Essay about Tennessee Williams' Depiction of Society's Act of Women

Tennessee Williams' Depiction of Society's Facade of Women

Tn Williams shatters society's act of women in the plays, "A Streetcar Known as Desire"and "Sweet Birds of Youth". In both performs, Williams evolves his personas to show the reader that women are generally not always able to live up to the stereotypes and standards that society creates. He reveals women, like Blanche DuBois and the Princess Kosmonopolis, and shows that they can be no longer competent of being the women society wishes them to end up being. They are the truth is past their very own prime and are also being turned down by society.

Tennessee Williams, born Jones Lanier Williams, grew up inside the South which will accounts for most of his takes on taking place inside the South. Having been born upon March 21, 1911 in Columbus, Mississippi to Cornelius Coffin and Edwina Dakin Williams. Cornelius was a traveling and was was on vacation for a most Tennesse's childhood. When he was home, he was very unsupportive of his son's imaginative interests, specifically his writing. He would possibly call Tn "Miss Nancy" to poke fun in his son's desire to compose instead of play sports just like the stereotypical son should. Tn was able to obtain support from his mother who urged him to write. He went to the University of Missouri where he received high respects in all his courses aside from ROTC which in turn he failed. After college, he worked well in a sneaker factory and wrote during the night until 1934 when he a new nervous breakdown and had to stop his job in order to recover. In 38, he joined the School of New jersey and was awarded a Bachelor with the Arts degree, after which started writing being a career. His major performs, some of which were turned into motion pictures and many performed on Broadway, include "A Glass Menagerie...

... ent to an asylum. Princess let society business lead her via fame to failure then back again, almost certainly to replicate the same design. Both were strongly inspired by contemporary society and Williams proved, specially in Blanche's case that a girl can only meet so much.

Bibliography:

Adler, Thomas P. A Streetcar Called Desire, The Moth

and the Lantern. Boston; Twayne Marketers. 1990.

The Concise Columbia Encyclopedia, third ed.

New York; Columbia College or university Press. 1994. p951.

Falk, Signi. Tennessee Williams, sec. ed.

NEW YORK CITY; Twayne Publishers. 1978. 53-62.

Stanton, Stephen S. Tennessee Williams.

Englewood Cliffs, NJ-NEW JERSEY; Prentice Lounge Inc. 1977.

Williams, Tennessee. "A Streetcar Named Desire".

NYC; Nal Penguin Inc. 1947.

_______________. Three simply by Tennesse.

Nyc; The New American Printing Catalogue. 1976.

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