Posted at 10.09.2018
Pedro Almodovar can be an auteur in Spanish countrywide and art movie theater. His movies always explore the issues such as sexuality, transgender and women's life where friends and enthusiasts replace the parents and family. Within a post-feminism point of view, he disestablished the feminism but features the positions of both female characters and actress. His works tend to be targeted to women and give feminine audience a resonance on movement.
All About My Mom is a film Almodovar manufactured in 1999. It stills an extraordinary work to find the deep sense of women when suffering from the dead of kid and enthusiast. The storyline summarize a single mom Manuela witness his kid die in a vehicle accident when he run to require an autograph. And she wants to get the father in Barcelona. In Barcelona, she fits her transgender friends, the lesbian couple and a young nun Rosa.
The entire film interspersed with these several women's interesting and dumbfounding testimonies. A few of them encounter the issues of transsexual or Products which will make their characteristics more curved. This subject not only identifies Manuela but also indicate women who were and would be mother, as well the celebrity.
The opening scene is a easily and masterful camera activity in medical center. It follows the plastic infusion pipe, with the blurry background and a unhappy music to heighten the atmosphere. The ensemble list in a bloody color fade in and out like the blood vessels flowing. Without declaring any phrase, just use a montage skill showing there's a patient or car accident. Almodovar are the get better at of using misn-en-scene. The next scenes are still using camera movements show the medical machine. After the still of ECG, Manuela suffers the pain from death and faces other's organ donation which she need to resolve later (her son's organ donation).
Almodovar emphasises not only the mise-en-scene, but also the collocation of color. I believe it's the appearance of Almdovar. The arena that Manuela food preparation in your kitchen, the blue cupboard and the red material and tomato become a member of together make a solid Almodovar style. Gathering blue and red maybe is a habitual technique of Almodovar. The son's clothe is also blue and be seated regarding his mother's red. In the bedroom of Esteban, this style gets more shows. The red wall constructed with the blue foundation and chair. I could see red everywhere for illustration later Huma's mane and cloth as well.
The film is filled up with references. At the beginning, Manuela and her son sit on sofa and watch the old Hollywood film All About Eve (Joseph L. Mankiewicz, 1950, USA). That movie discussing the actress called Eve, the same manner was used to reflect the story in All About My Mom, it discuss mothers and women who have relationship with performing. IN EVERY About Eve, in addition they mention the admirers and performing issues. When viewing the film, the kid Esteban confirms that the Spanish television place always changes the subject of the films and use dub rather than original sound record which are referrals from the population. In this landscape, Esteban writing on his notebook has an excellent camera angle. The camera use both the POV of Esteban and the notebook, we can easily see Esteban writing 'Todo sobre mi madre' (original title in Spanish) from his hands moving. Then the title of the film came out very effortlessly. After watching the film, Manuela stocks the only 50 percent photo she needed when she was a actress. The camera comes after the breaks and down while shows Esteban considering the picture and later he'll speak about that the other half would be his 'dad'.
And the play ready for Esteban's script in the hospital course, Manuela act a mother whose man already dead and only have a child to bring up. That's make me confused weather it is true at the very first time, but I acknowledged that is a self-reference again. The backdrop music and Manuela's competent acting make it so really.
Then it is the classical scene of the whole film. Manuela waits Esteban on the far side of the streets. The panoramic view show the poster so big that even the pixels is seen very obviously. This classic Almodovar poster becomes greatly popular in the film industry. I saw many catalogs about the Spanish film utilize this as a cover. The automobile accident was taken completely different with other's or Hollywood videos. Previous second I noticed Manuela smiles and next second I observed the surprising screaming. Usually, in the classical Hollywood films, the directors often make it the opposite sequences which first the crash and then your screaming. That is the obvious difference exist between art movie theater and Hollywood cinema. Almodovar also used the POV of the driver cross the blurred window to capture the Esteban jogging on the road in the rain. And the shaking and rotation camera motion (POV of Esteban) to represent Esteban were struck by the car. Through the attention of Esteban, I observed Manuela shouted and run towards to her boy but without synchronized soundtrack. This is ways to stress the sadness of Manuela rather than film and behaving.
The play A Streetcar Named Desire (Tennessee Williams, 1948, USA) within dilemma were shown and Manuela have acted a job in a same name stage play years before when meet up with the father. Both the level play and the film are narrate the pain and the perplexed about life. Manuela acted Stella while satisfied Esteban's daddy who respond Kowalski. The idea in this play is the same as the film in some degree. Both show the misunderstandings in women's heart.
The film point out the term 'break free', for illustration, Manuela break free to Madrid Barcelona, and 17 years later, she get back to Barcelona still because she want get away from. Escaping to a new scenario is a turning point of character's life and story.
Then those subplots mess together with the exaggerated circumstances guide from the main story.
Manuela matches her good friend Agrado and through her has learned the kind-heart nun Rosa. In Barcelona, Manuela watchs the same stage play again. When she talks about the other aspect of the road, we through her POV start to see the recall and illusion of Esteban. But when the camera turned to her, the seat beside her is clear (through the audience's POV). These editing and enhancing skills touched me because the mother misses the child so much. This is the very treasure and common feeling on earth so it can be very easy to attain the deep sentiment of audience.
As an associate of Huma is the new job of Manuela. When she help Huma to find Nina, Huma said: 'Whoever you are, I have always depended on the kindness of strangers' (a neighborhood car named desire), that is a small reference but this notion lead the complete story. Rosa acquired pregnancy is a major twists and turns. Manuela explains to her own story to Rosa when accompany her to hospital. She said: 'Women will do anything to don't be alone. ' That is the same as the desire of Blanche inside a streetcar known as Desire, however the most time the reality always goes reverse with desire.
Nina got drug gives Manuela a chance to go back to stage to examine her history. And her performing got a major success. This has got the contradiction of Manuela and the few. Manuela said: 'A streetcar named desire has proclaimed my entire life. ' For me, this word summarised her life on not only her life content but life style as well.
The prostitute, transgender, medicine improvements, lesbian and AIDS these delicate issues are point out by Almodovar. These elements make the film more exaggerated. Sometimes make you feel fun, but next second move us make people weep.
The field Agrado amuse the audience with her life history, I saw this is a helpless action no subject on the show cancellation or spending money on her body. I really do not know whether she desire to be a women or not, but it holds true that she need the money and live. Everyone in the film has a burden. Within the darkness of life under pressure, the new things always suggest the change and getting better such as the escape (I mentioned previously). When Rosa would like to name the kid 'Esteban', it is to memorize really the only two male heroes in the main account. Esteban is the Lura, Manuela's kid and Rosa's boy. In the long run, the baby don't have Supports, give us the desire to new beginning and put the history down.
Like Almodovar write in the long run: 'To all actresses who have played out actresses, to all women who action, to men who act and be women, to all the people who wish to be mothers, to my mom. '
Almodovar's Women on the Verge of your Nervous Breakdown
This Spanish funny film is also an Almodovar's work. It had been manufactured in 1988 and received many honours. This film is the It still explains to a story about women experiencing the life span and troubles. This one is a more melodrama that will contains a great deal if music and romance. The feeling using is stressed in this kind of film.
This film is just about a man's three fans. Pepa is on the verge of a split up with her fan Ivan. She desires to find him and know why he is left. She even asks his wife and his son, but they have no idea as well. Almodovar always want to spell it out a complex narrative. This are well. Pepa's friends Candela ask help from because the criminal actives her sweetheart engaged. And Ivan's child and his crazy partner comes one after the other. They make a ridiculous and humor history together. It is stated that this is Almodovar's favorite one. 'Women issues, intricate relationships, unusual appearance, brilliant colors, soap-opera styling setting and the Spanish folk music will be the reflection of the initial Almodovar's style. ' (baidu) This film received a self-reference in Almodovar's new film Broken Embraces in '09 2009. Looked after reinforces the establishment of Almodovar's 'feminine director'.
Voice actor who dubs the foreigner movies is exactly what Pepa's work. The dub film issue is again in the All About My Mother (when showing All About Eve, dub film is common in Spain, the director related to the Spanish film industry). The film is still related to performing. Pepa fainted after dubbing is a represent that she received too deep in her acting, still almodovar explore the women's operating world. She thought she was talking to Ivan. In Almodovar's film, women prefer to create illusion. The chat also shows the statues of the relationship. The black and white arena at the start is so special that let audience know the personality and job of Ivan.
Pepa said: 'I hate tranquil' and chuck the sleeping pills in to the tomato juice. (In Almodovar's film, the red tomato vegetables often arrive because the tomato stands a location in Spanish culture, a Spanish characteristic. ) This phrase give the same interpretation as the 'women will do anything to avoid being along' in every About My Mom. They want accompany as Almodovar explore in his female motion pictures. Then she can burn her foundation. She would like to forgot the miserable things and begin from new. Finish off the suitcase for Ivan while crying. In Almodovar's world, however the powerful, women are weak on the mental problems. The field Pepa waiting outdoors is still a reference from the Rear Home window of Alfred Hitchcock. With a bizarre music, it almost build a atmosphere of suspense that where is Ivan really heading. To observe folks in the windows let Pepe know his kid.
These many absurd and humor reviews are linked together directly. The contradictions between Pepa and Lucia then your attorney, Carlos and Marisa will be the interspersion. Pepa is affectionate as in the long run she stops Lucia to destroy Ivan and gives up to get him again.
Lucia is the craziest women. Her clothing style is often so bright which like a young female.
The picture she rides on the motorbike is boring if without her explosive hairstyle and the smoked makeup. The crazy avenger is send to clinic in the long run. She needs to put her excited feelings down and clam. She also admits that she's the mental condition. This let think whether she is still ill or she only want to back to a healthcare facility to get calmness.
The lawyer is merely a encouraging role. There is not many explanations about her. If the disc is thrown to her brain and the record field is throw on her car very coincidently make all audience have a good laugh. She is just a represent of the women in Ivan's life.
Candela is fragile and young female. She often makes audience have fun. For example, her jumping, her trouble and her call to the police. Her wish to men seems just about sex. The ridiculous manners make her wants a kid who needs help.
As the customary routines of Almodovar, the mise- en-scene and the colour will be the significant issues in firing. From the beginning scene I can see the colourful posters and many signs or symptoms of women like the high heel, lipstick, beautiful hands and red plants. Many alarm clock in Pepa's bedside cupboard shows she actually is not a clam person. Plus they walking so fast also suggest to them a little of crazy. The burnt bed, red nail polish and fabric is also some sort of signs that individuals are easy lead by their feelings. In color, Almodovar still loves using red. The cloth and tomato vegetables red are everywhere in his videos. Along with the balcony's surroundings seems so faked. I feel it such as a indoor studio room. The red earth and the so blue sky. Again, this color collocation. In her house, the local bird's cage is a dumbfounding props. Her expect the bird couples are better is some sort of helpless after split up.
The phone is the bridge of communication between Ivan and his enthusiast. Because Ivan always is and which makes him shamed and become worried of facing to the people women love him. Just like the voice actor job, he uses voice to cover the truth. He is frightened to see those women. For instance, when he provides the suitcase again he does not want to see Pepa.
And the most interesting and excellent props is the Mambo taxi (he looks like Almodovar himself). The taxi driver helps it be like a little home with enough entertainment such as newspapers, gossip mags and snacks with broadcasting a relaxing airy pop music. This taxi cab shows 3 x as being a humor flavoring in the crazy storyline. Each time is very fantastic design. Plus the drivers said a classical term: 'I thought it could only come in the film. ' As being a self-reference reflect the difference between your film world and the truth. The next time, the drivers cry while Pepa crying. The final time Mambo taxi appears when they follow the Lucia. Pepa said that you would never know men, learn how to drive is a lot more than learn men's psychological.
Like at the start Ivan ask 'have you had to ignore?' and Pepa answer 'As many as the ladies you remember. ' The whole film shows the ladies are weak in the sentiment though they may be available to love and gender. It make me feel happy and warm though this loud story is similar to a soap opera.
Vittorio de Sica Bicycle Thieves
This film is aimed by the Italian neo-realism director Vittorio de Sica. Additionally it is his most famous work. The Italian neo-realism can be an important movement in European film industry. It made film history like the German expressions. And it made a substantial influence on the later motion such as French new wave and British public realism. It had been raised after the WWII, and it was a response to the modern culture. It aims at breaking the conventions of the traditional Italian film and reflecting the reality in the nation. Many individuals were experiencing the unemployment, lack of homes poverty and deprivation. These issues are symbolized very naturally in this film.
The film was revised from a novel. There is absolutely no child in the book. I believe the boy is added by the director to heighten the atmosphere and evoke compassion and the psychological resonance.
It tells a tale about a poor father wants to discover a job in Roma. But he requires a bike to aid his working. Then your bike gets stolen. The father and his kid walking around Roma try to find the bike. In the end, they disappear in the group with helpless. The storyline is filled with several helpless displays to show the people's really mentality situation for the reason that special time frame.
The opening world is situated in the labor exchange. More and more people be competitive for job vacancies. And the job Antonio gets is placing. In that time, people were hurting the much unemployment and deprivation because the intake of the war. Not merely the food, but also water was running away. Next scene is Antonio finding his partner Maria when she actually is queuing to get water for your family. These social determined characters will be the lower class; and they do not have enough money to cover bicycle even food. It has a apparent contrast when Antonio take Bruno to the restaurant. Bruno and the rich family's child check out one another. As least, I can start to see the child look down at Bruno.
The stolen world is an excellent design. If the young wife perceives the lot of money teller to prospect the new life, Antonio just instructs the playing youngster to take care his bike instead locking. I believe it is now time the cycle may be stolen. But I got wrong; the motorcycle is taken very straightly later. The director focused on the feeling of Antonio rather than the stealing. The director makes suspense which let audience to follow the plot. This is closer to the Hollywood style (linear progression and continuity editing and enhancing) though it is Italian. To see a fortune in those days was obligated by the hard and difficult life. People need some intimation and encourage to building their assurance and belief. Most of them are women which have a lower position than the men.
At the first time, Antonio thinks this is a ridiculous and absurd thing. Because the new job has already gave him inspiration. But after looking for the bike without any consequence, he loses center in support of gets a ineffective word from the bundle of money teller. 'If manage to survive find today, you will not find it forever. '
Antonio finds the deal between the thief and the old man. He practices the old man into a church. The reaching in the church is keep by the rich people. The same as to pay for the lot of money teller, people just experienced a terrible war. They want the spiritual repair.
The police show many times in the film. First-time is the police station, the official just give Antonio a reference amount and let Antonio to find by himself. A cycle lost is merely a small part of their eye. Personally i think resonance at this time, because I are affected a similar thing after i am new in UK when I lost money. The second is in the bicycle market, Antonio want to see the volume of the painted motorcycle. The last time is to find the thief's house. All of the police's action is unproductive but justice. It really is sure that there is no information. Police's role is not so clear at the post-war time.
In the finish, Antonio will try to steal a motorcycle but be found soon before his son alas. The owner forgive him because saw Bruno crying and shouting his father. It is so impressive. This is a thief tendencies, but I take advantage of the word 'alas' to signify the sympathy. For me, Bruno crying not for his daddy stealing, but for no one helps and understands them. Among the most important reasons of this film acquired big success is its psychological resonance.
There is something well worth attention. You are the little kid is only one worker who may have income before his father gets the work. On the post-war reconstruction time, I can know that most children like the boy Bruno were hired. Children were compelled to working on the street or begging for the money. And the poster can be an advertising campaign of the American films, Gilda (Rita Hayworth). The Hollywood videos are flooded to Italy after the warfare. People may admire the life span in the us.
There are some features of neo-realism in this film. The film is location shooting. One reason is this is actually the way to signify the reality and then is: after the WWII, the directors do not have enough money to develop studio. But this film is expensive final result as the significant individuals were all paid.
Both the daddy and the son are non-professional actors. I been told that the father is an unemployed in Italy. The director enjoys his gloomy manifestation and atheistic appearance. But helpless, when he finished his acting in this film, he still unemployed.
All in all, this film symbolizes the Italian interpersonal fact and personal sentiment in an exceedingly brilliant way. So it is praised till now. Since it evokes my resonance, I love it very much.
Gomorrah is aimed by Matteo Garrone and revised from Roberto Saviano's book.
This is a classical Italian neo-realism criminal offenses film. It really is different with the traditional crime film including the famous Italian American gangsters God Father. It is more fact than God dad. Also, it isn't the postmodern gangsters for example Pulp fiction. It explains a heavier theme than Pulp Fiction. I saw some touch upon this great work from Italian audience themselves. They may be proud of this work. I believe maybe it stand for a classical spiritual mark on that modern day society.
The title refers to the Bible account about Sodom and Gomorrah. And camorra does mean an Italian mafia corporation in Naples which is the oldest city in Italy. It destroyed and corrupted all levels and orders of the normal society. From the camera's eye, the circumstance of the living place is dusty. People who living there must chose a group seems have already turn into a default system. No-one save there. Offense, drugs, struggling and taking pictures happens on the street every day. The environment here is like an 'urban nightmare'. You will never know when you die. However, people have already used to handle these issues. Toto is merely a common teen. But the reference to the mafia leads him to the drug trfficking life. In one landscape, Toto ask 'how can I get working with you?' show his desire to join this dangerous system and to represent his fearless.
From the young kids to the old man would like to take charge but failed because they live under the assault controlled system. That also refer to machismo which is a world built by the men and masculinity. They advocate the assault. The gangsters take offense as an ambitious indications which worth revealing. This notion is mirrored on the two males. Ciro and Marco always dream to own the globe. They are in love with assault. They shout 'I the best and the earth is us' in the obsolete building like they are the scarface. The poster use them filming and plating with guns in the river. These are screaming and interesting when they make trouble and crime.
In the film, I only noticed the authorities for a few times. I was pondering that there surely is no legislations or police to control the crime. I understand it is merely a film which will be faded and blurred the function of the police and restrictions in the mainstream contemporary society. Then the true gomorrah must be more dark then the film describing.
Gaetano is just an accounting of the mafia. He just desires peaceful life and don't want to be involved in the war. Because be afraid of firing by other who would like his money, he need to wear body armor.
Pasquale has troubles only for creating a lecture for the Chinese textile manufacturer. There is an interesting arena that the Chinese manager let him seating in the trunk. I used to be confused at the very first time why he needs to do this. Then I know it's important to avoid other folks seeing and protect Pasquale.
They young man Roberto realizes the employer instigate the teenagers to fill the land illegally. He quit and uses the justice.
These three are more mature than the three young children. The representations of them are definitely more helpless because the pressure they build themselves and the honest and mental burden. They may be struggle and think twice in their center about the good and bad, punishment and retribution. These feeling and the trivial make them rounded.
Dialogue is not important. The feeling is much more significant.
A skill had been used in the film to identify the character's emotion. The scene the Chinese manager asks Pasquale to provide lessons to his manufacturing plant. The boss's face is blurred on a regular basis while Pasquale's expressions are registered with details.
It inspired by Italian neo-realism. Location filming is obvious. It really is a documentary filming to spell it out five reviews about differing people. There is absolutely no main character. Each of the five testimonies has its major heroes and detailed using their psychological activities. The whole gathering makes a loose and episodic plot. The film desires an excerpt from the life of Gomorrah. The life there still carrying on and the film concluded with an available ending.
The free camera movements seems handhold. The indoor displays are all dark without man-made light. Sometimes we can not start to see the character's face very plainly minus the three points light. And outdoor, they use the natural sun rays instead of the artificial ones.
Actually, at the first 30minutes or even more, I do not know what the director want to state. Without the beautiful view, so many personas and shooting all the time make me baffled. A lot more is the trivial things. But in the end, audience will sigh for the life. Gomorrah is a symbol and metaphor.
Style / mise-en-scene
The gangster as (doomed) hero
Gangs and gangsters inside and outside (mainstream) society; offense and the law
Codes of behavior: Good vs evil, commitment, betrayal, ambition; consequence and retribution. . .
Godard Pierrot Le Fou
All About My Mom - Pedro Almodovar 1999 Spain
All About Eve - Joseph L. Mankiewicz 1950 USA
Broken Embraces - Almodovar 2009 Spain
A Streetcar Named Desire - Tennessee Williams