Top 27 Tobias Wolff quotes
The reader really has to step up to the plate and read a short story.
There's a joy in writing short stories, a wonderful sense of reward when you pull certain things off.
I try to help people become the best possible editors of their own work, to help them become conscious of the things they do well, of the things they need to look at again, of the wells of material they have not even begun to dip their buckets into.
You don't teach information in a writing workshop.
I teach one semester a year, and this year I'm just teaching one course during that semester, a writing workshop for older students in their late 20s and early 30s, people in our graduate program who are already working on a manuscript and trying to bring it to completion.
That, for me, is a very important test of a young writer's commitment because most of them are going to have to continue doing that when they've finished the program.
One of the last courses I taught was on the Russian short story, which I love.
I love Chekhov. I could go on all day about him.
Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.
Anybody can be very destructive in that position without at all meaning to be, and I know that I have been inadvertently destructive in the past for certain people on certain occasions.
Like so many writers I started writing stories because I didn't have much time for anything else.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
Everything has to be pulling weight in a short story for it to be really of the first order.
You have to be kind of clued into them, they are a world of their own, and most people find them disappointing because the best short stories are not constructed like novels.
Because the more you write the more you're aware of the weight of your tradition and the difficulties of the form and the more you have already done that you do not want to do again.
There are writers who do start doing the same thing again and again and almost inevitably fall into self-parody.
But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little hard to live with, but it's a goad and does keep you alert and restless.
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doing something new. I appreciate that in other writers.
Work for most people is really very social, and the actual thinking is often done in community.
Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Most of us don't live lives that lend themselves to novelistic expression, because our lives are so fragmented.
Perhaps that is why the novel flourished in England. You had these communities that would stay put and people would see one another all the time and cause one another to change and have the opportunity to observe the changes over time.
The short story, on the other hand, is the perfect American form.
But as my brother was doing his research for a book about my father, it became his opinion that the most influential anti-semitism my father encountered when he was growing up was from Jews, because his relatives were German Jews, and doctors.
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.
When I was about 14 or 15 I decided to become a writer and never for a moment since have I wanted to do anything else.
Tobias Wolff essays
Read more informative topics on our blog
Summary Of Several Literary Bits English Books Essay
"Interpreter of Maladies" explores the cultural clashes of two families and the power that interpretation must bring forth communication and interconnection, yet also its potential to expose the reality. Mr. Kapasi's job as an 'interpreter of maladies" allows a connection between himself and Mrs. Das, a connection that brings him to believe " that all was right with the planet. , that all problems were rewarded, that all of life's problems made sense in the end. " (156) Getting rid of his child at a age, moving further and further away from his partner, Mr. Kapasi is unsatisfied and dissatisfied..
The NEED FOR Short Story Authors English Books Essay
Assess the importance of omission as a technique in the work of two brief story freelance writers you have analyzed on the course. The omission in this question seems to make reference to two different techniques in writing, both which are very useful to and prevalent in the short story genre. It might refer to either the utilization of minimalism by creators whereby they omit using a good amount of descriptive words but instead use more simplistic terms to give an apt and emotive yet short account of incidents in a tale. It could also, however, refer to another literary approach by which creators..
State Yes Simply by Tobias Wolff Essay illustrations
In the history Say Yes by Tobias Wolff, a relationship is broken overnight by a revelation with the insufficiency of their love inside the test. Combined with husband's incorrect response to the "Love Test", the relationship can be dramatically demolished by Ann's sudden recognition of the " light " love of her partner. Even though her husband attempts to please Ann with the right solution, her thoughts of love has already been shattered by distrust and suspicion. The hypothetical "Love Test" in the story uncovers the superficiality of his love,..
Subscribe to our updates
79 345 subscribers already with us