Europe following the Black Fatality moved into an interval of extreme creative wave and growth in all creative fields. This Renaissance period moved all aspects art and structures away from the ancient gothic style and to a time of time-honored rejuvenation. The architectural side of this motion grew away of German cities just like Florence, Venice and Ancient rome and would greatly effect architectural design throughout the world for years and years. Among the most influential architects of the period was Leon Battista Alberti, a prodigious writer, thinker and designer via Florence. Alberti was raised during his most formative years, the initially part of the fifteenth century, inside the shadow of Brunelleschi. Brunelleschi's successful design for the Duomo in Florence would have been a major inspiration for Alberti to go after what would be an incredibly powerful career in architecture. His influence can be far reaching in the field of architecture and encourage great styles in downtown planning and both public and private building designs. From this study of Alberti's architectural theory we all will focus primarily in the thoughts about the purpose of personal structures great ideas about the importance from the centralized cortile.
In 1431 Alberti relocated to Rome and took holy orders to join the papal court. As a result of great affect the papal court acquired on building projects around Italy, Alberti got the opportunity to travel and analyze alongside the most respected designers and thinkers of the Renaissance period. While in The italian capital Alberti put in a significant amount of time studying the writings of Vitruvius and visiting whatever buildings he could that Vitruvius defined in his ten-part treatise in architecture. Although writings of Vitruvius had been h...
... Alberti identifies. It is amazing, classical and beautifully embellished with painted loggias and classical orders. While the Rozzelle Court serves a different goal than an authentic Italian cortile does, it is a very great illustration in the space that Alberti describes as the most important aspect of an German Renaissance house.
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Churchman, Michael. High Ideals and Aspirations: The Nelson-Atkins Museum of Fine art, 1933-1993. Kansas: Nelson-Atkins Museum of Fine art, 1993. Print out.