Stanley Crouch (December 14, 1945 - ..)
Born: 14th December, 1945
Nationality: American
Profession/Occupation: Critic
Region: Los Angeles, California, American civil rights movement

Stanley Crouch Facts

Biography

Stanley Crouch, (born December 14, 1945, Los Angeles, California, U.S.), American journalist and critic noted for his range of interests and for his outspoken essays on African American arts, politics, and culture.

Crouch grew up in Los Angeles, where he attended two junior colleges and was an actor-playwright in the Studio Watts company (1965-67). While teaching at the Claremont Colleges (1968-75), he also wrote poetry and played drums. He was initially active in the civil rights movement but abandoned it for a more militant viewpoint. In 1975 he moved to New York City, where he promoted jazz performances and then became a staff writer for the Village Voice (1979-88). The racially themed poetry collection Ain't No Ambulances for No Nigguhs Tonight (1972) referenced the 1965 Watts riots in Los Angeles in its title.

Writers Ralph Ellison and, especially, Albert Murray crucially influenced major changes in Crouch's thinking. Like Murray, he criticized politicians and writers who viewed black people as victims and black culture as deprived. He came to oppose black nationalism, accusing it of narrowness of vision, even of racism; separatist leaders such as Malcolm X and Stokely Carmichael, according to Crouch, vitiated the civil rights movement. Although he was an enthusiastic admirer of what he considered avant-garde jazz in the 1970s, he opposed the music in the '80s, when he became a spokesman and mentor for popular jazz trumpeter Wynton Marsalis. The objects of Crouch's published attacks included many forms of racism as well as filmmaker Spike Lee, novelist Toni Morrison, and rap music. He wrote columns for The New Republic and the New York Daily News and articles for publications such as The New Yorker, Esquire, Harper's Magazine, and JazzTimes. In 1987, with Marsalis, Crouch helped to establish a program of jazz concerts at the Lincoln Center for the Performing Arts in Manhattan. The program was enshrined as an official department, Jazz at Lincoln Center, in 1991.

Crouch was the author of the essay collections Notes of a Hanging Judge (1990), The All-American Skin Game; or, The Decoy of Race: The Long and Short of It, 1990-1994 (1995), Always in Pursuit: Fresh American Perspectives, 1995-1997 (1998), and The Artificial White Man: Essays on Authenticity (2004). Reconsidering The Souls of Black Folk: Thoughts on the Groundbreaking Classic Work of W.E.B. DuBois (2002; with Playthell Benjamin) was written in commemoration of the 100th anniversary of the publication of Du Bois's The Souls of Black Folk. Crouch introduced the photography collection One Shot Harris: The Photographs of Charles "Teenie" Harris (2002), which selected images from 40 years of Harris's work in Pittsburgh's African American neighbourhood the Hill. Considering Genius (2006) drew on Crouch's lengthy catalogue of essays on jazz.

Don't the Moon Look Lonesome (2000), generally poorly reviewed, was his first attempt at fiction; it chronicled a love affair between a white jazz singer and her black jazz trumpeter boyfriend. Better received was Kansas City Lightning: The Rise and Times of Charlie Parker (2013), a wide-ranging desultory biography of the jazz saxophone player. Crouch appeared frequently on television as a commentator and was among the contributors to Ken Burns's documentary Jazz (2001).

Top 31 Stanley Crouch quotes

Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.
About
Day
Definitely
Every
Every day
Head
How
Like
Now
Phrase
Something
Thinking
Want
Writing
The discussion of ideas as opposed to the American narcissistic obsession with what's going on with the self, that's the general thing people are talking about.
About
American
Discussion
General
Going
Ideas
Narcissistic
Obsession
Opposed
People
Self
Talking
Thing
Getting to the pint where the other is not the enemy is a big leap.
Big
Enemy
Getting
Leap
Other
Pint
Where
You'd never know that listening to people in the UN but tribalism is the father of racism.
Father
Know
Listening
Never
People
Racism
Un
You
People don't really think other people are the same.
Other
People
Really
Same
Think
The high point of civilization is that you can hate me and I can hate you but we develop an etiquette that allows us to deal with each other because if we acted solely upon our impulse we'd probably go to war.
Acted
Because
Civilization
Deal
Develop
Each
Etiquette
Go
Hate
High
High point
I can
Impulse
Me
Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.
About
Bring
Continuity
Experience
First-person
How
Human
Job
Occasions
Opposed
Our
People
See
Them
As you know from reading many of these Negro writers, we don't deal too much with the discussion of democracy and what it means and how improvisation fits in all that.
Deal
Democracy
Discussion
Fits
How
Improvisation
Know
Many
Means
Much
Reading
Too
Too much
Writers
You can meet a young person who goes to school and is really enthusiastic, but if a sufficiently strong personality convinces them that this is a waste of time, that person might flunk out.
Enthusiastic
Goes
Meet
Might
Out
Person
Personality
Really
School
Strong
Sufficiently
Them
Time
Waste
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
Aesthetic
Aspects
Class
Country
Ethnic
Identity
Region
Same
Sexual
Those
You
Your
When you're artistic director of a program, you present the music you want to present.
Artistic
Director
Music
Present
Program
Want
You
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
Academic
Aesthetic
Besides
Elements
Fall
Get
Human
Just
Learning
Mean
Notes
Out
Place
Proposition
All of us are made up of the stories that we listen to, the ones we disagree with and the ones that we agree with.
Agree
Disagree
Listen
Made
Stories
Up
Us
I don't know any women who don't think about what they look like, and I don't know any men who don't think about what women look like.
About
Any
Know
Like
Look
Men
Think
Who
Women
When people conclude that all is futile, then the absurd becomes the norm.
Absurd
Becomes
Conclude
Futile
Norm
People
Then
Under popular culture's obsession with a naive inclusion, everything is O.K.
Culture
Everything
Inclusion
Naive
Obsession
Popular
Louis Armstrong, who learned to be in exquisite dress, came from the bottom, and he's not a trash can.
Armstrong
Bottom
Came
Dress
Exquisite
He
Learned
Louis
Louis armstrong
Trash
Who
If there's an intellectual highway, there's also an intellectual subway.
Also
Highway
Intellectual
Subway
Rap actually comes out of punk rock, not black music.
Actually
Black
Black music
Music
Out
Punk
Punk rock
Rap
Rock
Popular culture tells you that schools and parents don't know what's going on, the police are dogs, politicians are all liars and scum, and any crime that's not committed by the Mafia is done by the CIA.
Any
Cia
Committed
Crime
Culture
Dogs
Done
Going
Know
Liars
Mafia
Parents
Police
Politicians
Unfortunately, I'm not a person that's always capable of living up to the Boy Scout philosophy.
Always
Boy
Boy scout
Capable
Living
Person
Philosophy
Scout
Unfortunately
Up
What we need in America is a renaissance. We need to go forward by going backward.
America
Backward
Forward
Go
Going
Need
Renaissance
Everybody has to be reminded that there's another way to be. Another more mysterious, unpredictable way to be that's not necessarily based upon contrivances.
Another
Another way
Based
Everybody
More
Mysterious
Necessarily
Reminded
Unpredictable
Way
I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.
Almost
Also
Any
Black
Both
Complex
Extremely
Getting
Intelligent
Lot
Love
Love story
Novels
Odds
In America, we have to learn to be patient enough to figure out what somebody is saying. Somebody might actually be saying something.
Actually
America
Be patient
Enough
Figure
Learn
Might
Out
Patient
Saying
Somebody
Something
Our democratic richness arrives when we're able to comprehend our collective humanity accurately.
Able
Accurately
Collective
Comprehend
Democratic
Humanity
Our
Richness
Our society has gotten to the point where we might soon become less and less shocked by any kind of violence.
Any
Become
Gotten
Kind
Less
Might
Our
Point
Shocked
Society
Soon
Violence
Where
The grand irony, however, is that Southern segregation was not brought to an end, nor redneck violence dramatically reduced, by violence.
Brought
Dramatically
End
Grand
However
Irony
Nor
Redneck
Reduced
Segregation
Southern
Violence
Big business, for all its lobbying, is often put in line by investigative reporting, public scandals and multi-million-dollar judgments in court against those who put products on the market that are dangerous to their buyers.
Against
Big
Big business
Business
Buyers
Court
Dangerous
Investigative
Judgments
Line
Lobbying
Market
Often
Products
But the myth of violent solutions as the ultimate solutions maintains itself in much of popular media.
Itself
Media
Much
Myth
Popular
Solutions
Ultimate
Violent
When a violent minority that crosses color lines comes to believe that killing those you know or do not know is a reasonable solution to problems, we are in need of another vision.
Another
Believe
Color
Crosses
Know
Lines
Minority
Need
Problems
Reasonable
Solution
Those
Violent
Vision

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