In Paul Bereyter, W. G. Sebald uses detailed information of the world about him to distract the reader from Bereyter's growing depression and privacy. Like in the storyplot of the youngster who cried wolf, Bereyter's initial suicide attempt numbed people to his later indications of depression and eventual loss of life. His link with and explanation of character draws the reader, and Bereyter himself, in to believing in the world of fake bliss. This false globe comes to an end the moment Bereyter loses his look and consequently his connection with nature. After this shed connection, he feels he has no explanation to continue living.
In Vladamir Nabokov's essay Good Viewers and Great Writers, this individual defines literary works as a place between illusion and fact. He says:
"Literature was born not the afternoon when a young man crying wolf, wolf came running out of the Neanderthal valley with a big gray wolf at his heels: books was born on the day when a boy came moaping wolf, wolf and there were no wolf behind him… Between the wolf in the tall grass plus the wolf inside the tall history there is a shimmering go-between. That go-between, that prism, is the art of literature. (Nabokov 3)
Sebald uses in-depth descriptions of nature and history to channel this kind of go-between. This individual creates a " new world " for Paul Bereyter through which it doesn't matter what's real or not real; all that matters is Bereyter's understanding of the world. Yet , he also uses Bereyter's connection to characteristics to downplay his ever-advancing depression. "Paul was in any kind of case in the habit of opening the windows vast, even when the weather was bad, indeed even in the harshest cold of winter, staying firmly convinced that not enough oxygen disadvantaged the capacity to think" (Sebald 34). What is important to Bereyter is the universe around him and...
... him the false sense of natural beauty around him. When this world was taken away from him, he was plunged back in the reality of his loneliness and depression.
The storyline ends with Mme Landau's recognition that "we never truly know what it truly is that an individual dies of" (61). Due to Bereyter's capacity to hide his true, injuring self through the world, the people around him were unable to predict his suicide. This individual fooled the earth into assuming he was okay, but when he finally required them, we were holding unable to also recognize the pain within him. It is because of Bereyter's ability to make a new world for himself this piece can be incredible. As Nabokov says, "The simple truth is that superb novels great fairy tales" (Nabokov 1). W. G. Sebald's new is one among great deceptiveness and high tales. It really is within this deceptiveness that Bereyter was able to cover for numerous years.