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Examining The Poems Of Keats The Skylark English Literature Essay

In the next poems of Keats, Shelley and Hardy the tone of the poet forms a central and important part of the poem. The concentration of this article would be the following three poems: "Ode to a Nightingale", "Into a Skylark" and "The Darkling Thrush". A typical subject in all three poems is the wild birds. Every one of the birds are seen as god-like icons and tend to be than only a symbol of enjoyment. All three of the poems have a sense of yearning; they all want to be carried away by the bird's inspirational song.

Keats commences the poem by first outlining the importance and exactly how distinctive the tone of the poet is in the poem, "Ode to a Nightingale". The general mood of the poem begins when Keats first makes an attempt to flee from the painful reality of being jammed in a bleak, colourless, physical world which he explains in a mournful and sombre shade. The melancholic shade that Keats outlines in the poems is made from the opening two lines:

His beginning and repetition of "My" in the first sentence focuses the attention on the poet. The decision of vocabulary Keats selects 'drowsy and numbness pains' emphasises how lethargic and worn out the poet is. The poet creates the first sentence with long vowels which reinforces the forgetfulness and idleness the poet is experiencing. Keats is desperate in wanting to fade from modern culture. "Fade a long way away, dissolve, and quite forget". The term "dissolve" shows his extreme stress to move away from the pain of real life undetected. Keats's uses the approach of alliteration showing us his irrepressible desire and yearning to get away from the harsh realities of life. Keats desires to leave the entire world fading away by the tranquil sound of the wild birds "melodious" music and inspirational number.

Hearing the nightingale's track, the presenter longs to flee the human being world and become a member of the bird. Keat's first thought is to reach the bird's transcendent world is through the use of alcohol in the second stanza where he dreams about a "draught of vintage" to take him out of the world. But after his deep breathing in the 3rd stanza on the trapping of individual life he doesn't appear to want to be 'charioted by Bacchus and his pards' (Bacchus was the Roman god of wine beverage) but he wishes and craves to be with "the viewless wings of Poesy". This shows us that Keats is towards using his poetic creativeness rather than the use of liquor.

Keats is enraptured by the inspirational melody of the nightingale because the portrayal of the bird enforces in Keats's brain that this bird could take him out of the world of despair and may be transformational making Keats's believe he could evade from the melancholic life of the world into the world of happiness which is free from the truthful realities the earth presents i front side of us and the stressful lifestyle he lives through. He explains the bird's singing as being as, "sings but to her love" and she also sings with full throated simplicity. The performing of the nightingale makes Keat's feel like he is free to express his feelings without the aches of reality in his way. Here, Keat's longs to be free from any limitations that the unpleasant, physical world is possessing him back again from.

Keats also uses powerful, unique symbolism and imagery to contrast himself to the parrot by causing people feel that the nightingale has been portrayed as being the icon of Keats's poetic ideas and satisfaction. Keats tries to enter the life span of the nightingale by using the words of stunning and allegorical poetry but it's the closest Keats can ever reach the "immortal bird". He uses the strong symbolic so this means of the nightingale and its own world to escape from the severe fact of life. While looking for many ways to join the bird he also declares that escaping from the physical world is impossible in his sight, "the extravagant cannot cheat so well". This shows us that Keats seems deceived by his creativeness because he cannot break free the physical world. Keat's being struggling to continue with his goal of escaping from the world because he allows the real world to intrude by declaring that the nightingale has never known, "weariness, the fever, and the fret" which includes been experienced by mankind.

As the nightingale flies away, the strength of the poet's experience has still left him dazed because he is unable to bear in mind whether he is awake or not. Keats runs on the metaphor to stand for the importance of the nightingale immortality which is anything unlike the poets, "leaden-eyed despairs/ as beauty fades and love pines".

The poem symbolizes Shelley's wanting to describe the inspirational physique of the parrot through the metaphors of character. The skylark's unimpeded song rains down upon the earth which is higher than every other beauty and his use the inspiring metaphor makes the audience actually believe that the parrot is not really a mortal bird whatsoever "sprite" (spirit).

"Hail to thee, blithe Soul!

Bird thou never wert,

That from Heaven, or near it,

Pourest thy full heart

In profuse strains of unpremeditated art".

Shelley simultaneously establishes that the skylark is a "blithe Heart" rather than bird, because of its song comes from Heaven, and from its full heart and soul pours "profuse strains of unpremeditated artwork". The skylark flies higher and higher, "like a cloud of fireplace" in the blue sky, performing as it flies. In the "golden lightning" of sunlight, it floats and operates, like "an unbodied joy". As the skylark flies higher and higher, the presenter loses sight than it, but is still able to listen to its "shrill delight", which comes down as keenly as moonbeams in the 'white dawn' that can be felt even when they aren't seen. The parrot is "Like a poet hidden in the light of thought singing Hymns unbidden". Shelley makes use of eye-catching imagery, hyperbole and metaphors to reinforce the theory and idea that the skylark and the poet have divine knowledge and exceptional attributes. Shelley doesn't just want to consider this immortal and inspirational parrot to be a professional of the parrots "unpremeditated art work" but he also desires to hypnotise the globe, to make see how this bird has were able to capture his spirit.

In Hardy's, "The Darkling Thrush", written to commemorate the finish of the nineteenth century, the reader is manufactured aware of the tone of the poet where ambiance of the poem is foreboding and is set out in a gloomy atmosphere. Hardy decides the poem's time as at the closing of the year and the the majority of all the hundred years to emphasise the meaning an historical age is approaching to a finish. Also Hardy's thrush is also a parrot which sings in a setting up of darkness where there is merely there is certainly theme of fatality is seen in the day, calendar year and the hundred years.

"The historical pulse of germ and birth

Was shrunken dry and hard. "

The starting stanza shows us a bleak and stark picture of the winter panorama which represents the time of death. The first stanza Hardy establishes through an all natural setting that the ending of the century which is being observed by the lonely onlooker standing at a physical boundary, the border of the woods. The environment only has a trace of life where natural and individual appearances are seen as being ghostly.

"I leant after a coppice gate

When Frost was spectre-gray,

And Winter's dregs made desolate

The weakening eyesight of day. "

The second stanza explains that this instant is the marking of another century. The landscape's feature becomes much like an enormous corpse stretched out. The first word shows the speaker's head interpreting huge areas of land and sky as finding yourself inside Century's coffin that includes a seems to have a frightening influence on the speaker. It really is a vision of fatality and closure. This image is the result of your "vision" that is putting the earth and time.

"The Century's corpse outleant,

His crypt the cloudy canopy,

The wind flow his fatality lamen".

The darkling thrush is voice of the real world and introduces a good element in the poem. The presenter begins to speak the positives of fatality by talking about, broken musical devices can be serviced and hard and dry seeds can germinate. Hardy's use of diction is changes the feeling in the third stanza.

"An aged thrush, frail, gaunt, and small,

In blast-beruffled plume,

Had chosen thus to fling his soul

Upon the growing gloom"

The song-bird has came into a disposition of warmness and desire from early desolate and useless landscape. The songs of the thrush dominates the end of the poem. It seems to change sorrow into pleasure. Before the thrush sang, the howl of the breeze dominated the landscape and created a feelings like a funeral. The lifeless and gloomy scenery appears to be revived by the tune of the thrush that seems to revive Hardy's heart. He feels joy at its music, despite his sorrow and despair.

The "Darkling Thrush's" third stanza has no first person pronoun is essential. Additionally it is possible to see the last stanza as Hardy questioning his own insufficient religious beliefs, his own "growing gloom". The thrush apparently is aware more than the poet, it is aware of some "blessed Desire" that is unknown to the agnostic poet. The religious inference can be drawn from the utilization of the administrative centre "H" that can be used in "Hope".

 

Throughout the span of this essay I've attemptedto show that Keats and Shelley belonged to the romantic tradition of British poetry; whereas Hardy very much wrote in a tradition of realism. All three poets have used the icon of the parrot to mention their ideas about life and loss of life but the revival of the birds melody revives them ensure they feel that the bird can bring them from severe realities of the physical world. The poets' uninteresting and mournful spirits appears to be altered by the bird's track, plus they all think about the wonder of the melody and how each of them seem to attempt to leave form the world.

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