Ama Ata Aidoo (March 23, 1942 - ..)
Born: 23rd March, 1942
Nationality: Ghanaian
Profession/Occupation: Author
Region: Gold Coast, "No Sweetness Here", "Anowa", "The Dilemma of a Ghost"

Ama Ata Aidoo Facts

Biography

Ama Ata Aidoo, in full Christina Ama Ata Aidoo, (born March 23, 1942, Abeadzi Kyiakor, near Saltpond, Gold Coast [now Ghana]), Ghanaian writer whose work, written in English, emphasized the paradoxical position of the modern African woman.

Aidoo began to write seriously while an honours student at the University of Ghana (B.A., 1964). She won early recognition with a problem play, The Dilemma of a Ghost (1965), in which a Ghanaian student returning home brings his African American wife into the traditional culture and the extended family that he now finds restrictive. Their dilemma reflects Aidoo's characteristic concern with the "been-to" (African educated abroad), voiced again in her semiautobiographical experimental first novel, Our Sister Killjoy; or, Reflections from a Black-Eyed Squint (1966). Aidoo herself won a fellowship to Stanford University in California, returned to teach at Cape Coast, Ghana (1970-82), and subsequently accepted various visiting professorships in the United States and Kenya.

In No Sweetness Here (1970), a collection of short stories, Aidoo exercised the oral element of storytelling, writing tales that are meant to be read aloud. These stories and Anowa (1970), another problem play, are concerned with Western influences on the role of women and on the individual in a communal society. Aidoo rejected the argument that Western education emancipates African women. She further exposed exploitation of women who, as unacknowledged heads of households when war or unemployment leaves them husbandless, must support their children alone. In 1982-83 she served as Ghana's minister of education. Aidoo published little between 1970 and 1985, when Someone Talking to Sometime, a collection of poetry, appeared. Her later titles include The Eagle and the Chickens (1986; a collection of children's stories), Birds and Other Poems (1987), the novel Changes: A Love Story (1991), An Angry Letter in January and Other Poems (1992), The Girl Who Can and Other Stories (1997), and Diplomatic Pounds and Other Stories (2012).

Top 8 Ama Ata Aidoo quotes

For us Africans, literature must serve a purpose: to expose, embarrass, and fight corruption and authoritarianism. It is understandable why the African artist is utilitarian.
African
Artist
Corruption
Embarrass
Expose
Fight
Literature
Must
Purpose
Serve
Understandable
Us
Utilitarian
Why
They had always told me that I wrote like a man.
Always
Had
Like
Man
Me
Wrote
People are worms, and even the God who created them is immensely bored with their antics.
Bored
Created
Even
God
Immensely
People
Them
Who
Worms
It's a sad moment, really, when parents first become a bit frightened of their children.
Become
Bit
Children
First
Frightened
Moment
Parents
Really
Sad
At the age of 15, a teacher had asked me what I wanted to do for a career, and without knowing why or even how I replied that I wanted to be a poet.
Age
Asked
Career
Even
Had
How
Knowing
Me
Poet
Replied
Teacher
Wanted
Why
Without
Because I am an African, I am a Ghanaian.
African
Am
Because
I am
Africa is not fulfilling people's hopes and aspirations. African leaders have not had an agenda that included governing Africa so that people would find their careers, their life, dreams and visions fulfilled here.
Africa
African
Agenda
Aspirations
Careers
Dreams
Find
Fulfilled
Fulfilling
Governing
Had
Here
Hopes
Included
Politicians are easy to attack, but frankly, we are all guilty of not meeting the needs of Africa's young people properly.
Africa
Attack
Easy
Frankly
Guilty
Meeting
Needs
People
Politicians
Properly
Young
Young people

Ama Ata Aidoo essays

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