have spawned numbers of like films because of their originality and uniqueness.

Romance - Among the Asian audience's favorite genre. Example is White Valentine from Korea.

When one talks about Asian theatre, one discusses the Asian culture, custom and beliefs inserted in the videos. Since it is, there is no uncertainty that Asian culture is dominant in Asian theatre. That is why Asian movie theater is a great source for understanding Asian culture. Asians incorporate Asian culture into their films by displaying viewers the Asian culture, tradition and way of life. This way, visitors are able to find out about the micro-cultures of the continent. For instance, in the culturally significant film Crouching Tiger, Hidden Dragon which is a China-Hongkong-Taiwan-US co-production, the customs, beliefs and qualities of the Chinese language during the Qing Dynasty in China were flawlessly depicted.

The characteristics of Asian theatre change as well. Vital, diverse and changing - these characterize modern day videos from East Asia which mirror the times of the spot today. In the mean time, Southeast Asia is home to a blossoming industry of unbiased movies. South Asia, on the other hand, houses the major film industry on earth which is India (iFilm Associations: Asia and Pacific).

Generally, strong themes characterize the films made in the continent of Asia. One of these is nationalism, a theme that may be found in virtually all Asian films. Nationalism in Asian films is shown through national terminology in Asian films. This shows the pleasure Asian have regarding their mother tongue. Additionally, ethnicity is shown in each film by the vocabulary used. The movies are then enjoyed by foreigners through subtitles.

The incorporation of Asian beliefs and traits to their movies also characterize Asian theatre. For example, family is extremely important in Asian culture (Becquet-Rasmussen). That is why in the film Tokyo History from Japan, viewers are created to recognize that family is important and show passion to the parents while they are still alive is of grave importance.

Asians are extremely friendly and helpful, as depicted in the film Seven Samurai from Japan when the samurai himself agrees to help the mountain villagers fight their oppressors in exchange of only three meals per day.

Asians likewise have respect for power. There is also respect because of their ancestors and older people. They can be patriarchal, and in olden times females are appreciated less than guys. These are Asian characteristics seen depicted in most Asian videos, because which foreigners are able to know Asians even more. These depictions also establish the nationalism Asians have when it comes to making movies.

Spirituality would also characterize Asian movie theater. This is the just to illustrate in the film Sister Stella L from the Philippines where faith and spirituality is shown by the protagonist who's a nun. Other Asian motion pictures with implicit spirituality include The Highway Home from China, Departures and Throne of Blood vessels from Japan, Apu Trilogy from India, The Cave of the Yellowish Dog from Mongolia, Phorpa from Bhutan and Ghani from Bangladesh ("Film and Faith 4 Workshop Explores Spirituality in Asian Films").

The martial arts film emerged as a characteristically Hong Kong medium of artistic expression in the 1950s ("iFilm Associations: Asia and Pacific"). Asian fighting techinques movies, regardless of the recent innovations in special results technology, have two secrets - great camera work and well-planned choreography (Parish).

Asian movie theater has an extremely developed celebrity system. Motion pictures of superstars like Jackie Chan and Jet Li dominate the industry and, subsequently, earn a lot of money. It is because people flock to the theatres to see a common actors whom they trust to provide them quality browsing experience. In these times of environmental and politics uncertainty, people are looking for assurance in their lives, something that they find in the general public figures that they trust.

In conditions of technology, Asian theatre, particularly Japanese movie theater, has created a fresh cinematic environment that is most apparent in film production and distribution. In place of 35mm film, high definition digital video tutorial is often used to lower production cost and it is then inflated to 35mm for theatrical release. Lightweight cams, less equipment and smaller crews are also used (Wada-Marciano).

When it comes to marketing, Asian filmmakers tend to allocate less to marketing as compared to Hollywood. In Hollywood, 40% of the film's total budget is assigned to marketing whereas in Asia, only 10% of a film's total budget is assigned to marketing ("Q&A Asian Videos and Product Placements").

Most Asian videos are also marketed by first concentrating on the viewers in Asia's three biggest most self-contained film markets - China, Japan and South Korea (Frater). It has become even way more with the blossoming of Asian theatre and the actual fact that Asian motion pictures are being launched in film festivals throughout the world. Nowadays, marketing Asian videos is done by using Hollywood marketing equipment to permeate Asian territory (Frater).

Today, the list of acclaimed Asian movies is growing much longer as more and more Asian films are being shown in celebrations across the world. Foreigners reach appreciate and understand Asian culture and tradition by viewing these films. Based on the 1992 Perception and Audio Critic Poll, some of the greatest Asian films Asia has ever produced are:

Tokyo Account from Japan - This is the story of your couple who came up to the location to visit their children and grandchildren. The kids, however, are too occupied to for their parents. Following the parents returning home, the grandmother dies. It is now the change of the kids to consider the journey and visit their parents (Ebert).

Pather Panchali from India - The first film of the Apu Trilogy, the film depicts the youth of the protagonist in the rural countryside of Bengal in the 1920s ("Pather Panchali").

Seven Samurai from Japan - This is the story of your samurai who was employed by poor hill villagers to deal with a gang of bandits in exchange for three dishes a day. Then recruits six more samurais to complete the seven had a need to defend the village. Ultimately, the struggle is received for the villagers and performing and rejoicing is heard while the staying samurais watch the villagers planting the next rice crop ("Synopsis for Shichinin No Samurai").

Ugetsu from Japan - This is actually the report of two ambitious peasants who want to make their fortunes. A potter intends to sell all his wares in the location in exchange for profit while his brother-in-law hopes to become a samurai ("Plot Summary for Ugetsu Monogatari").

The Music Room from India - This tells the story of an middle-aged aristocrat in India whose property is suffering fiscally but continues to activate in indulgences ("Synopsis for Jalsaghar").

Charulata from India - The film explains to the story of the depressed housewife who falls for her husband's cousin after her active husband asks his cousin to keep her company ("Charulata").

Ikiru from Japan - This film is approximately a minor Tokyo bureaucrat and his last quest for indicating ("Ikiru").

Sansho the Bailiff from Japan - This says the story of two aristocrat children sold into slavery ("Sansho Dayu").

Yellow Earth from China - The film is about a Communist soldier who is sent to the countryside to gather folk music for the Communist Trend ("Huang Tu Di").

The Life of Oharu from Japan - This film is approximately the life of a seventeenth century samurai's princess ("Saikaku Ichidai Onna").

Indeed, Asian movie theater is slowly taking the world's thoughts. Consider the continent of Australia. Australia is neighbor for some Parts of asia like Indonesia and East Timor. Due to the physical location and because Asian films are slowly getting the notice they are entitled to, Australian filmgoers will receive a dose of Asian films through the Sydney Asia Pacific Film Festival, the Hongkong Film Festivity in Melbourne, Brisbane and Sydney and the Chinese Film Celebration in Melbourne where several Asian videos are being shown. As a result, Australians can reach enjoy and appreciate Asian cinema in every its majestic glory.

Cinema is where people go to to be able to relax and revel in. This can be viewed by some as being escapist, but you can find more to be benefited from cinema than mere escapism. Due to cinema, a micro-culture is unveiled to unsuspecting audiences and filmgoers. Watching a film from Japan, they discover the samurai and geisha cultures. Enjoying a film from the Philippines, they discover that you can find more to the country than Manny Pacquiao. Theatre is magical and can transport viewers to places unimaginable to her or him. Asian movie theater is even more magical because the culture of an entire continent is symbolized in these motion pictures.

Asian cinema is rich in culture and tradition, the key reason why Asian movies are a good marketing in conveying to the planet a specific country's tone of voice. After years to be in the dark, the time of Asian cinema has come. Asian movies are slowly coming out of their shells to be viewed and experienced by the whole world. This is an important key to globalization as people throughout the world have the ability to understand and accept cultures apart from their own. The time has come when the micro-cultures of Asia will be observed by the entire world by having a magnifying lens without less than the use of your camera.

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