Authors opt to show their expertise by keeping the readers wanting to know what is going on due to a few sentences that mean more than just words. Foreshadowing has always been a key part of literature and gives away clues to readers about the development of the plot. Kobo Abe's Female in the Dunes opens with chapters that leave your readers thinking about what those ironic tones and sentences are actually trying to convey. One such passage in the couple of opening internet pages is that when sand have been described in two other ways. The passage then procedes questioning how sand, the desert and life discuss in common the simple fact that they are patients of competition as well as means of escape. This passage retains a lot of foreshadowing while the author intelligently, but subtly drops ideas as the passage moves along. Abe uses tone, diction and feeling as his key equipment, throughout this kind of passage, to make sure the reader covers the ideas of the foreshadowing.
Tone and diction have an effect on each other and have a constant potential tension, where one handles the transform of the other. These two devices will always be an important component to literature, especially while foreshadowing. It states the obvious and a way highlights that there is considerably more to the words and phrases than what is said. The passing starts off having a very serious develop, as the scientific meaning of sand has been produced. As the text progresses and discusses the phenomena in the formation of sand, the tone turns into very intense. On a usual basis, a similar text will look rather boring and monotonous, nevertheless Abe manages to keep the reader confused about so why the sand has been discussed to this kind of depths. Technological words had been used initially to give the target audience a sense of rationalizing. The author says the s i9000...
... get "sucked up easily by simply air" can be major foreshadowing of what happens to the protagonist's life, when he gets sucked in to the sand dune(death) without disturbing the rubble and clay-based which could always be the people around him. The passage ends with a last description of sand like a particle of "crushed rock" which can be relocated "easily", which can be the final express of the protagonist at the end with the book, in which he is figuratively crushed.
The author has made certain to keep the audience informed, whilst still baffled throughout the book. However , in spite of the ambiguity in the book, nothing have been left unusual and the target audience can take off off to interpret the entire story in several ways. The writer has used foreshadowing strikingly, and it has been done so skilfully, that the reader discovers himself awestruck with the cable connections that can be made once the book has been go through.